Audie Murphy never took an Oscar home, but he was an adequate actor. Some roles gave him more leeway to experiment, while others confined him to formulaic roles. Nevertheless, Murphy is thoroughly convincing as a wet-behind-the-ears young man named Yancy who has spent his entire life in the mountains with his trapper uncle and Native American wife. A rugged frontiersman and a crack shot with a rifle, he knows nothing about social customs. He knows nothing about women, prostitution, and little about the outside world. Co-writer & director Jack Sher and "Joe Butterfly" scenarist Sy Gomberg have fashioned a solid, unpretentious, offbeat western that happily doesn't cast Murphy as a gunfighter. Instead, he plays a man out of touch with reality when he get his first taste of city life on the frontier. Murphy does a good job of playing a naïve young man. "The Wild and the Innocent" isn't a town tamer western, a cavalry western, a revenge oater, or a wagon train chronicle. This Universal-International release could qualify as a coming-of-age saga. After Yancy's uncle is attacked by a bear one evening, Yancy must ride out by himself to sell their pelts. The owner of the General Store in the nearest town is leaving when Yancy catches him and he recommends that Yancy sell his furs in Casper. This means that he must ride two extra days. He encounters a liquor salesman, Ben Stocker (Strother Martin of "Cool Hand Luke"), when he is told to go to Casper. Stocker is a low-down, no-account, scoundrel, and he is responsible for driving the General Store manager away. Stocker has a good-looking daughter, Rosalie (Sandra Dee of "Gidget," who he tries to pawn off on Yancy. Yancy refuses all of Stocker's proposals, but Rosalie slips away from her terrible father. She wants to ride with Yancy and get herself a job in Casper. Initially, Yancy wants nothing to do with her, but eventually he lets her join him. Rosalie is as naïve about life as Yancy. When the two arrive in Casper, and they learn some important lessons about life and love. The town of Casper is ruled by the Town Marshal, Paul (Gilbert Roland of "The Bad and the Beautiful"), who owns and operates a bordello. He learns about Yancy's arrival after a rowdy cowpoke, Chip (Peter Breck of "Shock Corridor"), tries to rough him up, and Yancy baptizes Chip in a horse trough. Chip sloshes up out of the horse trough and tries to shoot Yancy, but his gun is too wet to fire. These two have a running feud throughout "The Wild and the Innocent" and they clash later during a dance on Independence Day. Chip challenges Yancy to a gunfight, but Yancy prefers to bodily attack Chip. Incredibly, Yancy stomps on Chip's hand and breaks it when the young galoot tries to shoot him. Meantime, Paul takes an interest in Rosalie and wants her all to himself. Yancy lays his eyes on a prostitute, Marcy (Joanne Dru of "Red River"), and he becomes infatuated with her. They get together, but Yancy wants her, but he must learn the hard way about the social stigma surrounding prostitution. Basically, Yancy is a man of considerable resource but no guile. While all this is going on, Rosalie gets a job in a whore house, but she doesn't want to work there. Eventually, Paul and Yancy clash. Yancy learns that Paul made the citizens breathe easier after he took over the duties of town marshal. Yancy topples Paul from power as the town boss, decides to leave Casper, and finds himself pursued by Rosalie. The opening and ending scenes serve as book markers. Jack Sher does a solid job of staging the bullet-riddled action. "The Wild and the Innocent" ranks as one of Murphy's better movies.

It's a good title. I think I'm safe in assuming that it refers to Yancy's (Audie Murphy) seeming choice between females: the wild Marcy(Joanne Dru), an aging saloon girl, who likes to get drunk and frolic, or the seemingly innocent shy teenage hillbilly Rosalie(Sandra Dee). In terms of actual age of the actors, Joanne and Audie were pretty similar, and twice the age of the 17 year old Sandra. Audie thought she was a more desirable candidate for a wife than Sandra, but she wasn't interested in becoming a backwoods woman. Yancy has always been a trapper, along with his father. Although he seems polite and respectful, he's just not her idea of a fun playmate, being too young and unsophisticated. Audie seems to be playing a man in his early twenties, although being 35. He says he ran out of fingers and toes in counting his age. Thus, his character's age is not all that much more than Rosalie's. So, why did he keep pushing Rosalie away? Of course, at first, she looked disheveled, with her unkept hair and soiled dress, was illiterate, and talked very little, mostly pouting, with a blank expression. So, even after her appearance was upgraded, he was not that attracted to her. Yet, he was willing to risk his life to prevent her from becoming a saloon girl and a plaything of the 54y.o. Sheriff Bartell(Gilbert Roland), who owned the saloon, and apparently 'broke in' new recruits. And, when it came down to the wire, he took her to town, when he said he couldn't, and took her back home when she looked so soulful at him when he was about to leave without her.Of course, Sandra was perfect for her role, Audie perhaps less so in his role as an almost equal innocent. Of course, their characters were burlesqued in this respect. I have to wonder why Rosalie was so shy, and disheveled. Was she trying to make herself unattractive to men? I found Struther Martin hilarious as Sandra's thieving father. Gilbert Roland made a good lecherous owner of the saloon. Joanne Dru made it clear to Yancy that she was treated as an outcast by polite society in the town. Although she might frequently be dressed in fancy clothes, she was not considered a lady. Polite society was scandalized when she attended a social with Yancy.Yancy engages in several fights with cowboys or townies, and shoots one man dead, providing some 'action'. The catchy theme song "A Touch of Pink" is featured in the upbeat finale.See it in color at YouTube. I think you will find it a fun film.

a gentler movie than most of Audie Murphy's westerns - he's a gosh-darn hillbilly man - who meets a plum dirty hillbilly girl - and cain't see thru the messy hair & filthy clothes to her Sandra Dee appeal - but at the town where they come to trade their furs - the sheriff there does see it - while the hillbilly boy is a smitten by the lady dressed in scarletthis was never gonna be a great movie - but it weren't even average - the story didn't generate any tension cuz of the long dry scenes - and cuz everything was so predictablethe chemistry between Audie and Sandra Dee showed considerable promise - while Gilbert Roland almost steals the movie as the suave latino sheriff

When you are listening to music,to a classic concert you don't want it to switch to rock'n roll, all of a sudden. It breaks your mood. That's what this film does. It begins as a pleasing romantic western comedy, showing how the innocent Audie Murphy, who lives in the mountains, is going to sell his pelts and gets stuck with an also innocent girl (Sandra Dee). They get to the town of Casper, and are laughed off by the people, except for Joanne Dru and Gilbert Roland. Dru has aged, but is still a beautiful woman, and Murphy falls for her. Roland, who is the sheriff and also owns the saloon where Dru works, falls for Sandra Dee. Well,it ends up with Murphy killing Roland (in self defense), but still too strong for the mood of the film. I know that nowadays Tarantino switches from comedy to drama to whatever..., but that's Tarantino. Apart from that, this is an enjoyable film, with good performances.