Behnaz Jafari
Birthday: 1974-01-01 Place of Birth:
Synopsis
Behnaz Jafari was born in Tehran , Iran , in 1974, and has begun her cinematic activities since 1980. She has got her B.A. in Dramatic Literature from College of Art of Azad University in 2005. She won diploma of honor as best actress in a leading role for "The President's Cellphone" in the Thirtieth Fajr Film Festival.
Acting
Once Upon a Time in Iran
It is the story of a family on the first of September 1941, which undergoes changes during the occupation of Iran by the Allies.
Blue Nissan
The whole story started on a spring morning in Shekar Abad, where Jamshid Ghasempour was released from prison and Reza Khorsand finally got a job. But something happened that ruined everything.
Tehran: City of Love
Three lonely people, each looking for love in their own ways. This is hard enough in any big city – never mind in Tehran, where individual freedoms can’t be taken for granted. In a sexy voice on the telephone, an overweight receptionist seduces men who wouldn’t look twice at her real ‘me’. A former bodybuilding champion now earns a living as a personal trainer. When he develops feelings for a promising young sportsman as a client; he drops everything else; even a very promising acting job for a well-known French director. A singer at religious funerals is dumped by his fiancée. He tries to find new purpose in life by retraining as a singer at weddings and parties. That’s a lot more attractive to women, his friend assures him.
Shirin
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
10 + 4 (Dah be alaveh chahar)
After casting painter and video artist Mania Akbari as the central figure of his groundbreaking Ten (2002), and then witnessing her outstanding debut as a feature film director in 20 Fingers (2004), Abbas Kiarostami urged her to direct a sequel to the film. In Dah be alaveh Chahar (10 + 4), though, circumstances are different: Mania is fighting cancer. She has undergone surgery; she has lost her hair following chemotherapy and no longer wears the compulsory headscarf; and sometimes she is too weak to drive. So the camera follows her to record conversations with friends and family in different spaces, from the gondola she had famously used in her first feature to a hospital bed.
Blackboards
Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?
