Richard Fréchette
Birthday: Place of Birth:
Synopsis
Acting
Norbourg
The story of Vincent Lacroix, a businessman convicted of defrauding thousands of investors and embezzling over $130 million in mid-2000s Quebec, Canada. Inspector and auditor Éric Asselin is mandated to monitor the activities of the Norbourg firm. Literally fascinated by the audacity of Vincent Lacroix, the investigator leaves his post and becomes his right hand man. Norbourg then thwarts the investigations and checks by embezzling hundreds of millions of dollars. But the party can't last forever when the company is surrounded from all sides.
White as Snow
Claire is a beautiful young woman who works at her late father’s hotel, that is now managed by her evil stepmother Maud. Claire unwittingly sparks uncontrollable jealousy in Maud, whose young lover has fallen in love with Claire. Maud decides to get rid of Claire who finds shelter in a farm where she’s allowed to break free from her strict upbringing through encounters with seven “princes.”
Far Side of the Moon
After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his gay brother.
Nô
Robert Lepage directed this Canadian comedy, filmed in black and white and color and adapted from Lepage's play The Seven Branches of the River Ota. In October 1970, Montreal actress Sophie (Anne-Marie Cadieux) appears in a Feydeau farce at the Osaka World's Fair. Back in Montreal, her boyfriend Michel (Alexis Martin) watches the October Crisis on TV and sees Canadian Prime Minister Trudeau declare the War Measures Act. The Canadian Army patrols Montreal streets. Sophie learns she's pregnant and phones Michel. However, Michel is immersed in politics, while Sophie rejects the amorous advances of her co-star (Eric Bernier), becomes friendly with a blind translator, and passes an evening with frivolous Canadian embassy official Walter (Richard Frechette) and his wife Patricia (Marie Gignac). Meanwhile, in Montreal, Michael plots terrorist activities. Commenting on East-West cultural distinctions, the film intercuts between Quebec (in black and white) and Japan (in color).
The Confessional
Pierre Lamontagne has returned to Quebec to attend his father's funeral. He meets up with his adopted brother, Marc, who has begun questioning his identity and has embarked on a quest for his roots that would lead them to the Quebec of the 1950s. Past and present converge in a complex web of intrigue where the answer to the mystery lies.