Harlem's African-American population is being ripped off by the Rev. Deke O'Malley, who dishonestly claims that small donations will secure parcels of land in Africa. When New York City police officers Gravedigger Jones and Coffin Ed Johnson look into O'Malley's scam, they learn that the cash is being smuggled inside a bale of cotton. However, the police, O'Malley, and lots of others find themselves scrambling when the money goes missing.
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Films such as "Shaft" and "Sweet Sweetback's Baadasssss Song" may be generally credited for kick starting the blaxploitation boom of the 1970s, but this lively, engaging action comedy actually beat them to the punch. Adapted from the novel by Chester Himes, it was co-written and directed by the iconic black actor Ossie Davis, who guides all of it in high style. Well staged and well shot at various Harlem locations, it begins with a bang and holds your attention until a memorable finale at the Apollo.Godfrey Cambridge and Raymond St. Jacques star as hip, stylish police detectives "Grave Digger" Jones and "Coffin Ed" Johnson. They're suspicious of reverend / activist Deke O'Malley (Calvin Lockhart), and indeed the man is a big phony. At stake is $87,000 of the money of the hard working people of Harlem, who thought it was going towards a cruise to Africa. In their own "head breaking" but honourable way, Grave Digger and Coffin Ed work the clues and track down the cash, while dealing with a demanding white superior (John Anderson) and sundry other characters."Cotton Comes to Harlem" promises fine entertainment to come, in much the same way that Grave Digger and Coffin Ed follow through on their promises. The music score by Galt MacDermot is brilliant, as are the songs on the soundtrack. Director Davis keeps the pace, the laughs, and the action consistent. The cast is full of familiar faces: lovely ladies Judy Pace and Emily Yancy, the legendary Redd Foxx (just a few years before 'Sanford & Son'), Lou Jacobi, Eugene Roche, J.D. Cannon, Cleavon Little, Teddy Wilson, Helen Martin, and Leonardo Cimino. All of them are great, but it's the smooth chemistry between Cambridge and St. Jacques that dominates the proceedings. They make for a great pairing. They're smart, tough, and don't miss a beat.The ending offers a delicious twist that you won't see coming if you're not already familiar with the material.Followed by the sequel, "Come Back Charleston Blue".Eight out of 10.
This movie begins with a con-man by the name of "Reverend Deke O'Malley" (Calvin Lockhart) sponsoring a "Back to Africa" initiative and selling tickets to people in Harlem who are naive enough to trust him. However, his plans go awry when he attempts to fleece his partner who stages a heist and makes off with the $87,000 in revenue generated at Reverend O'Malley's benefit rally. This results in two hardened police detectives, "Grave Digger Jones" (Godfrey Cambridge) and "Coffin Ed Johnson" (Raymond St. Jacques) getting involved despite the obstacles put in their path by Reverend O'Malley, his girlfriend "Iris" (Judy Pace) and their own Chief of Police, "Captain Bryce" (John Anderson). Now, rather than disclose the rest of the movie and possibly ruining it for those who haven't seen it, I will just say that this was a pretty good "Blaxploitation" film. Although the story got a little complicated at first, all of the pieces of the puzzle seemed to fit by the end of the movie. And while I liked the performances of the aforementioned Godfrey Cambridge and Raymond St. Jacques, it was clearly Judy Pace who was the main attraction. In any case, while it may not be the best "Blaxploitation" film ever made it still wasn't too bad and I recommend it to those who enjoy movies of this sort.
Over the years, I've seen this movie on old, grainy, scratchy prints with runny color and muffled sound. I just viewed the DVD of this movie, and it's the first viewing I've had of a decent print with a decent video transfer. This has led me to revise what I long thought of the film.First revision: I hadn't before realized how good the cinematography is. The images are detailed, well-composed, and carefully lit; the editing is sharp without being obvious.I also hadn't recognized how good the acting is; the actors are all energetic without chewing up the scenery, they are clearly working hard to capture the right tone for the piece without looking like they're working hard.Finally, now that I can hear all the dialog clearly, I realize, first, just how funny it is, and second, just how true to the source novel it is. Although Davis adds touches here and there, and of course some of the novel gets left out, Davis is really making a strenuous effort to remain true to the spirit of Chester Himes, one of the finest American novelists writing in the crime genre.Because Davis pushes his characterizations perilously close to stereotypes, the film will probably never receive the recognition it deserves. I think Davis manages to restrain the stereotyping at all the right moments, and the whole film comes together beautifully. In short, this is a true classic.
Cambridge and St. Jacques are one of all time best buddy cop duos. They are hip, sexy, and funny. The mystery is intriguing, and the uncomfortable situations keep the viewer's attention throughout. This is one to be seen uncut, because a lot of the humor is quite racy. It's a time capsule in a way also since the Harlem depicted here no longer exists.
