Most films require us to suspend belief to some extent. But this one goes a little too far to set up the premise -- that in order to not disappoint a fiancé, that a police detective would wine and dine a gangster headed to prison, rather than renege on a date. Okay, so you've got to swallow pretty hard to choke down that premise. But, if you can, this is a pleasant enough comedy.In fact, there are a number of minor issues throughout the film that make it illogical, but it's still fun. The two stars -- Melvyn Douglas and Joan Blondell -- have really good screen chemistry. As a result, I was able to overlook some of the problems with the script.Except for movie buffs, Douglas and Blondell are largely forgotten actors today. And that's a shame. In their day they could certainly carry a film. Melvyn Douglas, in particular, was quite adept at comedy or drama. Here, Douglas demonstrates his flair for comedy. Joan Blondell was a prolific screen actress, and I usually associate her with comedy.The supporting actors here do nicely. While you may not remember their names, you'll certainly recognize their faces. Of particular note: Clarence Kolb, here playing the police captain (though he always reminds me of the old man with all the money in the Monopoly game). Ruth Donelly as Blondell's best friend. Edward Brophy as the gangster. Donald MacBride as a detective (and sometimes referred to as the King of the Slow Burn).This movie is no great shakes, but is pleasant enough.

Although made one year later than another Melvyn Douglas - Joan Blondell pairing, "There's Always A Woman", "The Amazing Mr. Williams" can be taken as more of a prequel than a follow-up to that earlier film, in which Douglas plays a retired detective who has gone private and Blondell is his wife who has already discovered her knack for crime-solving. Here, Douglas works for the police force, Blondell is the mayor's secretary, and they haven't even gotten married yet. While Blondell is always a delight to watch and the film definitely has its moments (especially near the end, when her role becomes more active), it is burdened by an episodic story that jumps from subplot to subplot (first, it's a locked-room mystery; then a false identity farce; then a hunt for a serial killer; and finally, a bank-robbery-and-murder story). All in all, it's pleasant but unremarkable. **1/2 out of 4.

Melvyn Douglas and Joan Blondell co-star in "The Amazing Mr. Williams," a 1939 mystery/comedy that's quite good, although forgotten, probably due to the number of incredible films that came out in 1939.Douglas plays a talented police detective married to his job, while his girlfriend waits for a wedding that is constantly postponed. What happens in this film is no exception - he's called to a murder scene just as he's about to walk down the aisle yet again.Both stars were excellent at comedy, worked together well (and often), and help make this battle of the sexes fun. Edward Brophy and Donald McBride are on hand for excellent support.As you can read in other reviews, Melvyn Douglas doesn't make much of a woman.Entertaining if a little on the long side.One of the comments here trashed Melvyn Douglas, one of our greatest actors. He literally floated effortlessly through dozens of films as the other man and the best friend before coming into his own in films as an old man. He wasn't lazy, but rather, a very hard-working actor (who made it look easy) who had a Broadway career simultaneously with his film career. He just wasn't cast as a leading man in films or given very challenging roles under the studio system. I challenge anyone to see his devastating performances in "Hud" and "I Never Sang for my Father" and call him lazy or make reference to his smirk.

The odd title, "The Amazing Mr. Williams," suggests to me that somebody wanted to create a movie series. That never happened, and it's easy to see why. Douglas plays Kenny Williams, a smart, brave and thoroughly decent police detective. His girlfriend, portrayed by Blondell, wants him off the force at any cost. His boss, played by Kolb, has just the opposite plan: He wants Williams to stay on the force even if it ruins his life. Both the girlfriend and the police chief are willing to lie and scheme to get what they want. What a situation! In a supposedly charming comedy, the people in Williams' life seem to care "amazingly" little about him. It all has a kind of nasty edge. If any of the gags had worked, this film might have been saved, but they all fall flat. Even the much-discussed drag scene is dull. The sight of a typical guy in an absurd female disguise is either funny at first sight or it's not funny at all. You can't doll up this dog of a movie.