As I write this review, I must admit that I have already watched this movie more than a few times in the last 6 years. Still, I enjoy this sweet-relevant drama, which talks about love for the dying culture in our society. The movie revolves around a woman (Dixit as Dia), who returns from USA to save a theater from being demolished by a local businessman in order to build a shopping complex. In the first 15 minutes, where the flashback takes us to Dia's past life (special mention here for song 'O re piya' that sums up the past life of Dia), we start to feel why Dia is so upset about hearing the news of her Guru's death and the demolition of Ajanta theater. Although the story is predictable from start to end, what makes this movie watchable are the interesting subplots. All the supporting casts are nicely waved inside the main plot, each having their own charm and by the end of the movie, we can feel for each of the characters. Agreed, that the movie does not have over-the-top drama to surprise our Indian audiences but what makes up for that is the last half an hour, which is a Broadway-style stage act (probably the first of its kind in Indian cinema) performed by the locals. Turn of events and change of minds of the antagonists (Irfan Khan, Akshay Khanna) takes place through this play, which was colorful, wonderfully-choreographed with apt lyrics and to top it all, "Madhuri Dixit" anchoring the play. The movie would not be the same without the main protagonist played by ever dependent Madhuri Dixit. She never went overboard and played the character of Dia with the right amount of subtlety. Dixit was supported by wonderful bunch of supporting casts, which includes the likes of Akshay Khanna, Irfan khan, Ranvir, Vinay, Konkona, Sushmita etc. It is also one of the best ensemble. The characters are well-etched, which is very important for a good movie. Special mention for Madhuri-Akshay chemistry. All the scenes they came together was a treat and left us yearning for more. Overall a feel-good movie that, surely, will bring smile in the end. :)

I'm quite frankly bewildered and saddened by some of the negative reactions, both from movie goer's and critics, with regards to Aaja Nachle. Many people expected, for the return of Madhuri Dixit to films, that Yash Raj would have created some huge spectacular epic full of pomp, color and costumes. But that simply isn't Madhuri's style now. It was a script she approved because she felt it was most like her life now. And she chose well.Frankly, the movie is perfect for her. The dancing reflects all of Madhuri's abilities as a dancer, from classical Indian styles to modern. She dances better than ever here. Is the script original? Absolutely not, but critics of this movie have conveniently forgotten that most Hindi films do not have scripts that are particularly original. Aaja Nachle is simply a movie that every country in the world who produces films has made at one point or another. The "underdog" takes on the government/the bad guy/the evil ruler, overcomes a lot of obstacles, and wins the day (and usually the heart of the people or someone else). The difference here is that Madhuri, the lead actor, doesn't end up with a romance at the end (though we get the future possibility). Madhuri, like Juhi Chawla and other Indian actresses who are over 40 and married, realize that they can no longer "run around trees" believably like their younger counterparts. So a role such as this is perfect for Madhuri. The problems/flaws of this script shouldn't unfairly rest upon her shoulders.What people also forget is the wonderful ensemble cast this movie has. I throughly enjoyed their stories and personal relationships and problems: corrupt politicians, a best friend held back by her husband, a boring man who wants more spark in his love live, the angry young man who finally learns what love is, and the young woman who learns what depths love can take her to. It's the solid characterization that this movie has that makes it engaging. Not elaborate costumes or big musical production numbers.That having been said, the musical numbers, particularly the play-within-the-movie run the gamut from being fun to beautiful to heart breaking. I was particularly struck by one song not on the soundtrack, "Ishq Ishq". Madhuri's dancing in this is both modern and reminiscent of a worshipful devotee. Breathtaking.Ignore the naysayers. Notice that most of the people here actually liked the film. Don't expect some elaborate script or huge costumed melodrama like "Devdas." It is what it is: a feel-good movie with a wonderful cast and the return of the Queen of Hindi cinema doing exactly what she does best. May this not be her last film.

Aaja Nachle - Madhuri's comeback movie could not create the ripples it should have in the movie world. The first thing which was not in tunes were the weak promos and the weakest musical score for a comeback movie like this. If you see the movie, you will find that there are better scenes and dance sequences which should have been used to introduce the film in the market. The story line and the basic plot has a striking resemblance to the theme of a Brazilian Movie called "Xuxa Requebra" which came in 1999. (http://imdb.com/title/tt0228778/) which was also not a well made movie. In the whole movie Madhuri is the only positive thing to see and she keeps on trying to make it happening with all the artists. She still looks ravishing and can carry a whole movie on her own but she was not given the backup of a good script. The next best thing in the movie is Akshay Khanna & Divya Dutta, but they also have their limited scenes. The talented Irfan Khan is just wasted. The viewer never gets convinced or feels entertained while watching the movie. The writing is not upto the mark and almost all the scenes are weakly written which simply fail to impress. The only scene which i liked was the emotional breakdown scene of Divya Dutta and Irfan Khan in the climax. The movie has the weakest start as Madhuri is straight away introduced in the first scene and that also in a song sequence. The climax "Laila-Majnu" concert is well executed but the melody required is not there. The movie has a good feel but you don't get entertained which is a must for a good film. Ratings : 2 Star Rating (with special mention of Madhuri's spirited performance)

This is more than Bollywood. Madhuri Dixit is versatile as Hema Malini, Aishwarya Rai, Rekha & Sridevi. Just like in Devdas, she has performed excellent as expected in this movie after a period of R&R.The music, choreography & actors were excellent. The young love in the acting performance was excellent... Laila-Magnu. The young actors playing those characters real love was romantic in the Bollywood way & as in Romeo-Juliet way.The director showed that even when a man is "jilted at the alter", he can forgive his love even after 11 years apart.The weakest directing is that Akshaye Khanna could have been more romantically challenging. His role was very short. In the ending, it wasn't solid but dull. With the end though, it was nice to see everyone happy but making the whole villagers look gay (happy) is so unrealistic. A grumpy old man or woman should have added some real comedy.The evil man turned out not to be a strong villain. But then this movie tells you more about the society & how they think or will say. The directer showed the real dilemma of a young girl's love for her life & happiness, her best friend's obedience to her own husband, the villager's harsh branding words & insults, and a middle-aged couple whose marriage was getting boring. These are real life reflections in every country. This director showed it all in one film & Madhuri Dixit acting showed that although it looked like a defeat, you need to try your best, get up your courage & face your demons whether it be 10 years ago or 5 years ago. This is not a documentary, but read between the lines and see what the message is.Some songs were not so interesting but the best of all is the finale dance Ishq. Madhuri Dixit put the flexibility in her dancing that makes you wish you could dance like that.