Arthur is a spirited ten-year old whose parents are away looking for work, whose eccentric grandfather has been missing for several years, and who lives with his grandmother in a country house that, in two days, will be repossessed, torn down, and turned into a block of flats unless Arthur's grandfather returns to sign some papers and pay off the family debt. Arthur discovers that the key to success lies in his own descent into the land of the Minimoys, creatures no larger than a tooth, whom his grandfather helped relocate to their garden. Somewhere among them is hidden a pile of rubies, too. Can Arthur be of stout heart and save the day? Romance beckons as well, and a villain lurks.

Arthur answers a distress call from Princess Selenia, who is menaced by the nefarious Maltazard.

Maltazard, the Evil M, is now 7 feet tall and evolving among the humans, causing terror wherever he goes. His goal is simple: forming an army of giant henchmen and ruling over the universe. Meanwhile, Arthur is still a Minimoy, and thus in a state where he's unable to fend him off. With the help of Selenia and Betameche, he hatches a plan to regain his usual size: all they must do is infiltrate Arthur's house through the pipeworks, catch an electric train from his bedroom to his grandfather's study and find an elixir that will make him grow back to his human size. Sounds simple enough, if it weren't for Darkos, Maltazard's own son, hot on their tails.

Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema

The film opens as Elise is getting released from a mental institution after 12 years of being locked up. She witnessed her mother drown and afterwards was never the same. Her psychiatrist, Dr. Robert Lang believes she is well enough to leave the hospital. He along with his girlfriend Diana escort Elise back to her childhood home. Soon, Elise’s stepbrother Leland shows up. It’s clear that his intentions are not good as he taunts her about her mother’s death. Later, it becomes clear that he wants the entire estate for himself and wants Elise locked back up forever. Elise begins hearing voices and having flashbacks of the night her mother died. Soon, people around Elise get murdered. The killer is a bit of a surprise and the conclusion is awesome. The atmosphere created is fantastic and sits somewhere in-between Don’t Look in the Basement (1973) and Funeral Home (1980). (from http://www.scaredstiffreviews.com/?p=4609)

Three filmmakers spend the night in a haunted forest to shoot a documentary about the legend of Grete Müller, a woman convicted of witchcraft and burnt at the stake over 300 years ago.