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Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

František Velecký as  Mikoláš, Kozlík's son
Magda Vášáryová as  Marketa Lazarová, Lazar's daughter
Ivan Palúch as  Adam, Kozlík's one-armed son
Vlastimil Harapes as  Kristián, son of Bishop of Hennau
Josef Kemr as  Kozlík, Lazar's rival
Naďa Hejná as  Kateřina, Kozlík's wife
Jaroslav Moučka as  Jan, Kozlík's son
Zdeněk Řehoř as  Sovička, Aide to the Royal Governor
Václav Sloup as  Šimon, Jan's son
Jan Pohan as  Kornet

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Reviews

Jackson Booth-Millard
1974/08/30

I found this Czech film listed in the book 1001 Movies You Must See Before You Die, it is one of only a few films that have got attention or reviews from critics, so I just watched to make my own mind up about it. Basically set in the Middle Ages, two brothers, Mikolás (Frantisek Velecký) and one-armed Adam (Ivan Palúch) are robbers who steal from travellers for their tyrannical father Kozlík (Josef Kemr). During one of their "jobs", they end up having to hold a young German hostage, the hostage's father escapes and reports the news of her kidnapping and the robbery to the King. Kozlík is prepared for the wrath of the King, he sends Mikolás to pressure his neighbour Lazar (Michal Kozuch) to join him in war, the persuasion fails, and in vengeance Mikolás abducts Lazar's virginal, naive daughter Marketa Lazarová (Magda Vásáryová), just as she was about to join a convent to become a nun. In the meantime, the King dispatches an army, and Lazar who is religious will be called upon to join hands against Kozlík. I will be honest and say that I did not understand absolutely everything going on, but there is a plot about the shift from Paganism to Christianity. Also starring Zdenek Kryzánek as Captain Beer and Pavla Polaskova as Alexandra, with narration by Zdenek Stepánek. Even though I couldn't follow everything because I had to read subtitles, this black-and-white film set in medieval times had some good moments, with themes of religion, kidnapping by robbers and the hostage becoming the mistress of one of the kidnappers being interesting, maybe if critics wrote a review I could make more of a determined judgement, for me it was a reasonable historical drama. Worth watching!

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adamhrub
1974/08/31

First i have to say that my journey to understanding this film was not an easy one. I ve seen it first time at age of 19teen and was quite a confused.. cause I've seen not much story, not much dialogues not much conversation in this film.. i just knew even from school that this movie according to lot of people in czech republic where vlacil and me are from should have won Oscar instead of "ostre sledovane vlaky". I ve returned to this movie few years later.. and was astonished... main power in of this movie doesn't lay in plot or conversations. u have to watch as a story about love made in AMAZING audio visual manner. true masterpiece and piece of art which is going to last forever i think. The scenes have so much of pathos (in a good way) that make u wanna cry.. acting performances are astonishing, especially Josef Kemr... this film is a true emotional experience.. i can only recommend it to you..

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cranesareflying
1974/09/01

A sweeping, widescreen black and white 13th century historical epic, voted the best Czech film ever by a survey of Czech film critics in 1998 on the occasion of the 100th anniversary of Czech cinema, some truly spectacular imagery by Bedrick Batka, endless snowy landscapes with wolves running in the snow, original Medieval sounding chorus music written by Zdenek Liska which throbs throughout, like an unseen heart. With a FEW SPOILERS, this is truly a heartless story of two rival families, both are nearly indistinguishable, one is described as having more sons than sows, both appear equally cruel and tormenting, abducting one of the King's family, the kidnapped victim then falls in love with one of the earthy daughters, then one of the families kidnaps Marketa, an unbelievable performance by Magda Vasaryova, who plays the innocent, virginal daughter who has been promised by her father to the convent, a complete contrast to everything else seen on screen, which appears vile and dirty, rotten to the core, except Marketa. But she becomes the lover of the kidnapper, more like his slave, knowing no other protector, all have abandoned her, as her family was nearly wiped out in her capture, her father crucified to the entrance fence of her family's fortress. Evil is everywhere. But the King's Sheriff, representing the rule of German Christians, decides to hunt down the evil-doers, the hunters become the hunted, which results in a ferocious, mass slaughter, humanity becomes unhinged. Hell raises it's weary head. In an extraordinary transformation, the earthy daughter plunges a rock to her lover's head after his King wipes out her family, so much for love, and Marketa is led to the convent, nuns are arranged like paintings on the walls, a ritual of God's peace and forgiveness is rejected by Marketa. Unbelievably, she returns to be married to her kidnapper in his last, dying breath. She has become transformed into pure evil, with nowhere to wander in the desolate, wintry countryside except with a simpleton with a flair for Biblical verse, who chases off after a goat instead of tending to Marketa, who wanders alone, seemingly forever.

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davidos
1974/09/02

Marketa Lazarova was elected the best Czech movie on the occasion of celebration of 100 years of Czech/Czechoslovak cinema art.

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