I would begin with saying that this movie was surely a path breaker. It is not the usual Rom - com movies that we see in Malayalam movies It has shown the audiences a new style of movie.I don't like to say more about the plot of the movie but Iam sure that the movie will surely surprise you . As I said the movie is just short of excellent because we might feel the movie a bit slow in the middle but the climax of the movie will make you jump from your seats.

An unraveling of the self, 18 March 2015 *** This review may contain spoilers ***Not too sure about the relevance of the title, but this is a helluva thriller, & until the last 20 minutes, I was thinking about how much better the same 'condition' was treated in 'Anukokunda Oka Roju' a decade back (its pathetic remake, 'Sunday' not included).Having said that, this one focuses completely on a single investigative case, with the differentiator being the memory-loss suffered by the main protagonist, which is know only to 2 characters, & that makes for a riveting tale, especially since the main character is retracing his steps throughout, & this is great storytelling, since the audience has to be completely empathetic to the whole process. Save a few narrative mis-steps, & for an opportunity to mis-understand the motives of the makers, this makes for very engrossing viewing, even though the song-less runtime is 145 minutes. Needless to say at this stage, they just fly by.For most of the running time of the movie, I was not too happy with the single expression worn by the otherwise-good actor, Prithviraj Sukumaran. However, in retrospect, it seems completely apt, since, like us, the main lead is also piecing together the parts of his entire life, with evidence being provided by files/folders & people who are a part of his investigation into the death of a top cop. The attention to detail is inconsistent, but that also can be seen in context of the slowly peeling away nature of the narrative, that ensures that no one is ahead of the plot, save an important cast member, who, in a very clever sleight-of-hand, seems to be the prime suspect, since there are many convenient instances of his/her having perpetrated said crime under investigation, right until the very end.The background score is not up-to the mark though, & certain techniques of camera-work, & cinematography could perhaps have been done without, but those are very minor nits to pick in the context of the overall denouement.This might get swept under the rug, but before it does, a few thoughts - It is wonderful to see someone shine a light on the homophobia inherent in each & every character in our country, including the ones involved in such relationships. I know some might see this as a validation of how homophobic the film-makers themselves are, & that might well be the case, but regardless, it just might be that they are shining a light on this issue, since the pains they take to show even a schizophrenic's alter-ego also respond to society's conditioning, albeit unconsciously, has to appreciated, nee, applauded, even if it is unconscious.However, it is indeed difficult not to focus on the assertion made by the writers that being one is also clubbed with being violent, unscrupulous, callous & traitorous, & all it takes is one act of conscious re-awakening of his/her conscience, in order for that character to shrug of the other negatives along with their original sexual preference. I'm willing to give the makers a pass for that assertion, but it is indeed a bit tough to overlook.One of my fav actresses, Swetha Menon (Salt-n-Pepper, Rathinirvedam remake) is in the movie for 1 brief scene, & I do wish they had written more stuff for her, & that the movie was peppered with interactions between her & the main lead/s.I had bought my ticket to this one, but ended up missing it on the big screen, so I am glad I purchased the DVD recently, in spite of the fact that about 4-7 minutes played very badly. I hope I didn't miss a vital plot point (I don't think so, in the context of my comprehending the narrative, overall). Not to be missed, at least for appreciating an effort that veers from the traditional and the clichéd.

I watched this film after hearing that the protagonist is a gay person, which is almost a revolution in a conservative society like Kerala. The way gay people are portrayed in the film just disappointed my high expectations. The characters are so underdeveloped and their motives are unjustified by their actions in the film. There are so many scenes that are unbelievably coincidental as the writers could not break the clichés. Using cuts to fake the fight scene was effective, but still such a cliché in Malayalam films. Solving Sudoku is used as a measure of eligibility to go back to work for a police officer who is suffering from memory loss. Unsurprisingly, the same officer is used to solve the same case again even after the superior realizing that the protagonist is suffering from the accident he had. The character done by Rahman was so badly developed and was created as an excuse for making the story the way the writers wanted. And the actor could not help but act badly too. I haven't seen any other films of Rahman from recent years, but in this film, he did such a terrible job. But I'd blame the writers for that. It is surprising that he hadn't had any sexual thoughts about any men for the period of investigation in the second term. His boyfriend visiting him on the last day of investigation is questionable. Chasing scene looked very fake, but acting of Prithvi and Jayasurya were convincing. Comparing to most of the Malayalam films these days, this film still wasn't the worst, so I am giving it a three.

In one word,Mumbai Police can be termed as an Investigative Thriller.The film follows a non-linear narration at parts and that has worked out extremely well in holding the viewers gripped in their seats.Yet the climax and suspense element will not be Favourable or acceptable to some.But the film should be praised for its tight screenplay,superb direction and variety climax.Everyone of us had been fed up with the usual formulaic thrillers which showcases the hero's intelligence and firebrand dialogues.Mumbai police succeeds in staying away from these usual clichés for god's sake.The film opens with the accident of a police officer Antony Moses(Prithviraj).He suffers from Amnesia after the accident.He is confused about his past and future.He was also working on a case which involves the murder of his colleague and friend Aryan(Jayasurya).His superior and friend Farhan(Rahman) fills him with details regarding the case and the developments that he had made on the case.Farhan states that Antony called him up seconds before the accident stating that he found the culprit.Now Its up to Antony to find the killer again using the clues about his past.Prithviraj excels in the role of Antony Moses.His performance as the man who lost his memory stands out in the movie.He is sure to get praises for his role even if the movie fails.Stunts were also good.Rahman also made a convincing performance.Good to see him in a major role.Jayasurya gave an okay performance,what was demanded out of him.Rest of the cast does not have much to do though Riyaz khan's cameo was good.Bobby-Sanjay again delivered a superb script after the yesteryear Ayaalum Njanum Thammil.But here the challenge was of making a thriller and they have done their part very well indeed.They succeeded in connecting all the events that leads to the identity of the killer and his motive that may not be acceptable to some.That was evident in negative response after the movie.Roshan made a great comeback after the yesteryear debacle Casanova.His direction was superb and made the viewers hooked to their seats for most parts of the movie.BGM by Gopi Sunder was cool Mumbai Police may not set the cash registers ringing but it is one of the best movies to be released recently.There are many cases where a good movie flops and becomes a DVD classic.Well who knows,Mumbai police might turn out to be a classic in the near future.Congrats to the crew for bringing out something different.