Eccentric genius Walter O'Brien and his team of brilliant misfits continue to be the last line of defense against the complex, high-tech threats of the modern age as they solve extreme, life-threatening cases, including a global extinction event, a nuclear missile launch on U.S. soil, and even the perils of geniuses trying to start a family.

In the third season premiere, Team Scorpion must put aside their personal and romantic troubles when anonymous hackers with unknown motives take control of targeted U.S. military aircraft and war ships and point America's weaponry at its own cities.

Scorpion begins its second season as Walter O'Brien and his team of brilliant misfits continue to solve the complex, high-tech threats of the modern age.

Scorpion is a high-octane thill ride based on the true story of Walter O'Brien, an eccentric genius with the world's fourth-highest I.Q. and the creator of a company of brilliant misfits who use their mental muscle to defend the planet against complex high-tech threats of the modern age.

When Buy More computer geek Chuck Bartowski unwittingly downloads a database of government information and deadly fighting skills into his head, he becomes the CIA's most vital secret. This sets Chuck on a path to become a full-fledged spy.

CIA officer Carrie Mathison is tops in her field despite being bipolar, which makes her volatile and unpredictable. With the help of her long-time mentor Saul Berenson, Carrie fearlessly risks everything, including her personal well-being and even sanity, at every turn.

John Reese, former CIA paramilitary operative, is presumed dead and teams up with reclusive billionaire Finch to prevent violent crimes in New York City by initiating their own type of justice. With the special training that Reese has had in Covert Operations and Finch's genius software inventing mind, the two are a perfect match for the job that they have to complete. With the help of surveillance equipment, they work "outside the law" and get the right criminal behind bars.

Doogie Howser is a doctor. He is also a 16-year-old genius who graduated college at age 10 and finished medical school at age 14. But he is still a teenager, with normal teenage friends and problems. But unlike a normal teenager, he is just learning to drive while also consulting on serious medical cases like heart transplants.

Honey, I Shrunk the Kids: The TV Show is an American syndicated science fiction sitcom based on the 1989 film, Honey, I Shrunk the Kids. It expands upon the original film's concept of a shrinking experiment gone wrong to include a myriad of experiments gone awry. It debuted in first-run syndication on September 1, 1997 and ran for three consecutive seasons, concluding with the 66th episode on May 20, 2000. Peter Scolari took over the role as Wayne Szalinski, the wacky inventor in the original film, played by Rick Moranis. Each episode incorporates new technologies and digital effects to feature the family in various new adventures. The series was filmed in Calgary, Alberta, with its main studios located in Currie Barracks, a decommissioned Canadian Forces dormitory.

The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters. The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner's pilot script, written in March 2001, posited a re-invented CIA tasked with a "War on Terror" after Osama Bin Laden's Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season. The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and "The Agency", at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season's final episode.