Marina Abramović
Birthday: 1946-11-30 Place of Birth: Belgrade, Serbia, Yugoslavia
Synopsis
Marina Abramović (born November 30, 1946 in Belgrade) is a New York-based Serbian performance artist who began her career in the early 1970s. Active for over three decades, she has recently begun to describe herself as the "grandmother of performance art". Abramović's work explores the relationship between performer and audience, the limits of the body, and the possibilities of the mind.
Acting
7 Deaths of Maria Callas
A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.
512 Hours
In the summer of 2014, tens of thousands of guests flocked to the Serpentine Gallery in London to experience Marina Abramović’s exhibition ‘512 Hours’. But when it opened, it dawned on everyone that the audience itself was the actual work in the iconic performance artist’s landmark exhibition. The audience members were also active participants and co-creators of the social experiment, which - set against the minimalist background of the gallery’s empty space - developed continuously into new, unpredictable directions during the three weeks (or 512 hours) in which the exhibition took place, while Abramović herself took part in the performative ritual.
Homecoming – Marina Abramović and Her Children
The occasion is “The Cleaner,” a travelling retrospective exhibition of work by Marina Abramović, whose final destination is Belgrade, the artist’s hometown. It contemplates her whole life, including dilemmas from her youth in Belgrade, misguided love affairs and a special kind of loneliness. It centres around re-performance as a phenomenon. Who are re-performers?
Marina Abramovic: The Ugly Duckling
Performance artist Marina Abramovic invites Alan Yentob into her home, opens her archive, travels to her birthplace in Belgrade and talks about turning her life into art.
Body of Truth
Four female artists have been politicized by experiences with war, violence and suppression and integrated them into their work, using their most personal tool: their own bodies.
Out of Shadows
"Out of Shadows" lifts the mask on how the mainstream media and Hollywood manipulate and control the masses by spreading propaganda throughout their content. Our goal is to wake up the general public by shedding light on how we all have been lied to and brainwashed by a hidden enemy with a sinister agenda. This project is the result of two years of blood, sweat, and tears by a team of woke professionals. It's been independently produced and funded and is available on many different platforms for free for anyone to watch.
Derek DelGaudio's In & of Itself
Storyteller and Conceptual Magician Derek DelGaudio attempts to understand the illusory nature of identity and answer the deceptively simple question 'Who am I?'
Marina Abramović: The Artist Is Present
Performance artist Marina Abramovic prepares for a major retrospective of her work at the Museum of Modern Art in New York.
Our City Dreams
Filmed over the course of two years, Our City Dreams is the story of a woman's struggles and successes as an artist in New York City. Told through five women artists, from youngest to oldest, the film features Swoon, Ghada Amer, Kiki Smith, Marina Abramovic, and Nancy Spero. From the studio to the streets of New York, from the canals of Venice to the alleys of Cairo and the beaches of Phuket, Our City Dreams takes us deep into the artists' worlds.
Balkan Baroque
Balkan Baroque is a real and imaginary biography of the Yugoslavian performance artist Marina Abramovic. Rather than a mechanical reproduction of the artist's work, the film tries to create a new reality by translating the performances into cinematographic images that intensify the fictional context of the film. Abramovic plays herself, but ,appearing in multiple forms, blurs her own identity. Memories and fantasies intermingle with day to day rituals. The chronological narrative often breaks to reflect the interior voyage of the protagonist from the present to the past and back to the present. The result is a visually impressive film. Balkan Baroque had its world premiere at the International Film Festival Rotterdam, 1999.
