Don Fellows
Birthday: 1922-12-22
Place of Birth: Salt Lake City - Utah - USA
Synopsis
Don Fellows was an American actor known for his roles in British theater and television. Born in Salt Lake City, Utah and raised in Madison, Wisconsin, Fellows served in the United States Merchant Marine during World War II. He was a graduate of the University of Wisconsin and a member of the Actors Studio. He moved to London in 1973 to further his stage career. Fellows' TV appearances included Space: 1999, Z Cars, Lillie, The Sandbaggers, The Citadel, The Beiderbecke Tapes, The Bill and Inspector Morse. His film appearances included The Naked Civil Servant, Spy Story, The Omen, Raiders of the Lost Ark, Eye of the Needle and Velvet Goldmine. He featured alongside fellow American expatriate actor Ed Bishop in the radio series The BBC Presents: Philip Marlowe. Throughout his life, Fellows suffered from a stutter, which he was able to suppress while acting. He died in 2007, at the age of 84.
Acting
The Man Who Cried
as Joe
A young refugee travels from Russia to America in search of her lost father and falls in love with a gypsy horseman.
Electric Dreams
as Ryley
Miles buys himself a state-of-the-art computer that starts expressing thoughts and emotions after having champagne spilled on it. Things start getting out of hand when both Miles and Edgar, the computer, fall in love with Madeline, an attractive neighbor.
The Spikes Gang
as Cowboy
After escaping home, three young friends form a dynamic alliance of untamed youth. They meet an old man named Spikes with the experience only a master gunfighter can offer. The gang of men go on a crime spree and are converted to outlaws with a price on their heads.
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Trick Baby
as Phillips
Two Philadelphia con men try to evade gangsters they have conned and cops who are trying to put them in jail.
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Pretty Poison
as Detective
A young man gets in over his head when he convinces a small-town girl he's a secret agent.
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Symbiopsychotaxiplasm: Take One
as Himself / Actor Testing for Freddy
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
