Boy From Hell is a live action adaptation of the manga of the same name. Daio (the boy) dies from a car accident and his mother brings him back to life. When he rises from the grave he is a deformed child from hell and wrecks havoc in the neighborhood. This film is extremely low budget with bad acting and obvious fake scenery and gore. The idea is good and the manga was probably good as I have not read it but I'm probably thinking the manga was 100% better. This isn't a film necessary for a J-horror fan to watch as it pretty much sucked with all the terrible fake gore and everything.

"The Boy From Hell" is about a surgeon who brings her son named Daio back from the dead,only he's now a decomposing corpse boy with a taste for blood and human flesh.In 2004,Pony Canyon decided to adapt six different Hino manga stories,all of these shorts were made by different filmmakers using digital video.Mari Asato's "The Boy From Hell" is a grotesque and surprisingly gory horror flick.Daio looks truly creepy and actually resembles murderous babies from Larry Cohen's "It's Alive" series.The acting is fine,the cinematography is great and the use of colors is very Argentoesque.Overall,"The Boy From Hell" should satisfy fans of gruesome Japanese manga stories.It's not as sickeningly brutal and morbid as several "Guinea Pig" movies,but still packs a punch.8 out of 10.

THE BOY FROM HELL is the best cinematic representation of legendary Japanese manga artist Hideshi Hino's overall visual and storytelling style so far, even beating out 1988's MERMAID IN A MANHOLE, which was directed by Hino himself. While other entries into the HIDESHI HINO HORROR THEATER hexalogy of short films may be better films when viewed out of context, THE BOY FROM HELL stands as the single best adaptation in the series.A theme that is almost always present in Hino's manga work is the isolation and suffering of the outsider, the freak. There is a brilliant scene in THE BOY FROM HELL where the titular resurrected monster happens upon a group of children playing ball. When he approaches them, wanting to join in, the run away screaming. Despite the grisly murders Daio has committed up to this point, you still feel sorry for him in that scene.Another thing that director Mari Asato and screenwriter Seiji Tanigawa (working from Hino's eponymous manga) nailed perfectly is the mix of grotesque horror imagery and gore with pitch black comedy that permeates so many of Hino's comics. The most wonderful examples of this are the ridiculous fake nose they put on the detective and a birthday party for Daio, during which he is forced to wear a mask similar to that of Hannibal Lecter in SILENCE OF THE LAMBS to keep from from devouring the other little kids. Of course that doesn't work so well in the end ...I hesitate to recommend THE BOY FROM HELL to the casual horror fan or even fans of Japanese horror. It is wildly different from the slow paced malevolent hair-ghost stories of recent years and hearkens closer to the ero-guro films of the 70ies, while also adding plenty of elements from campy fun splatter movies of the 1980ies. If you like those and/or are already familiar with Hino's manga publications (a fair number of which are available in English translations) then this is a movie you should seek out. Everyone else may come away confused and maybe disappointed.

This movie is the worst movie i have seen in my whole life.It have nothing to save, all is bad, the actors and the acting is comical, the make up sucks, the plot is totally predictable...nothing can be saved.At least, the suffering ends after only 45 minutes, and seems that the director and the rest of the crew don't take the movie seriously.I read somewhere that this movie is the first part of a hexalogy based in Hideshi Hino's tales...i hope the rest of the movies will be better...because if the are worst than this, this will be without a doubt the worst saga of horror films.