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Trailer Synopsis Cast Keywords

The destinies of two families are irrevocably tied together after a cyclist is hit off the road by a jeep in the night before Christmas Eve.

Valeria Bruni Tedeschi as  Carla Bernaschi
Fabrizio Bentivoglio as  Dino Ossola
Valeria Golino as  Roberta
Fabrizio Gifuni as  Giovanni Bernaschi
Luigi Lo Cascio as  Donato Russomanno
Giovanni Anzaldo as  Luca Ambrosini
Matilde Gioli as  Serena Ossola
Guglielmo Pinelli as  Massimiliano Bernaschi
Gigio Alberti as  Giampi
Bebo Storti as  Ispettore

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Reviews

martinezsoto
2013/12/03

This movie met if not exceeded my expectations before watching this eventful film. I was not aware there was a novel until reading previous comments, and I will make sure to look for this novel as the books always tend to be just a tad better. The actors played their parts rather marvelous! Each character had their own struggles going on, besides the main battle of the movie. By the end of the movie you just felt sorry for some and their way of being/what struggles they were going through. The whole plot was divided into chapters from different characters' perspectives which helped the viewer understand more what is going on in each characters' lives (there is a lot). And so because of this you were more in touch with their emotions. It was amazing how there may have been multiple perspectives on the main incident that brings this movie together, however, they all connect just perfectly. Each of the characters which we see input on has a great internal struggle going on, which helps the plot become so much more dramatic and amazing! Hands down would watch this again, and I definitely recommend it to anyone who loves a good eventful, dramatic, and changing of a character type of movie!

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Lucas Versantvoort
2013/12/04

If you've read anything at all about Il Capitale Humano, you might have stumbled on words like 'whodunit'. This'll give you the impression you're about to watch a Miss Marple episode and while this is somewhat the case, it's also quite far removed from the truth.The film's structured in four chapters. The first three show the same timespan from differing points of view while the fourth functions as the denouement. There's a prologue: a working man cycles home late at night and is driven off the road by a driver who quickly tries to pass by him. The cyclist lies there with a serious head injury, helpless. Some time before that, we meet Dino who's driving his daughter Serena to a friend, Massimiliano, the son of a rich businessman, Giovanni. While they disappear off-screen, we follow Dino in his desperate attempts to befriend the head of the family so he can close a business deal with him. In the next chapter we follow Giovanni's wife, Carla, who's has to give up a lot to live her comfortable live, but finds an opportunity to reignite her past passions and interests. The third chapter shows what Serena's been up to and everything comes together in the final chapter, aptly titled Il Capitale Humano.Needless to say, the first three chapters are structured like a mystery. The mystery of who's responsible for the accident is slowly uncovered, but it's not really the central theme. In the end, it's not a question of 'whodunit', but the dynamics between these characters and their positions in society and relative to each other. In this sense, it feels more like an Iñárritu film (Babel, etc.) in that there's a single incident that causes a butterfly effect, drastically altering the lives of many.In the end, it's a great tragicomedy about greed and modern life, admittedly overly familiar themes here packaged into a cinematically satisfying whole. The film is particularly aware of the great irony of money being perceived as the way to happiness (though the film thankfully doesn't fall into the trap of showing the happy poor/middle class and the unhappy rich, a trap Woody Allen fell into when he made Blue Valentine). This is particularly apparent in a scene towards the end where Dino does something drastic for the sake of his and his family's financial future, an act that will have dire consequences for his daughter. Most characters, especially parental figures, seek to make money out of the conviction it'll be the end of their (and others') problems; instead, only more problems are created. The very term 'human capital' exemplifies this. How can a human being and his situation be translated into monetary value? Il Capitale Humano has the answer.

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Reno Rangan
2013/12/05

Lately I have been watching lots of movies from the book adaptation and here it comes another one. This time an English language novel transformed into an Italian movie. But what I heard is that a few changes were made to bring the Italian flavor. Well, what could I say more, if you know the director you will say he's the right person to make it happen and he did excellently. Recruited the best cast and extracted best out of them.The story of the two families narrated in the different streams when a cyclist got hit by a car on the Christmas eve. So the question has been asked, how did it happen? And who did it? The characters from two families begin to expose their role on that accident night revealing who did what. Dino, a realtor sees an opportunity to get into a big earning league so he decides to invest a large amount on it. Followed by the recession he has to face the reality of business that puts his life on a stake. Carla, the wife of a multimillionaire gives a financial support for the struggling company. Later she has to let it go when her husband's business begins to fall apart. Serena, the daughter of Dino and Massimiliano, son of Carla are the close friends. Their story follows where one of them finds their true love and another one get into sadness for some reason. When all these three episodes concludes the final chapter begins to unveil the truth with a twist.''I know it does not look much like you, I tend to make things uglier.''The story was told in layers which were divided into the four chapters. The story that happened between the particular timeline was repeated again and again with another character's perspective and with different camera angles till truth reveals in the final chapter. As it's still developing the opening was confusing which was the first chapter. Without holding-up in development, it straight goes with the main intention of the theme. If you pass that then the following segments interest you to make you guess the possibilities the suspense it hold. Kind of impossible to predict because of the introduction of the related characters to the particular incident consumed by the three quarters of the film. Which mean twist comes at the latter part which was really a good one. Each character that comes in the different episodes were incredible. Like, for a moment it was unhooked from the rest and centralizes that specific story stream, but the common event holds the story all together. I liked all the main characters, but the character Serena steals the final show. The role who played it was a new face and I kind see a great career ahead of her. (God, she's kind of attractive, hope its not me the only one to say that.) This was one of the recent best neo-noir. If somebody asks, I definitely recommend it.

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timlin-4
2013/12/06

This movie is about the intersection of two families, one very rich and one merely middle-class, due to the relationship between their kids, and a mystery surrounding a car crash. It's mostly about family tensions and frustrated aspirations, but you've seen it all before, and and you probably were bored then. There is some nice footage of high-class Italian living, and Tedeschi in my opinion is generally worth watching, but many scenes are also ruined by Bentivoglio's bumbling character and the other revolting males in the cast. Even the nude scene with the young actress barely livens things up. That sounds blasphemous, I know, but that is just how dismal the romance subplot is. And the whole pile of rubbish collapses under the weight of the obnoxious timeline, as if telling a story out of order is enough to add cleverness to a dull and unoriginal plot.

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