In 1950s Pittsburgh, a frustrated African-American father struggles with the constraints of poverty, racism, and his own inner demons as he tries to raise a family.
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What a movie! Brilliant casting, amazing filming, a few scenes are maybe a tiny too long but it is undoubtedly a great great great movie.
Few movies make as little effort to disguise their stage origins as Fences. Director/Star Denzel seems to have no interest in turning Fences into a movie; he just wants to present the play on film. This is offputting at first, but as the movie proceeds the strength of its performances and the powerful words pull you in.Denzel plays a bitter, colorful guy so obsessed with the harm the world has done to him that he is blind to the harm he's done to others. It is an excellent, powerful performance; he is awful, yet you can see the charisma that keeps him from, at least at first, repelling the world.I had heard a lot about Viola Davis' award-winning performance, but her early scenes aren't all that impressive, perhaps because she doesn't have much to do. As the drama ramps up though, her performance becomes mesmerizing; a confrontation with Denzel is so searing one expects the film to melt.The rest of the cast is excellent, especially Mykelti Williamson as Gabriel.This sat in my queue for a long time, because I don't really have the interest in intense dramas I had in my younger days. But it is a deep and remarkably compelling drama well worth watching.Still, I feel a director more interested in making a movie than a filmed play would have been preferable.
It's very difficult to manage expectations when the talent on and off screen is immeasurable. Washington acting and directing, Davis, Wilson's original drafted screenplay and loyally abiding to Wilson's last wishes by utilising an all African-American cast. For the most part, this drama succeeds. An old-school family's trust is broken when the husband admits to being unfaithful. What follows is an almost Shakespearean American drama that is fuelled by values and traditions. On paper, these characters are formidable forces. Proud individuals who hold the utmost respect for themselves, yet their lives are far from the idyllic dreams that they once had. The son has the same aspirations as the father, yet due to his failed ventures he refuses to let his son follow the same doomed path. Insinuating that racism played a fundamental role to his demise, he attempts to manipulate his son into thinking the same. It's a harsh family environment where the members are constantly treading carefully, fortunately Wilson's screenplay conveys the tension eloquently. The first act is a tidal wave of dialogue that allows Washington and Davis to establish their prominence. The latter being incredible, particularly during the snot-filled scene where she exclaims "Well I've been standing here with you!". Immediately I was stricken with goosebumps. Washington's directing style was simple as he ensures the screenplay is at the forefront. However, the major issue I have with this unabridged conversion of the play is that it has no cinematic style. It's as if I was watching the play, yet because Washington attempted to adapt this cinematically he consequently loses the theatrical intensity. Thus I struggled to remain compelled through certain scenes. So much dialogue and acting that it just doesn't settle, it lacked that emotional involvement. Fences is an incredibly intimidating film, wonderfully written and acted but occasionally disinteresting. I just wanted something more from this...
I gave it 4 stars and it was just because the increedible vioa davisI think this movie worths it just to see it once