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Jarvis Cocker

Birthday: 1963-09-19 Place of Birth: Sheffield, Yorkshire, England, UK
Synopsis

Jarvis Branson Cocker is an English musician and radio presenter. As the founder, frontman, lyricist, and sole consistent member of the band Pulp, he became a figurehead of the Britpop genre of the mid-1990s. Following Pulp's hiatus, Cocker has pursued a solo career, and for seven years he presented the BBC Radio 6 Music show Jarvis Cocker's Sunday Service.

Acting

The House
as    Developer (voice)
Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.
Shut Up and Play the Piano
as    Self
The documentary follows Chilly Gonzales from his native Canada to late '90s underground Berlin, and via Paris to the world's great philharmonic halls. Diving deep into the dichotomy of Gonzales' stage persona, where self-doubt and megalomania are just two sides of the same coin.
Pulp: a Film About Life, Death & Supermarkets
as    Himself
Pulp found fame on the world stage in the 1990s with anthems including ‘Common People’ and ‘Disco 2000’. 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. Giving a career-best performance exclusive to the film, the band members share their thoughts on fame, love, mortality — & car maintenance. Director Florian Habicht (Love Story) weaves together the band’s personal offerings with dream-like specially-staged tableaux featuring ordinary people recruited on the streets of Sheffield. Pulp is a music film like no other — by turns funny, moving, life-affirming & (occasionally) bewildering.
Six by Sondheim
as    Crooner
This intimate documentary explores the life and career of the stage legend Stephen Sondheim through six of his best-known songs.
David Bowie & The Story of Ziggy Stardust
as    Self - Narrator (voice)
BBC documentary telling the story of how David Bowie arrived at one of the most iconic creations in pop history - Ziggy Stardust - with contributions from colleagues and famous fans.
Lemmy
as    Self
Over four decades, Motorhead frontman Lemmy Kilmister has registered an immeasurable impact on music history. Nearly 65, he remains the living embodiment of the rock and roll lifestyle, and this feature-length documentary tells his story, one of a hard-living rock icon who continues to enjoy the life of a man half his age.
All Tomorrow's Parties
as    Self (archive footage)
All Tomorrow's Parties is a 2009 documentary film directed by All Tomorrow's People and Jonathan Caouette covering the history of the long running All Tomorrow's Parties music festival. Described as a "post-punk DIY bricolage", the film was created using footage generated by the fans and musicians attending the events themselves, on a multitude of formats including Super8, camcorder and mobile phone. All Tomorrow's People is a name representing the contributions of these attendees.
Scott Walker: 30 Century Man
as    Self
A documentary on the influential musician Scott Walker.
Leonard Cohen: I'm Your Man
as    Self
Poet, singer / songwriter and ladies man Leonard Cohen is interviewed in his home about his life and times. The interview is interspersed with archive photos and exuberant praise and live perfomances from an eclectic mix of musicians, including: Jarvis Cocker, Rufus & Martha Wainwright, Teddy Thompson, Anohni, The Handsome Family and U2's Bono and The Edge.
Live Forever
as    Self
In the mid-1990s, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomenon, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.
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