Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.
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Sudan's Muslim majority in the north brutally attacks the Christian and animist south for its oil. Many were massacred, enslaved and driven from their homes. A group of survivors walked to Ethiopia. In 1991, they were once again forced to flee this time to Kenya. There some in the camp get relocated to America as refugees. The culture shock and the isolation does take a toll on some of the lost boys.This seems to be a simple story to tell. It starts by recounting the lost boys' devastating journey. The culture shock of them trying to understand their new surrounding is funny and endearing. The surprise comes when the boys struggle in the new world. It is the twists from living in the west that is the most fascinating. It's not all happy endings but it is not all sadness either. Life continues on.
An emotionally-charged, unflinching look at the vast cultural gap between suburban America and war-ravaged central Africa. When a select few members of an impoverished clan of Sudanese expats are voluntarily selected for transplant to the United States, it seems like an act of charity. But after three months, these tall, eager, warm-hearted refugees - many of whom were fascinated by the electric lights above their seats on the flight over - are expected to come to terms with this brave new world, acclimate to the new social and temperate climates, find work and begin paying down the air fare Uncle Sam extended to them. Their passion to do so, and the extent of their successes over the ensuing years, is a source of deep inspiration. It's not without a political agenda, as is the case with most documentaries in this vein, but even after casting that aside there's a rich, poignant message waiting here.
Christopher Quinn has compiled a wonderful documentary about three Lost Boys of the Sudanese Genocide who immigrate to America to find new lives. He cites the history and how they became the lost boys through the systematic genocide in Sudan and how they migrated to refugee camps first in Ethiopia and second in Kenya. While they are there for years, they form unforgettable bonds with each other and rely on each other as family. When they immigrate to the United States settling in Pittsburgh, Pennsylvania and Syracuse, New York, they must make adjustments and adaptation unlike anything before. They appreciate their new lives and the advantages offered to them without complaint about doing any job no matter what it is but they are not without racking guilt for those thousands left behind and for their families whose fate may not be known. Despite it all, you don't see any tears about their situation but just the guilt that they are lucky and they plan to give back to those back home.
Like college students after exam grades have been posted, boys in the U.N. refugee camp in Kakuma, Kenya, gather around a wooden board to look for their names on a stapled piece of paper. Finding them means a chance for a new life. Not finding their name means more waiting and hoping. Christopher Quinn and Tommy Walker's documentary God Grew Tired of Us chronicles the odyssey of members of the Dinka tribe of Sudan who emigrate to America after years of hardship in a refugee camp in Kenya, some of the survivors of the people that have come to be known as the Lost Boys of Sudan. They are part of what remains of 27,000 Sudanese boys who escaped from their civil-war ravaged country in 1983 and walked more than one thousand miles over a period of five years, first to Ethiopia and then to Kenya in search of relief from government oppression and civil war.The subject matter may sound depressing, but in the hands of Quinn and his team who spent more than four years in the project, the result leaves us feeling good about humanity. Though there is little historical background about the civil war or its causes and only a few words about how the Muslims in the north attacked the Christians in the south and threatened to kill or maim all underage boys, the film is not about the past but about the future. Produced by Brad Pitt and narrated by Nicole Kidman, God Grew Tired of Us centers around three boys who were given the opportunity to come to the U.S. after years of struggle for survival.The boys are John Bul Dau, Panther Bior, and Daniel Abul Pach, all handsome, articulate, and highly motivated. Panther and Daniel end up in Pittsburgh, Pennsylvania and John goes to Syracuse, New York, two of twenty-three states who accept the Sudanese Lost Boys. We get a real sense of what they are up against the minute we see them boarding a plane for the first time. No one bothers to tell them that butter is a spread and not to be eaten whole. When shown their new apartments in their new environment, they are amazed that they each can sleep in a single bed with a mattress and are wide-eyed when shown how to use electricity, garbage, and toilet facilities.The first trip to the supermarket is another perplexing occasion. When shown a donut covered with sprinkles, one justifiably asks whether or not this is food. They are told that in the West, they don't have to cook potatoes but can eat them out of a paper bag labeled as chips but they are not told that it contains little but empty calories without a hint of nutrition. The film flies by in less than an hour and a half and we only scratch the surface of the problems that arise during their first year in their new country but their growing sense of loneliness and cultural isolation and their economic exploitation is not glossed over and we often wonder if perhaps coming to America was not the best idea.John has to get up at 4AM to be driven to a factory job one hour away and to wait for two hours in the cold before the factory even opens. Others work two or three jobs, lamenting the fact that they never can see their friends. They wonder aloud how a society can function when everyone lives in fear of their neighbor, but no answers are forthcoming. What is astonishing is their mental toughness in pursuit of their goals and the film shows their efforts to attend schools, build a support community for other Lost Boys in the States, and make enough money to visit or provide help for their families and friends in Africa.God Grew Tired of Us is a paean to the human spirit that avoids sentimentality and brings us closer to what is truly important in life: closeness to family, knowing who we are, remembering where we came from, and a desire to help others. We feel good about these boys and the opportunities they have received but wonder about the lives of those left behind - other refugees and lost boys and girls around the world whose stories would probably not be as commercially viable. "Everything has an end", says John Bul Dau in celebrating his new surroundings, yet for millions of others the end is not in sight.