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Trailer Synopsis Cast Keywords

A dachshund passes from oddball owner to oddball owner, whose radically dysfunctional lives are all impacted by the pooch.

Ellen Burstyn as  Nana
Kieran Culkin as  Brandon McCarthy
Julie Delpy as  Dina
Danny DeVito as  Dave Schmerz
Greta Gerwig as  Dawn Wiener
Tracy Letts as  Danny
Zosia Mamet as  Zoe
Keaton Nigel Cooke as  Remi
Sharon Washington as  Phillips
Ari Graynor as  Carol Steinhart

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Reviews

trippholland
2016/06/24

I will never get this 90 minutes back in my life. I can appreciate dark humor, but this movie was just so poorly written and directed I have to say probably the worst film I've watched in my entire life. Really bad. The beginning was bad. there were a few amusing moments in the middle and the end was just such... it's not worth your time. staring at the wall for 90 minutes would be more entertaining.

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co_oldman
2016/06/25

Anyone who has previously seen a portmanteau film and experienced the almost inevitable disappointment in spite of the involvement of an accomplished director(s) would be doing themselves a disservice by ignoring Wiener-Dog. Okay, so it's not a masterpiece but three out of the four films within the film are good. The lone hold out is at least an entertaining diversion.This being a black comedy, I might as well begin with the bad, namely the story about a washed up and weary professor at a film school. I suppose it's ironic to write a poorly written screenplay about a professor who himself writes such screenplays and is powerless to prevent his students from doing the same. The whole segment is a bit too meta. One wonder's whether Danny DeVito bafflement as to why he is appearing in this film accounts for some of the professor's evident weariness. Always a supporting cast member, the dachshund almost disappears in this segment, only to deliver the ad hoc conclusion, one which, to be sure, is an amusing and cathartic way of disposing of a half-baked idea.Ellen Burstyn is, as ever, excellent, hilarious as the aloof and world- weary grandmother. Apart from relationships to her granddaughter and caretaker that are sustained by monetary payments, her sole companion is her dachshund, whom she has named Cancer, a delightfully unsuitable name for a dog in an era where euphemism and smarm reigns supreme. Todd Solondz devises an ingenious way of confronting Nana with her regrets regarding how she has treated the people who were close to her throughout her life. Since the leap from director to visual artist is not great, is Solondz, in part, poking fun at himself with his caricature of a contemporary visual artist?Not without its appeal, the trope of an uncommonly attractive woman who, on account of her hopeless awkwardness, struggles to attract weird, greasy dudes always struck me as overly sentimental, the realization of a particularly improbable fantasy. Although it touches on loss and drug addiction, this segment is neither particularly black nor comedic. The director's portrayal of a couple, both of whom have Down syndrome, is uncharacteristically sensitive. A small gesture that concludes the story leaves little doubt as to whether its positive tenor is intentional.My favourite of the four films is the first, which is about a father who buys his son a dachshund to cheer him up, the latter having recently recovered from cancer. When put that way, it almost sounds schmaltzy. The parents lack of interest in training the dog ensures that the situation gets ugly quickly. Remi, the son, loves the dog unconditionally but his parents can't look past its behaviour, in particular its penchant for defecating in the house. While the parents' desire to be honest with their son is noble, Remi has an amusing habit of interpreting their rationalizations in the most morbid light. The Islamophobia of the mother seems timely and the director shows how her prejudice can be passed on to her son through a seemingly innocent conversation. The French folk song "Au clair de la lune" provides effective contrast or enhancement to a couple of noteworthy scenes.I appreciate that it can be difficult to obtain funding for producing independent films but the amount of product placement in Wiener-Dog is regrettable. I expect many viewers will find the ending offensive but it does constitute a definitive end to a series of narratives that were only connected by a single element. The director achieves a memorable if not particularly adroit subversion of cinematic (and societal) conventions.

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shobanchittuprolu
2016/06/26

Wiener-Dog (2016): Dachshund will be anyone's least interest in dogs.Its odd short legged long body may not be liked by all.But Todd Solondz gave it a central role in this anthology drama with four stories that are linked by this Wiener-Dog.Plot: We have 4 stories in this.1) Julie Delpy (Dina) and Tracy Letts (Danny) , an uptight, unhappy couple whose young son Remi (Keaton Nigel Cooke) is recovering from cancer is gifted Wiener-Dog.But Dina hates having a dog and even has a feeling that all female dogs will die during their pregnancy.But due to some mishaps,Wiener is sent to vet for euthanasia.2)Dawn (Greta Gerwig), a veterinarian's assistant,saves Wiener and names it Doo dee.She hopes the dachshund is the means by which she might be able to melt the heart of Brandon (Kieran Culkin), whom she knew in grade school as a notorious bully.3) Dave Schmerz (Danny Devito) , a pathetic has-been screenwriter teaching at a film school where the students despise him and his only friend is his dachshund.He uses Wiener for his revenge but his plan backfires.4)Nana, an aging, blind, embittered woman visited by her granddaughter Zoe (Zosia Mamet), a would-be actor and her outrageous conceptual artist boyfriend, Fantasy (Michael Shaw) for money to help for his art collection.Plus Points:1)Plot: Four different dysfunctional stories united by a Wiener dog is a striking subject.2)Story 3: Story of Dave Schmerz is brilliant and I loved it.It is the best part of the movie with brilliant performances and pace.3)Direction: Todd Solondz's direction is unique and odd.But its remarkable.4)Duration: Just 1hr 28 min.Minus Points:1)Story 2: It could have been better but weird performances made it look bad.2)Climax: The extended shot of the dead body of Wiener is so violent and hurting.It could have been avoided.SO,Wiener-Dog is a good one time watch anthology where 3rd Story is best of all.My rating 6.25/10

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vindstilla
2016/06/27

As i watched this movie i had a few good laughs.. but in the end, i failed to get the point. If there was one.. the acting is stiff and artificial, which by all means may have been intended, but not to my liking. The interconnected stories didn't connect at all which made the plot impressively uninteresting. Was it even the same dog pictured throughout the movie? Who knows... the humor is quirky, dark and bizarre, I can give credit for that, but there is no story.. Half way through I started yawning and towards the end of the movie I longed for it to end. Even so I rate this movie with a 6, since it was actually funny, when you managed to look past the pointlessness of it all.

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