This is an amazing plot.The suspense was good, a shear thriller. The amateur part of the script has been executed so well. There are definitely places where some improvement could have made this movie a cult. For example, a guy who works in mortuary would definitely know about the autopsy procedure. The script writer might have intentionally ignored it as that could be a complex one. Rating it 10 as ignoring flaws this is a daring attempt.

This film has a shock factor due to the subject matter. The characters aren't bad, but with the one setting and only few characters they do feel a little one dimensional at times. Alba Ribas (Anna Fritz) steals the show for me. But the other actors do a good enough job too. The story is non-existent. Although I get what Isaac P. Creus is trying to convey. But it doesn't quite work for my taste. However, the payoff is pretty satisfying after what they did to her. I however cannot recommend this film as I think it doesn't really offer anything, but a shock value which is over after a couple of minutes.

Wow! Well, Spanish films are always on the verge and this one is no exception. It is morbid and the story is quite ... morbid but wow! Three actors ( or you can say four) that make up the entire story and not for a single moment is boring or whatever. I mean , it was predictable that she will be caught at one point ( the lift scene) but besides that, it was really a suspense and you were on the guess.I must say that all four ( or three actors) are really great in their roles! Especially the main villain! But, really, all of them are quite believable.The theme of the film is really disturbing but, somehow, it is well done and entertaining. Nine from me. I would give it a ten if the last 10 seconds were a bit different. I expected her to smile or say something... Though I know that the ending is actually the most convenient one.

Anna Fritz (Alba Ribas) is not a human being. In the public eye, she's a celebrity, a religion, an object. "The Corpse of Anna Fritz" makes this clear in its opening scene. As we see her lifeless corpse being moved to the morgue, voice-overs of people on the news are heard. They discuss her impressive career, shower her with compliments on her looks, and gush over how perfect a human being she is. This makes what follows all the more interesting.Three friends end up in the morgue, alone with her corpse. Though there are brief and glossed over moments of ethical struggle before things get down and dirty, the characters are one-dimensional and serve a distinct purpose in the story. There's the moral compass, the antagonist and the spineless coward. While certain moments could have been more tastefully done, the film does raise questions on whether there is a grey area between right and wrong. In the hands of another team, this could have been a film further beyond our comfort zones that delved into its meaty themes of moral conflict, the ethics of necrophilia, the difference (if any) between the ownership of one's body before and after death and the repercussions of celebrity idolisation.To be fair, the film does do something different in terms of the way the story shifts focus and evolves with its turns. The acting is fine but not entirely convincing, with Ribas being the stand out.For a second I had thought that the film would end without its final twist, which was preceded by a intense escape sequence that's noteworthy. This would have been a subversive choice but would probably feel out of place given what they were going for: an entertaining, if predictable, midnight movie that's safe and thus more satisfying.