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Trailer Synopsis Cast Keywords

Young teenager Bo is too sensitive for the hothouse atmosphere of a boarding school run by a cold, unfeeling would-be man of the cloth. Lonely and scared, he finds a soulmate in the headmaster's son Kim with whom he forms a bond of friendship... that slowly grows into something more.

Anders Agensø as  Bo
Peter Bjerg as  Kim
Ove Sprogøe as  Kim's Father / Superintendent
Elin Reimer as  Kim's Mother
John Hahn-Petersen as  Teacher Justesen
Beatrice Palner as  Mrs. Jensen

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Reviews

gavin6942
1978/02/23

The leisurely paced tale explores the relationship between 14 year-old Bo and Kim, 11, the younger son of the stern boarding school headmaster. Mounting school tensions over the expulsion of a troubled student threaten to sabotage the tranquility of the school.The film stills holds up in 2017 as being somewhat controversial, particularly in the United States, not only for its subject matter of an adolescent same-sex romance, but also for its scene that shows both young lead actors; Agensø (age 15 at the time) and Bjerg (who was 12) in full frontal nudity, taking a shower together.Indeed, there are probably two things people will take away from this: one, the child nudity which strikes me as shocking that it passes the censors when it could be seen as pornography. And two, just how very "1970s" the film is with the hair and styles. I do not know much about Denmark, but it does not seem all that different from America culturally at the time.

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pazu7
1978/02/24

I saw "You Are Not Alone" years ago, when it first came out, and was prompted to write this after reading a rather dimwitted review that called it child porn. I guess this addled criticism was based on the shower scene. I can only respond that "A man sees what he wants to see and disregards the rest." If that's all you take from this film, then that's all you deserve.Though this film will never get wide spread attention, it actually deserves the accolades for bravery and honesty that "Brokeback Mountain" received. And takes on a much more controversial topic. It is a touching and honest film, for those with a heart, and it has an appropriate subtext of class struggle and denunciation of warfare. It has wit as well. It's actually rather funny in many places. It has a 70's tone and score, with a 60's sense of innocence and idealism.But there is nudity and scenes of boys kissing one another. If you can't deal with real depictions of human sexuality, then maybe you'd better rent something off the Disney rack. This is not a film for the narrow-minded or those caustic neo-Victorians whose tedious maledictions are so unfortunately unavoidable now-a-days.I suggest you see it and decide for yourself. It is supposed be on DVD June of 2006, but you might have a hard time finding it on the shelves in "The Land Of The Free".

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ninoguapo
1978/02/25

You are not alone is a movie about love. It is easy to watch and I can guarantee that if you have an open mind you will enjoy every minute of it. The action takes place at a Danish boarding school. That is the place where Kim (12 y.o) and Bo (15 y.o) meet for the first time.I like the romantic which flows from the screen. The whole atmosphere of the movie is very relaxing and the music contributes to that. Some time ago I read that this movie became an icon for generations of young people growing up and after seeing it I can understand why.You are not alone is sentimental movie which you will enjoy on some quiet night – it can make you a better person.

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Carlos Martinez Escalona
1978/02/26

A film that can't be viewed from a cinematographic point. Just because it's not in technique where this film achieves something. As in any film, what gives it a strong value is the story it tells.Due Er Ikke Alene is a wonderful escape to a time lost forever. A film about life. About misery. About love and happiness. About senslessness and about achievement. About systems and counter-systems. About people who can be under extraordinarycircumstances, and be as extraordinary as they come. About challenges and victories. About sex and about understanding.About imagination, creation and clashes. About authority and reason.Maybe not all these things are seen at first. They are the background. The solid background that gives credibility to the characters and power to the story. A dreamer like Aske, puts the educational system in the limelight and leads the rest to discover why young people can think and do. Why there are reasons in life more important than just "living my life". Why the others are seldom regarded as the very motivation to do anything, and, when they become part of our lives, our view of our own can change entirely.A naïve and deeply enchanting Bo, who only will do good. The one who makes this story so moving and so deep. His emotions, his beliefs, his feelings are rooted in a wonderful soul that cares about his friends. Someone always available to give a hand. With firm convictions and reassuring when anyone needs him. The peacemaker.A beautiful and amazing Kim. His honesty, his absolute confidence in love and his smile make of him Bo's natural friend. What really makes this character glow is his smile. He is happy with life, even when he finds the normal bumps that lead others to despair or level things out with anger. He enjoys the small things. The ones that count. From a bit of fresh air to a bottle of wine (which, he discovers, should not be abused). Most interesting is Ole's role. His character turns the balance of the whole story into something worth studying for any teacher, school system, etc. Ole is alone. And he needs the care provided by his peers. And, eventually, even with his bully ways, he mends his life and comes to terms with the world.The seventies were times of amazing richness, and this is shown openly here. Maybe one of the issues that make your eyes shine is the open difference between what led to some modern educational ideas and how they clashed with the old ones. This was Denmark, and it was the seventies. The final act is freakin' awesome. Watch this film. You won't be disappointed. Watch it thinking about the story, and this time (oh, it's me saying this... I can't believe it), just this time, forget about cinematography.

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