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Valeria Bruni‑Tedeschi

Birthday: 1964-11-16 Place of Birth: Turin, Piedmont, Italy
Synopsis

Valeria Bruni Tedeschi (Italian pronunciation: [vaˈlɛːrja ˈbruːni teˈdeski]; born 16 November 1964; Turin), is an Italian-French actress, screenwriter and film director. Her 2013 film, A Castle in Italy, was nominated for the Palme d'Or at the 2013 Cannes Film Festival. Bruni Tedeschi was born in Turin, Italy, in the Piedmont region of Italy. Like her younger sister, Carla Bruni, she has settled in France. The girls were raised bilingual, as their family moved to Paris in 1973, fearing kidnappings and, later, the terrorism of the Red Brigades. She holds dual Italian and French citizenship. Her mother is Italian with French ancestry. Her father is Italian. She is second cousin of Alessandra Martines. Tedeschi had a relationship with the French actor Louis Garrel from 2007 to 2012. Together they adopted a girl from Senegal in 2009. She was present at the 2005 Berlinale, the Berlin International Film Festival, to promote two films she had acted in: Tickets (2005), a three-segment film directed by Ermanno Olmi, Abbas Kiarostami, and Ken Loach, and Crustacés et Coquillages, a comedy directed by the French duo of Olivier Ducastel and Jacques Martineau. She also played a lead role in the short film Drugstore (2000), as part of a French anti-drug awareness raising campaign Drug Scenes (Original French title: Scénarios sur la Drogue), directed by Marion Vernoux based on a script by Eric Ellena. Her debut film as a director, "It's Easier for a Camel...", earned her two awards at the Tribeca Film Festival for Emerging Narrative Filmmaker and Best Actress in 2003. In 2007, Bruni Tedeschi directed "Actrices", which won the Prix Spécial du Jury at the 2007 Cannes Film Festival.

Acting

The Line
as    Christina
Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.
Le Pupille
as    Rosa in love
During WWII, in the days leading up to Christmas, a woman arrives at an Italian Catholic boarding school for orphaned girls with a large cake and a plea for them to pray for her boyfriend, who is having an affair.
Anaïs in Love
as    Émilie
A young woman struggling to stay on top of everything in her life meets a married publisher and begins an affair with him.
Love Song for Tough Guys
as    Katia
In a port city, the lives of a few isolated people, used to violence, are strongly influenced by the love they feel for each other. Choices, envy, love and tenderness are the driving forces that help these characters to be themselves and give meaning to their lives. A tribute to poetry, theatre and art.
The Divide
as    Raf
Raf and Julie, a couple on the verge of breaking up, find themselves in an emergency ward bordering on collapse on the evening of a Parisian Yellow Vest protest. Their encounter with Yann, an angry and injured demonstrator, will shatter each person's certainties and prejudices. Outside, the tension escalates.
Summer of 85
as    Madame Gorman
What do you dream of when you're 16-years-old and in a seaside resort in Normandy in the 1980s? A best friend? A lifelong teen pact? Scooting off on adventures on a boat or a motorbike? Living life at breakneck speed? No. You dream of death. Because you can't get a bigger kick than dying. And that's why you save it till the very end. The summer holidays are just beginning, and this story recounts how Alexis grew into himself.
Only the Animals
as    Evelyne Ducat
Following the disappearance of the glamorous and secretive Evelyne Ducat during a blizzard in the highlands of southern France, the lives of five people inextricably linked to Evelyne are brought together to devastating effect as the local police investigate the case.
Aspromonte: Land of The Forgotten
as    Giulia
At the end of the 1950s in Africo, a small village in the southern valley of Aspromonte, a woman dies in childbirth because a doctor fails to arrive on time. No road connects Africo with the other villages. In the wake of this tragedy, all of Africo’s citizens -including children - abandon their usual occupations and unite to build their own road. Giulia, the new schoolteacher, comes from the North with a mission to teach standard Italian to help bring cultural cohesion with Africo and the rest of Italy. But she will have to contend with the local mafioso Don Totó, who is determined to ensure this the town remains cut off, and thus, under his power.
The Summer House
as    Anna
A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.
Let the Sunshine In
as    Clairvoyant
Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.
Saint Laurent
as    une cliente
1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.
Long Live Freedom
as    Danielle
The elections are approaching and the largest opposition party in the country do not look good. Its leader, Enrico Oliveri can not stand the pressure and disappears. Fearing a scandal, the eminence grise of the party had brought into play the twin brother of the politician. Even if looks like two drops of water with his brother Giovanni may have a different personality. His ideas are innovative and direct approach to get the party in the polls ...
Hands in the Air
as    Cendrine
March 22, 2067. At dawn of life, Milana remembers her life, when she was a young Chechen immigrant in Paris, struggling for a better life along with her school friends.
Roses on Credit
as    Suzette
A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself increasingly caught up in acquiring material possessions while the husband prefers a more traditional lifestyle.
Regrets
as    Maya
After the death of his mother, fortysomething introvert Mathieu enters into a second relationship with his high-school girlfriend, Maya.
The Great Alibi
as    Esther Bachmann
Like every weekend senator Henri Pagès and his wife entertain guests at their beautiful mansion in a peaceful village near Paris. But this time around, things go awry: Pierre Collier, a psychoanalyst and consummate womanizer, is brutally murdered. Claire, his wife, dazed and confused by his corpse, with a smoking gun still in her hand, seems to be the ideal culprit...
Five Times Two
as    Marion
As young French couple Gilles and Marion officially separate, we see, in reverse order, the milestone moments in their relationship: Gilles revealing his unfaithfulness at a tense dinner party; Marion giving birth to their premature son while Gilles is elsewhere; Gilles and Marion's joyous wedding; and, finally, the fateful moment when they meet as acquaintances at an Italian beach resort, and their love affair begins.
It's Easier for a Camel...
as    Federica
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.
Feelings
as    La jeune mère
Two seemingly happily married French couples are forced to contend with a number of issues.
If I Were a Rich Man
as    Alice
Between Alice, a hospital nurse and Aldo, a shampoo sales representative, things have turned sour of late. Alice blames her husband for lacking ambition and contemplates divorce.One day Aldo wins the ten million euro lotto prize. But, unwilling to share the bonanza, he keeps mum about it, all the more as he finds out Alice has an affair with Gérard, Aldo's former friend and ... new boss. However, Aldo, leading a double life, starts spending his money ...
The Color of Lies
as    Frédérique Lesage
In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...
Those Who Love Me Can Take the Train
as    Claire
Friends of a recently painter Jean-Baptiste Emmerich gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian François and his lover Louis, who develops an interest in Bruno, whom he meets on a train. Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry, husband of Catherine, who's on the train with their daughter. François plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie is convinced that she was his main love. Also on board is his nephew, Jean-Marie and Jean-Marie's estranged wife Claire. After the funeral in "Europe's largest cemetery," the story continues in the mansion of Jean-Baptiste's brother Lucien.
My Man
as    Sanguine
In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she's thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He's arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.
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