Ok, this is not a great film. It was shot on digital video in 18 days, with a budget of 200,000. However I scored this a 9, because it has more heart and passion than anything Hollywood has put out lately. It should be seen by everyone, especially if you live in a border state. It starts off with some truly awkward racist remarks that will make you squirm. Honestly, I was at first turned off and considered leaving. But stick with it, because after about 15 minutes you will be hooked. Low budget be damned. The director actor star should be applauded and rewarded for bringing this labor of compassion to the screen. It is an important issue, and my eyes were opened.

John Carlos Frey captured such a controversial topic and displayed it on film in such an astounding manner. It was genuine in its message and I thank him for creating such a masterpiece! This film is for everyone. Those that are ignorant will understand, those that understand will cry, those indifferent will realize that we have a undercover war on the US-Mexico border. This film is unbelievable to say the least!!

This movie has had a lot of favorable press from Hispanic audiences. The local (Tucson) media has been kind to it. A work of art it is not. So the question is whether you pay attention to the message, or get turned of, like I did, with how it was delivered. We definetly need good movies about the subject of Mexicans flowing into North America. This is not one of them. Once again we learn that actors should not write, direct and star in their own vehicles; as it just leads to a myopathic product.Amateurs can do great work but almost everything about this movie is C grade. The bad guys all have one expression: self satisfying smirks. All of them must have gone to the Simon Legree school of villainous acting. I would have almost preferred it if they had gone to the Snidely Whiplash graduate school of delightful self parody! And when they misbehave it's in spades, so we can really loathe them. Speaking of Simon Legree there is an Uncle Tom's Cabin kind of simplicity to the movie. There are no shades to the characters, all are one - dimensional. We are forced to like the victims and hate the victimizers. Frey decides to make his character an angry self loathing bigotted caricature, so that in the end I didn't care if he was redeemed, because he was now an angry other loathing bigotted caricature! Has he grown? We never find out, but in the cliches of these kind of movies we are to presume that he does. An interesting twist is that the movie is in English with Spanish subtitles. I assume Frey did this to attract an Anglo audience. It would have worked better the other way around, so that the plot could have had a Mexican rhythm to it, and thereby somewhat masked it's faults.

I just caught a screening of this film in Albuquerque, New Mexico. It deals with racism and the experience of Mexicans crossing the US border for a better life; unfortunately that life is working in a crystal meth laboratory. I wish that it had more development about its main character, a self-hating Mexican-Americanborder guard, who goes undercover with a group of illegal aliens. He eventually gets a change of heart, once he crosses the border and develops acameraderie with his fellow workers, and realizes how harsh their reality is.Two sequences were extremely powerful: One, where he confronts his dyingmother, and refuses to acknowledge her was powerful; the anger incrediblyconvincing. The other was a scene with the workers singing about their trek into California, and how their only goal is to make a better life for their families.It's worth checking out, especially since this appears to be a first time director with an edge.