1952: Bishop Bilodeau visits a prison to hear the confession of Simon, a boyhood friend jailed for murder 40 years ago. However, once there, Bilodeau finds himself forced to watch a play put on by Simon and the other inmates depicting the two men's youths. As the play progresses, the tragic truth of Simon's crime comes to light.
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Reviews
Minor niggle - you wear a purple stole to heard confessions, not a white one.However, this is one of the best films I have seen so far this year. The 'play within a play' like Hamlet makes for very interesting viewing as the back story unfolds.Can anyone cast light on the continual lighting of matches? Or is it merely to 'cast light on the situation'? And a question for someone clever - We know that the haunting and beautiful background music is by the Hilliard Ensemble and includes a Requiem mass and parts of Tenebrae - but what disc is it from? I have looked at their discography but can't fund it.
I really loved this movie. This was a tale well told and the acting was very impressive. I felt like I was watching a high quality play on Broadway! Brent Carver was brilliant and the whole cast wonderful. Very interesting to stick with a male cast, but it worked! At times you almost forgot that there were no women in this movie! The casting was superb and I thought the eye candy was excellent and they could act! The movie managed to create a wonderful environment that gave off a terrific atmosphere.The story was so intriguing and kept you on the edge of your seat. I thought this was a really wonderful tale told extremely well and what a treat!
A truly remarkable film. The characters are all played by males reminiscent of the days of Shakespeare. And what a delight to watch. I've seen it several times and am always impressed with the acting as well as the plot. This was a truly artistic endeavor above the traditional film making. One has to flow with the several roles to understand the interaction of the characters and appreciate the actors in those roles. Forget the gay aspect, and appreciate the brilliant acting and roles played out. Not a typical Hollywood mill production, but something with true artistry. A must see.
This is a film of rare and astonishing brilliance, and unlike anything I personally have ever encountered before. It is exquisitely photographed and edited, and the acting is first rate all round. The all-male cast portraying both men and women might be off-putting for some, but it is performed so expertly that one forgets this detail - it is a film that magnificently transcends gender. In particular is Brent Carver's resplendent turn as the `mad countess,' the gentle, guileless mother of one of the young heroes. The story is a heartbreaking tale of love, jealousy, and ultimately, of Judgement Day, of the Day of Reckoning. That its storyline is about gay love should not put off heterosexual film goers, because the theme is timeless and universal. A bold and brilliant must see.'