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Margaret O'Brien

Birthday: 1937-01-15 Place of Birth: San Diego, California, USA
Synopsis

​From Wikipedia, the free encyclopedia Margaret O'Brien (born January 15, 1937) is an American film and stage actress. Although her film career as a leading character was brief, she was one of the most popular child actors in cinema history. In her later career, she appeared on stage and in supporting film roles. She was born Angela Maxine O'Brien; (she later changed her name to Margaret following the success of the film Journey for Margaret, in which she played the title role). Her father Lawrence O'Brien, a circus performer, died before she was born.[1]; Margaret's mother, Gladys Flores, was a well-known flamenco dancer who often performed with her sister Marissa, also a dancer. Margaret is of half-Irish and half-Spanish ancestry. She made her first film appearance in Babes on Broadway (1941) at the age of four, but it was the following year that her first major role brought her widespread attention. As a five-year-old in Journey for Margaret (1942), O'Brien won wide praise for her convincing acting style. By 1943, she was considered a big enough star to have a cameo appearance in the all-star military show finale of Thousands Cheer. She played a young French girl, and spoke and sang all her dialogue with a French accent, in Jane Eyre (1944). Arguably her most memorable role was as "Tootie" in Meet Me in St. Louis (1944), opposite Judy Garland. O'Brien had by this time added singing and dancing to her achievements and was rewarded with an Academy Juvenile Award the following year as the "outstanding child actress of 1944." Her other successes included The Canterville Ghost (1944), Our Vines Have Tender Grapes (1945), and the first sound version of The Secret Garden (1949), but she was unable to make the transition to adult roles. A 1946 Looney Tunes short, Book Revue, placed a caricature of O'Brien in the role of Little Red Riding Hood. Margaret later shed her child star image in 1958 by appearing on the cover of Life Magazine with the caption "The Girl's Grown", and was a mystery guest on the TV panel show What's My Line?. O'Brien's acting roles as an adult have been few and far between, mostly in small independent films. However, she does do occasional interviews, mostly for the Turner Classic Movies cable network. She played the role of Betsy Stauffer, a small town nurse, in "The Incident of the Town in Terror" on television's Rawhide. Another rare television outing was as a guest star on the popular Marcus Welby, M.D. in the early 1970s, reuniting Margaret with her Journey For Margaret and The Canterville Ghost co-star Robert Young. Description above from the Wikipedia article Margaret O'Brien, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Acting

Near Myth: The Oskar Knight Story
as    Herself
A documentary chronicle of one of our greatest directors.
Impact Event
as    Amanda
A slow burn into insanity as a small band of survivors find themselves spending a post-meteoric apocalypse in a fun house converted into a bomb shelter.
Halloween Pussy Trap Kill! Kill!
as    Bridgette's Grandmother
On Halloween, an all girl rock-n-roll band called “Kill Pussy Kill” ventures out to play their biggest show to date. However, before hitting the road they manage to unwittingly upset a man. Unfortunately, this man turns out to be an evil genius dead set on revenge. The evil genius manages to lure the girls into his Hell House and when they wake up from being gassed, they find themselves trapped inside an inescapable room filled with a vicious variety of devices that can kill them as well as a variety of weapons that can be used on each other. The rules are simple: advance through all three rooms and you are allowed to go free. The catch is, in order to make it to the next room, someone must die!
A Night at the Movies: Merry Christmas!
as    Self - Interviewee
A Night at the Movies: Merry Christmas! is a tinsel-filled journey through the most iconic holiday films of all time, including perennial favorites It's A Wonderful Life (1946) and Miracle on 34th Street (1947). The special looks at variations within the genre, such as holiday romances, family movies, and even thrillers. A Night at the Movies: Merry Christmas! features behind the scenes stories and personal Hollywood Christmas memories from the likes of Chevy Chase, Margaret O'Brien, Chazz Palminteri, Deborah Raffin, Karolyn Grimes, Zack Ward, Brian Henson, Joe Dante, Trine Mitchum, authors Julie Salamon and Alonso Duralde, A Christmas Carol expert Michael Patrick Hearn, and many more.
Hollywood Mortuary
as    Herself
Framed by interviews with real life celebrities, Hollywood Mortuary tells the tale of a horror make-up artist who, in 1941 Hollywood, uses voodoo to resurrect two rival horror stars (thinly disguised versions of Karloff and Lugosi) from the dead to help revive his fading career.
Off the Menu: The Last Days of Chasen's
as    Self
In 1995, Chasen's closed its doors after 60 years of serving chili to movie stars and visiting dignitaries, Presidents and the Pope. During its two final weeks, Chasen regulars (actors and producers), staff, and management sat for interviews. There's an Oscar party for 1500, footage and photos of famous diners, and time with Tommy Gallagher, the ebullient head waiter until retirement in 1994, his son Patrick, catering head Raymond Bilbool, general manager Ronnie Clint, hat check girl Val Schwab, ladies' room attendant Onetta Johnson, and foreign- born waiters, including Jaime. When he started in 1970, like other Latins, he wasn't allowed out of the kitchen. It's a family farewell.
Sunset After Dark
as    Betty Corman
A struggling screenwriter finds himself in the middle of a murder investigation.
Meet Me in St. Louis: The Making of an American Classic
as    Self
Documentary about the making of "Meet Me in St. Louis" (1944).
Heller in Pink Tights
as    Della Southby
Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza.
Little Women
as    Beth
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth are at home with their mother - a very outspoken women for her time. The story is of how the sisters grow up, find love and find their place in the world.
The Secret Garden
as    Mary Lennox
When Cholera takes the parents of Mary Lennox, she is shipped from India to England to live with her Uncle Craven. Mary changes the lives of those she encounters at her Uncle's remote estate.
Tenth Avenue Angel
as    Flavia Mills
Flavia's been told that her Aunt Susan's fiancé, Steve, has been on a trip around the world, but in truth he's finished his prison term. Steve wonders how he can make some money and is approached by his old associates. When Flavia discovers the truth about Steve, she loses all faith in her family and in God, and it will take a miracle to restore Flavia's belief and keep Steve out of trouble.
Bad Bascomb
as    Emmy
A western bandit is reformed by his love for a little girl.
Meet Me in St. Louis
as    "Tootie" Smith
The life of a St. Louis family in the year before the 1904 St. Louis World's Fair.
Jane Eyre
as    Adele Varens
After a harsh childhood, orphan Jane Eyre is hired by Edward Rochester, the brooding lord of a mysterious manor house to care for his young daughter.
The Canterville Ghost
as    Lady Jessica de Canterville
The descendent of a ghost imprisoned for cowardice hopes to free the spirit by displaying courage when under duress.
Music for Millions
as    Mike
Six-year-old "Mike" goes to live with her pregnant older sister, Babs, who plays string bass in José Iturbi's orchestra. And the orchestra is rapidly turning completely female, what with the draft. As the orchestra travels around the country, Babs' fellow orchestra members intercept and hide her War Office telegram to protect the baby.
You, John Jones!
as    Daughter
John Jones contemplates how fortunate he and his family are in America, where no wartime bombing occurs.
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