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Gus is a fat cartoonist that recently won a battle against cancer, which explains his baldness. But he is also lonely. Therefore, his caring sister tries to set him up with suitable woman. But to do so, she must turn him into an irresistible man. When he falls in love with Emily, Gus takes the identity of a mysterious biker from New Zealand.

Steve Guttenberg as  Gus Kubicek / Lobo Murunga
Jami Gertz as  Emily Pear
Shelley Long as  Lizzie Potts
Kyle MacLachlan as  Trout
Kevin Scannell as  Mitchell
Mädchen Amick as  Mandy
Beth Grant as  Babette
Nada Despotovich as  Receptionist
Perry Anzilotti as  Hairdresser
Bill Applebaum as  Man in Bar

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Reviews

Anton Chernyavsky
1990/09/21

Not being a native speaker it is sometimes hard for me to understand what is the meaning of some words because we don't have an equivalent in my language. One of such words is cute, neither beautiful nor attractive. I was explained it's like somehow good or beautiful but not enough. This movie is just like that. Unless you are totally romantic you gonna hate this film. I mean predictable story, lots of overused moments and twists, classical ending... I loved it! The thing is the film is good at it's main purpose, it is romantically charming. And that means a lot, at least to me. It's a good-natured film about good-natured people for the good-natured viewers.

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Natalie Melendez
1990/09/22

The Boyfriend School is a classic tale and it goes a little something like this: A socially awkward (but good-natured) cancer survivor falls in love with a beautiful woman whom he knows virtually nothing about, except that she's attractive and not the least bit interested in him as a person. His sister, a trashy romance novelist, helps him out by putting him through a rigorous diet and exercise plan. She also advises him to change his name, ethnicity, and adopt the characteristics of a standard, douche-bag Alpha-male. Wahla! He blossoms from a pale, sickly, bald guy named Gus to a bronzed, hard-bodied beach bro (with a curly blond Lorenzo Lamas-lookin' mullet) named Lobo. Suddenly the object of his desire is interested. Of course, at some point he has to come clean about who he really is and she has to realize that while she was so caught up in the superficial, she failed to realize that Gus was the man of her dreams all along... yadayadayada. What's the point of this story? Inner-beauty triumphs over outer-beauty. Of course, you have to look good in order for people to even want to get to know your inner-beauty. Oh, and it doesn't matter if you're a superficial nitwit because there will always be some dude out there happy to change himself to be the man of your dreams. Message received, Hollywood. Thanks a lot!

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4jfmn4e02
1990/09/23

This is a romance with a top cast of experienced actors who really click together. Shelly Long also starred as a class act in 'Troop Beverly Hills' as a fashion-minded Wilderness Girl's (sort of like the Girl Scouts) leader. In this movie, she is a top-selling romance writer with the pen name of Vivica Lamoreaux.In "Don't Tell Her It's Me", which I did read the book, the movie starts with Gus, a cartoon artist and survivor of a year of radiation treatments and chemotherapy who is finally cured but still looks all swollen up like a living Mr. Potatohead. He is bearing up under his awful looks with the help of his irrepressible and upbeat older sister, Shelly Long as Lizzie Potts.What makes this movie so transcendental and such a grabber is that with the help of Lizzie, Gus is transformed from a hopeless reject into every woman's dream of the perfect romance rogue. He works off the fat and swollenness, and his hair grows back, and he becomes--well--shall we say, Steve Guttenburg at his lady-killer best? The fact that he is not a real rogue, but that Lizzie is helping him to look and act like one, moves the viewer to transports as Gus actually achieves the look more completely than a real rogue could possibly manage. In fact, he retains his intrinsic 'niceness' while outwardly making a masterly showing of being the ultimate romantic rake, a motorcycle-riding long-hair who goes by the name of 'Lobo Marunga'.Gus' intended target, Emily Pear, on whom he is hopelessly stuck, is played by lovely Jami Gertz, who is torn inwardly between whether to fall for -and permanently tie the knot with- her secretly unfaithful newspaper boss, Trout, played by Kyle MacLachlan, or to go for Lobo, the totally unexpected wild card in her otherwise dead-end life. Emily is endlessly polite to a fault throughout the movie, as well as sexy, articulate, compassionate, and a total fox. She affects this fazed-out look at times in perfect response to various situational predicaments which is infinitely expressive.The transformation of potato-Gus into lean muscular rogue Lobo pulls at the heart, as a hopeless reject becomes every lonely woman's fantasy ideal, and it is done believably in the personification of Steve Guttenberg. There is even a medical doctor listed in the film credits at the end, as a consultant on the disease Gus is recovering from. Also, the special effects and make-up department succeed in making Gus look like a real medical patient recovering from the disease. It's not fakey at all. He really looks it.My trust never felt betrayed by the actors' performances, or how they portrayed themselves. Shelly Long has an amazing range of facial expressions, with her eyes the most expressive of all. Steve Guttenberg makes the most fantastic and enjoyable changes in appearance from potato Gus to lean heart-stealer Lobo, and finally to super Mr. Nice Guy. Jami Gertz has a way with silent looks that must be seen to be believed. Kyle MacLachlan is a very funny two-timer in an off-handed way that is never affected and actually humorous. Not to be overlooked is beautiful American-born Madchen Amick, Trout's secret playmate, who is actually half German, a quarter Norwegian, and a quarter Swedish; as well as Lizzie Potts' husband, Mitchell Potts, played by equally funny and experienced Kevin Scannell; the married stunt team of Tony and Jeannie Epper, the authentic motorcyclist John 'Speed' Finlay, and others.The movie makes skillful use of contrasts and contrivances, such as the little boy on a bicycle watching Lobo dance with Jamie, a boy who might well one day become a future 'Lobo' lady-killer himself. Also, while Lobo is competing with Trout for Emily, Lizzie Potts is cheerfully hanging stuffed trout decorations on her living room wall. And it's wrong to 'borrow' someone else's motorcycle without permission, but it's more 'okay' somehow if you hook and tear your dress on it first (like; it 'owes' you something, right?) and are deeply in love with its owner and desperate to get him back.There is no down-and-out nitty-gritty genuine hatred of anyone by anyone in this movie, and the non-stop competition for Emily's searching heart reaches awesome levels. It's a very adorable story with the ultimate happy ending.The book this movie is based on is titled "The Boyfriend School". The original movie and VHS were titled "Don't Tell Her It's Me", but when they re-released it on DVD, they re-adopted the title "The Boyfriend School".

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funky_cherry86
1990/09/24

Having just won a battle against leukemia cartoonist Gus Kubicek (Guttenberg)is bald, chubby and not to mention lonely his novelist sister Lizzie Potts (Long) tries to set him up with suitable women. Emily Pear (Gertz) is a young and beautiful reporter whose looking for the right man, after a disastrous first meeting with Gus Lizzie takes it upon herself to transform her brother into a hunk of a man. After a new makeover Lizzie gives him a new name not to mention accent he is now known as Lobo a bad boy biker from New Zealand. Emily finds herself in love with him but Gus wonders if she could ever love the man he really is or a fake dream guy. Steve Guttenberg gave a funny yet touchy performance as Gus Kubicek and Lobo while Jamie Gertz adds a nice touch as his love interest 7/10 Stars

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