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Sarah Clarke

Birthday: 1972-02-16 Place of Birth: St. Louis, Missouri, USA
Synopsis

Sarah Clarke (born February 16, 1972) is an American actress, best known for her role as Nina Myers on 24, and also for her roles as Renée Dwyer, Bella Swan's mother, in the 2008 film Twilight as well as Erin McGuire on the short-lived TV show, Trust Me. Description above from the Wikipedia article Sarah Clarke, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Acting

The Maestro
as    Clara Castelnuovo-Tedesco
After the Second World War, budding film composer Jerry Herst moves to Hollywood to study with infamous master teacher Mario Castelnuovo-Tedesco.
Shot
as    Dr. Fisher
One bullet. Three lives. Everyone pays. On an average Los Angeles day, a couple on the verge of divorce and a bullied teenager find their lives desperately changed when the boy's illegal gun goes off.
Punk's Dead: SLC Punk 2
as    Trish
Punk's Dead, the sequel to 1999 cult hit SLC Punk, is a punk romp through the Utah hinterlands. Ross, Penny and Crash, young outsiders from different tribes, embark on a road trip to a huge punk show. Ross, 19, is the love child of Trish and Heroin Bob, who died before Ross was born. During their odyssey, and with the help of a healthy dose of drugs, alcohol and punk music, Ross shreds his darkly Gothic outlook and embraces life. His mother Trish, who raised Ross alone in her steam punk shop, discovers that he is in a crisis. She recruits his 'uncles,' Bob's old SLC gang, to help find him. When all collide at the concert, they are forced to deal with their unresolved relationships with Bob.
Below the Beltway
as    Anne
In this political drama spotlighting the brazen intrigues of lobbyists as they pursue their clients' interests in the nation's capital, a former political aide learns that power comes in all shapes and sizes, and that principle is often negotiable.
Bedrooms
as    Janet
Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that's often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.
Trust Me
as    Erin McGuire
The series revolves around Rothman, Greene, and Moore, a fictional advertising firm. The storylines center on the difficulties of securing accounts and the characters' personal lives.
Women in Trouble
as    Maxine McPherson
A serpentine day in the life of ten seemingly disparate women: a porn star, a flight attendant, a psychiatrist, a masseuse, a bartender, a pair of call girls, etc. All of them with one crucial thing in common. Trouble.
The Lather Effect
as    Claire
On the eve of selling her mother's house, a thirty-something housewife wakes up to a hangover surrounded by her best friends from high school...
Happy Endings
as    Diane
Filmmaker Nicky offers to track down the son that Mamie gave up for adoption nearly two decades before. Meanwhile, Mamie's stepbrother (and the father of her child), Charley, along with his boyfriend, Gil, try to find out what became of the sperm Gil donated to a lesbian couple. Finally, singer Jude becomes entangled in a love triangle with androgynous drummer Otis and his conservative father.
Thirteen
as    Birdie
When average 13-year-old Tracy befriends Evie, the most popular girl in school, Tracy's world is turned upside down as Evie introduces her to a world of sex, drugs and cash. But it isn't long before Tracy's new world and attitude finally takes a toll on her, her family, and old friends.
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