Who was Joe D'Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

Italian horror fan and academic Calum Waddell speaks with some of the original makers of the controversial horror classic "Cannibal Holocaust" before venturing into the Amazon jungle and surrounding city port, Leticia, to uncover some of the local stories behind the making of the motion picture. What is uncovered, however, leads to a wider and unexpected "true crime" story.

Feature-length in-depth documentary by High Rising Productions chronicling the Giallo film genre from its beginnings as early 20th century crime fiction, to its later influences on the modern slasher film genre. Featuring interviews with Dario Argento, Umberto Lenzi, Luigi Cozzi, Richard Stanley, and more.

Jacopo, Duke, and Lenka wake up in the apartment Lenka shares with her roommate Elizabeth to find Elizabeth mysteriously murdered. None of the three has any memory of what happened and they spend a drug-fueled day finding clues and piecing the event together.

The history of Italian zombie cinema, beginning with the breakout worldwide influence and success of George Romero's Night of the Living Dead and continuing through to Lucio Fulci's trend-setting Zombie Flesh-Eaters (Zombi 2) and its many imitators.

BBC look at whether or not Snuff films really exist. Snuff as defined by the FBI and the film is a film that shows some one being killed which was produced for gratification of the viewer who pays to see the film. The film takes a look at the start of the rumors of snuff films, the latching on by exploitation producers and how the ability of anyone to shoot video with things such as mobile phones and put them up on the Internet have made the existence of a such a film likely. A very good very reasoned film that isn't really that graphic (at least with actual footage) the film looks at the subject with filmmakers and law enforcement officials and relates the chilling tales of the people who actually set out to make a film for themselves. The key element is the profit motive since its clear that killers and other people have been using home video equipment to record their nasty deeds, we just don't know if money has changed hands. A film to make you think.