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William S. Burroughs

Birthday: 1914-02-05 Place of Birth: St. Louis, Missouri, USA
Synopsis

From Wikipedia, the free encyclopedia.   William Seward Burroughs II ; also known by his pen name William Lee; February 5, 1914 – August 2, 1997 was an American novelist, poet, essayist and spoken word performer. Burroughs was a primary figure of the Beat Generation and a major postmodernist author who affected popular culture as well as literature. He is considered to be "one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century."[1] Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. Burroughs also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films. He was born to a wealthy family in St. Louis, Missouri, grandson of the founder of the Burroughs Corporation, William Seward Burroughs I, and nephew of public relations manager Ivy Lee. Burroughs began writing essays and journals in early adolescence. He left home in 1932 to attend Harvard University, studying English and anthropology, but after being turned down by the Office of Strategic Services and U.S. Navy to serve in World War II, dropped out and spent the next twenty years working a variety of jobs. In 1943 while living in New York City, he befriended Allen Ginsberg and Jack Kerouac, the mutually influential foundation of what became the countercultural movement of the Beat Generation, while becoming involved in the drug addiction that affected him for the rest of his life. Much of Burroughs's work is semi-autobiographical, primarily drawn from his experiences as a heroin addict, as he lived throughout Mexico City, London, Paris, Berlin, the South American Amazon and Tangier in Morocco. Finding success with his confessional first novel, Junkie (1953), Burroughs is perhaps best known for his third novel Naked Lunch (1959), a work wrought with controversy that underwent a court case under the sodomy laws. With Brion Gysin, he also popularized the literary cut-up technique in works such as The Nova Trilogy (1961–64). In 1983, Burroughs was elected to the American Academy and Institute of Arts and Letters, and in 1984 was awarded the Ordre des Arts et des Lettres by France. Jack Kerouac called Burroughs the "greatest satirical writer since Jonathan Swift," a reputation he owes to his "lifelong subversion"[1] of the moral, political and economic systems of modern American society, articulated in often darkly humorous sardonicism. J. G. Ballard considered Burroughs to be "the most important writer to emerge since the Second World War," while Norman Mailer declared him "the only American writer who may be conceivably possessed by genius." Burroughs had one child in 1947, William Seward Burroughs III, with his second wife Joan Vollmer, who died in 1951 in Mexico City after Burroughs accidentally shot her in the head while drunk, an event that deeply permeated all of his writings. Burroughs died at his home in Lawrence, Kansas after suffering a heart attack in 1997. Description above from the Wikipedia article William S. Burroughs, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Acting

Uncle Howard
as    Self
When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.
Don't Blink - Robert Frank
as    Self (archive footage)
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they're one in the same, and the vast amount of territory he's covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early '90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don't Blink is Israel's like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
William S. Burroughs: A Man Within
as    Self
A riveting and emotional journey into the world of writer William S. Burroughs, a man considered as cold as an iceberg on a winter night.
FLicKeR
as    Himself
In 1960, Brion Gysin invented the Dream Machine, a hypnotic light device with the power to induce hallucinations, drugless highs, and revolutionize human consciousness. It looks simple enough; a 100-watt light bulb, a motor, and a rotating cylinder with cutouts. Just sit in front of it, close your eyes, and wait for the visions to come. The Dream Machine enthralled mystics and freethinkers everywhere; Kurt Cobain had a dream machine, and William S. Burroughs thought it could be used to “storm the citadels of enlightenment.” With a custom-made Dream Machine in tow, director Nik Sheehan takes us on a journey into the life of Brion Gysin; his art, his complex ideas, and his friendships with some of the most eccentric counter-cultural icons. Taking the Dream Machine as the basis of its explorations, FLicKeR asks crucial questions about the nature of art and consciousness, and imagines a humanity liberated to explore its creativity in complete freedom.
Obscene: A Portrait of Barney Rosset and Grove Press
as    Himself
A look at the life and work of American publisher Barney Rosset, who struggled to bring controversial works like "Tropic of Cancer" and "Naked Lunch" to publication.
Wanderlust
as    Tom the Priest
A look at the mystique of road movies, combining interviews, film clips, music, photography, literature and a narrative storyline featuring Paul Rudd and Tom McCarthy.
Let It Come Down: The Life of Paul Bowles
as    Himself
One of the most enigmatic artists of the 20th century, writer, composer and wanderer Paul Bowles (1910-1999) is profiled by a filmmaker who has been obsessed with his genius since age nineteen. Set against the dramatic landscape of North Africa, the mystery of Bowles (famed author of The Sheltering Sky) begins to unravel in Jennifer Baichwal's poetic and moving Let It Come Down: The Life of Paul Bowles. Rare, candid interviews with the reclusive Bowles--at home in Tangier, as well as in New York during an extraordinary final reunion with Allen Ginsberg and William Burroughs--are intercut with conflicting views of his supporters and detractors. At the time in his mid-eighties, Bowles speaks with unprecedented candor about his work, his controversial private life and his relationships with Gertrude Stein, Tennessee Williams, Truman Capote, the Beats, and his wife and fellow author Jane Bowles.
Destroy All Rational Thought
as    himself
The great Beat Generation experiments took place in Tangier, the Moroccan city where William Burroughs, Brion Gysin, and the Moroccan painter Hamri taught Jack Kerouac, Timothy Leary, and Allen Ginsberg how to live outside the law. This DVD features one of the last interviews with Burroughs and previously unseen vintage footage of him in his prime during the 50s and early 60s.
Relics: Einstein's Brain
as    Himself
Documentary about Kenji Sugimoto, professor in Math and Science history at Kinki university in Japan. He has spent the last 30 years publishing works about Einstein and his personality. To complete his works he travels to America to find Einstein's brain.
Ah Pook Is Here.
as    Narrator
A disturbingly organic-looking figure speaks to us of life, politics and death as the symbol of the common man toils away. Written and narrated by William S. Burroughs.
The Junky's Christmas
as    Narrator
Burroughs takes down a book and reads us the story of Danny the Carwiper, who spends Christmas Day trying to score a fix, but finds the Christmas spirit instead.
Naked Making Lunch
as    Himself
A 1992 documentary about the making of Naked Lunch.
Wax, or The Discovery of Television Among the Bees
as    James "Hive" Maker
Computer programmer/beekeeper Jacob gets a "television" implanted in his brain by a race of telekinetic bees, which causes him to experience severe hallucinations.
Twister
as    Man in Barn
An oddball family on a Kansas farm are trapped in their farmhouse by an impending storm. The patriarch of the clan is a retired soda pop tycoon. He is currently dating a children's TV evangelist. Also living at the farm is his layabout daughter and her precocious 8 year old daughter, his would-be artist son, the son's fiancée, and the black maid. Also thrown into the mix is the daughter's ex-husband, a ne-er-do-well who is seeking to get back in his ex-wife's good graces.
Drugstore Cowboy
as    Tom the Priest
Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.
Ornette: Made in America
as    Self
Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.
Home of the Brave
as    Self
A concert film directed by and featuring the music of Laurie Anderson, filmed at the Park Theater in Union City, New Jersey, during the summer of 1985.
Fried Shoes Cooked Diamonds
as    Himself
After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.
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