Our time with the Crawleys draws to a close and we see what will finally become of them all. Secrets and rifts threaten the unity of the family, while those below stairs continue to navigate social changes which put their futures in jeopardy. Will Mary choose the right path? Will her sister Edith finally get a break?! Will Carson and Mrs Hughes actually make it up the aisle? And will Anna and Bates overcome the many hurdles that have been set before them?

Season 5 finds the Crawley family and the staff struggling with responsibilities and choices as they adjust to life in the Roaring Twenties. A new Labour government heralds changes that are being felt throughout the land, and Robert, Mary and Branson together must navigate these shifting sands to ensure the future of the estate for generations to come. As Branson finds himself playing a more crucial role at Downton than ever before, he can’t help questioning his place in this world. Mary is finally coming to accept that she would like to marry again, but will she ever be able to find the same happiness that she had with Matthew? Meanwhile with still no news of her beloved Gregson, Edith suffers under the burden of her terrible secret. Downstairs, the servants are starting to consider what effect social changes may have on their working lives. While Daisy’s mind is opened to new possibilities, Mrs Patmore views such new and uncertain paths with trepidation. Anna and Bates have weathered many storms and are finally starting to plan their future. But with so much painful history, will they ever be able to completely move on, or will past secrets once again threaten their chance of ever finding happiness?

Set in 1922, the fourth series sees Lady Mary mourning her loss as the Crawley family and the servants who work for them remain inseparably interlinked.

The Great War is over and a long-awaited engagement is on, but all is not tranquil at Downton Abbey as wrenching social changes, romantic intrigues, and personal crises grip the majestic English country estate. As other great houses are crippled psychologically and financially in the wake of World War I, Robert, Earl of Grantham, sticks to his duty to maintain Downton more firmly than ever. But in this changing landscape nothing is assured, and could it be that even the war-weary Crawleys must fight a new battle to safeguard their beloved Downton?

Lord Robert Crawley and his family live a life of leisure, while a fleet of servants, including butler Carson, attend to their every need. But two events conspire to shake things up: the sinking of the Titanic, which claims Crawley's heirs, and the return of his valet, Bates. Since Crawley and Lady Cora have three daughters, his distant solicitor cousin, Matthew, becomes heir to the estate. With that, the scheming begins, since Thomas the footman views Bates as an interloper and Crawley's mother, Violet, feels the same way about Matthew's mother, Isobel.

Set in England in the early 19th century, Pride and Prejudice tells the story of Mr and Mrs Bennet's five unmarried daughters after the rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, have moved into their neighbourhood. While Bingley takes an immediate liking to the eldest Bennet daughter, Jane, Darcy has difficulty adapting to local society and repeatedly clashes with the second-eldest Bennet daughter, Elizabeth.

Atlantic City at the dawn of Prohibition is a place where the rules don't apply. And the man who runs things -- legally and otherwise -- is the town's treasurer, Enoch "Nucky" Thompson, who is equal parts politician and gangster.

Seven-year-old Jess is removed from her peculiar Pentecostal home and sent to school.

The generous John Jarndyce, struggling with his own past, and his two young wards Richard and Ada, are all caught up, like Lady Dedlock, in the infamous case of Jarndyce vs. Jarndyce, which will make one of them rich beyond imagination if it can ever be brought to a conclusion. As Tulkinghorn digs deeper into Lady Dedlock's past, he unearths a secret that will change their lives forever, and which is almost as astounding as the final outcome of the Jarndyce case.

The classic BBC dramatisation of Tolstoy's epic story of love and loss set against the backdrop of the Napoleonic Wars. Anthony Hopkins heads the cast as Pierre Bezuhov (a role for which he won the 1972 Best Actor BAFTA); Morag Hood is the impulsive and beautiful Natasha Rostova; Alan Dobie is the dour but heroic Andrei Bolkonsky; and David Swift is Napoleon, whose decision to invade Russia in 1812 has far-reaching consequences for Pierre and the Rostov and Bolkonsky families. The twenty-part serial was the vision of producer David Conroy whose principle aim was to transfer the rich characterisation and incident from Tolstoy's greatest novel to a television drama. Scripted by Jack Pulman and directed by John Davies, Conroy's War And Peace boasts superb acting, award-winning design (1972 Best Design BAFTA) and breathtaking battle sequences which were filmed in former Yugoslavia.

Belgravia, 1871. When Lord Frederick Trenchard meets Clara Dunn, their courtship is full of passion. But after they marry, the scandalous world of high society and a long-buried family secret threaten to unravel their happiness.