The IMDb-rating (3.0 at the time I write this review) is plain ridiculous, that's why I give this movie a write-up. Of course, it's cheesy and silly but no different from other spy comedies from the 60s, say the Matt Helm flicks. And the production values are much higher; there's good location shooting and beautiful sets, plus good camera work (I watched the wide-screen version). Capable acting there is little, but the pretty female cast makes a bit up for that. The music is nothing special and the movie definitely has some lengths despite the snappy running-time.SPOILERS: The main problem is probably that the "hero" never gets much to do (James Bond would have freed himself in the final act - well, I guess our hero waiting passively for his rescue is part of the spoof but it was a lousy decision, tension-wise). Secondly, the villain organisation, basically a small army of nubile young women aimed at creating a men-free reign, is doomed to fail from the start (in fact, one wonders how it ever got that big) because none of the pretty members, from leader to lowest rung, is able to keep her wits about her when left alone with a healthy male. That's a nice running gag at first but gets simply ridden to death. So overall, it's just a minor B-movie despite the high production values.But if you like other 60s spy comedies (say, Liquidator or the Matt Helm outings), you'll like this one well enough. It's even a valid spoof of early James Bond in many scenes.

An anti-male syndicate of beautiful female assassins, headquartered near Hong Kong and led by the no-nonsense, whip-wielding Sumuru, plots international domination by ridding the world of its male leaders; two wisecracking American agents use their masculine charms to save mankind. British production, distributed stateside by AIP, is a fairly tepid adventure with 'humorous' asides. There are some interesting ideas (any woman who betrays Sumuru by falling in love with a man is automatically targeted for extermination), but not enough imagination or excitement. Shirley Eaton is impressive in the title role, and her army is certainly attractive, but puerile George Nader and Frankie Avalon are dead weights on the action. Eaton played Sumuru again in 1969's "The Girl From Rio". *1/2 from ****

This flick was always on a "double-bill" because nobody in it (including one of the leads, Frankie Avalon - who starred in Beach Movies before this) was REALLY A-list quality talent, except for the beautiful Ms. Shirley Eaton (Painted-gold girl in GOLDFINGER). The plot is wack-city on a bad dexedrine trip with ancient greed or something. The sacriligious testament to Z-movie cultures exemplifies NOTHING! This flick isn't even EVIL or robotic, it's just a zenith of confusion ("plot"-wise), let alone there's some beautiful babes spouting Amazon-like platitudes about illusions of purity.Needless to say, this sounds like a turkey (and technically it is), but it's an exploitation film without any known characteristic (sex, violence, bikers, horror..etc.) and manages to make you believe that these characters are actually believing what they're saying. George Nader was never great shakes as an actor, but had a lengthy career without having "known" talent or good hair. Shirley Eaton, one of the brightest, most beautiful and enchanting Brits of the 50's and 60's never gets to show something. But you have to check this one out. I give it a high (7) for this kind of thing rating, ..only because everyone involved SEEMS convinced it's a REAL PLOT! Anyway, give it a shot (if you can find it). Quite enjoyable in a sleepy, demented way.

Wasnt a great film, but was unusual to watch. Could have had more action. Too much music. Battle sequences well done. Overall, Watchable, i thought it was fairly good entertainment.