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Yumi Kawai

Birthday: 2000-12-18 Place of Birth: Tokyo, Japan
Synopsis

Yumi Kawai, Actress: Samayou yaiba. Yumi Kawai is an actress, known for Samayou yaiba (2021), It's a Summer Film! (2020) and Yuko no tenbin (2020).

Acting

Plan 75
as    Haruko Narimiya
In a Japan of the near future, the government program Plan 75 encourages senior citizens to be voluntarily euthanized to remedy a super-aged society. An elderly woman whose means of survival are vanishing, a pragmatic Plan 75 salesman, and a young Filipino laborer face choices of life and death.
Love Nonetheless
as    Misaki
Koji runs a second-hand bookstore. He likes female drummer Ichihana, but, suddenly, female high school student Misaki appears in front of him and keeps confesses her feelings for him.
Winter Rose
as    Tomoka Misaki
Jun Wataguchi lives a lazy, half-hearted life, not going to school, hanging out with half-witted delinquents, and begging money from his friends. His parents, who run a shipping business transporting earth and sand for reclamation by boat, manage to get by, despite the dwindling number of jobs and lack of successors over time. Jun showed no interest in his parents' business, and the father and son hardly ever spoke to each other. One day, one of Jun's friends is attacked by someone and an unexpected person emerges as the culprit.
It's a Summer Film!
as    Kickboard
Barefoot and her friends decide to make a samurai movie, gather a unique cast and staff for the production, and try to screen it at their school festival.
A Balance
as    Moe Kobata
Documentary director Yuko portrays a school violence incident from three years ago that resulted in suicides, while she was teaching classes at her father’s cram school. As her documentary project progresses, Yuko discovers a hidden truth and becomes deeply involved in the lives of the families pained by that secret truth.
Sasaki in My Mind
as    Naemura
The story of a would-be actor, his larger-than-life classmate and their friends. Unfolding their past and present, Sasaki in My Mind looks head-on at adolescent sparkle and the pathos of bygone days.
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