This is sheer magic. Margaret O'Brien, aged seven, is the perfect pixie. Unlike Shirley Temple, who could be over-sweet, Margaret O'Brien as a child star was too honest and direct ever to be saccharine, and she never catered to an audience at the expense of her character. Although she could doubtless turn tears on for the camera like a true pro, she never compromised her integrity of genuine childlike innocence, the portrayal of which on the screen borders on the supernatural. Although I met her briefly once before, just to say hello to, I knew her for a few days when she was already a young woman. At that time she was wearing an excessive amount of makeup to try to appear 'grown up' and shed the childlike image which was costing her work as an adult. I saw her once with no makeup at all, and was astounded that even when grown up, underneath her disguise, she had exactly the same child's face. She was very shy and difficult to communicate with because of her apparent introversion. It was evident, however, that her ability to portray innocent adorable waifs on the screen was because it was all true deep inside. Matched here with the childlike June Allyson, the pair are real heart-breakers, and the business of Kleenex must have doubled when this film was released towards the end of the War, especially as there is a husband away fighting in the Pacific, which is a thread throughout the story. This film was directed by Henry Koster, best known for 'My Cousin Rachel' in 1952, who on occasion could tease the very best out of actresses. Larry Adler aged 30 is in the film, in a small speaking part, and plays Debussy's 'Clair de la Lune' beautifully. This is after all a film based round music and a symphony orchestra conducted by real-life conductor and pianist Jose Iturbi, who has a prominent part in the story and does very well. It is fascinating to watch his technique of conducting from the piano, where he leaps up and down with a jack-in-the-box. There are many absolutely hilarious moments in this delightful film, some brought about by Jimmy Durante, whose thick accent however becomes less comprehensible with every passing year that takes us further away from those New York days of Damon Runyon which produced him. (Ethnicity is no longer guaranteed to be funny like it was then, either.) This is one of those films where you will either cry because you are crying or cry because you are laughing, but either way, there is no escape. This film is pure delight, an absolute joy. It is guaranteed to cure any case of depression instantly.

The music is worth the viewing of this WWII film. Jose Iturbi performs some classic pieces as only he could do. This movie gives a slice of life from a different era. Some of the funniest scenes are between Jimmy Durante and Margaret O'Brien. June Allyson's scenes with Marsha Hunt compel even the most cynical person to tears. Seeing tiny June Allyson playing the huge double bass (not the cello) has its own kind of humor, and interestingly, the main character of the movie doesn't appear on screen! But it is the music that makes the film so sweet and memorable. The music is as much a part of the story as the characters. It was a time of innocence and sweetness that June Allyson and Margaret O'Brien capture so perfectly. They don't make movies like this any more.

This little movie is a warm, loving, funny movie full of hope and faith from a 7 year old child in a time of World War. They don't make them like this any more, plain acting NO special effects. You can't find it on any type of video, though I can't imagine why, with all the trash being brought out today. If you can catch it on one of the movie channels DO NOT MISS IT; grab something warm to drink and some tissues.

I saw "Music for Millions" right before Memorial Day. This beautiful WWII movie must have been a wonderful gift of hope to American G.I. wives and sweethearts. It leaves nothing unsaid about the powerlessness and fear many of these women must have felt. Yet it is also an inspiring testimonial about hope. Hope, prayer, and faith as embodied by one tenacious six-year old girl.Although you'll cry aplenty, this is more than a '4-hankie' drama. Jimmy Durante, with his famous 'snozzoola' and comic skits, provides a wonderfully humorous contrast to the inspiring classical concertos played by the world-renown Jose Iturbi. You'll be left breathless while the famous conductor/pianist fills the air with the incredibly beautiful music of his mostly female orchestra, bringing a different kind of hope and joy to our boys in uniform.This movie is an absolute MUST!