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Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Ariane Ascaride as  Jeannette
Gérard Meylan as  Marius
Pascale Roberts as  Caroline
Jacques Boudet as  Justin
Jean-Pierre Darroussin as  Dédé
Frédérique Bonnal as  Monique
Pierre Banderet as  Monsieur Ebrard

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Reviews

rg
1997/11/19

A useful film, if one's studying French socialist thought. In this film all characters are mere debris at the mercy of a capitalist tide. And the "terror" of globalization looms just over the horizon! A serious study of the French Revolution (1789) and its Reign of Terror would be helpful background to understanding this director's seeming grudge against life's realities as acted out by the lead characters. The story line is minimal, with an overpowering message of "death to all aristocrats (capitalists)!" immediately recognizable to any student of French history. Do they still buy this tripe on the Left Bank? Apparently so. If you're watching this as part of a college course you may well ask yourself just how sensible your professor is. But then, he/she's likely to have long since tipped his hand by continually denigrating all that questions Marxist/socialist dogma. Continue to feign agreement, as your final course grade may well depend on it!

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meals99
1997/11/20

It is a real achievement when you don't hate a film after studying it for your HSC. You watch it numerous times over and over without a break, and of course evermore it will remind you of the hellish end to high school. however Marius et Jeannette is a truly fabulous film and i have yet to find anyone who does not like it. the setting is so completely different to the north shore of Sydney, it ads an enchanting aspect to the film which is a real fairy tale for adults. any fan of french cinema (and just great movies in general) is sure to love this film, destined to become a classic. the small community of l'estaque and the even closer community of Jeannette and her neighbours is a perfect setting for a sweet love story.

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mob61uk
1997/11/21

A rather tender and poignant love story, about Jeannette who is an outspoken woman, and looses her job as a cashier because she is apt to speak her mind once too often. She meets up with the taciturn Marius. They both have painful pasts to deal with. Guediguian creates a finely judged low-key film from this story, weaving in some nice touches about the small community of friends from the industrial area where Jeannette lives. Guediguian's strong left-of-centre politics intrude into the narrative rather crudely at times, but not enough to spoil the film.Recommended.

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mctheimer
1997/11/22

This movie kind of reminded me of a cross between "Life is Sweet" (a humorous examination of the lower-middle class), "The Bridges of Madison County" (an examination of how middle aged people actually continue to have libidos and emotions), and a random French romantic love farce.The director tries to give this film a political slant, showing the perils of capitalism in favor of socialism, and dedicates this film "to all of the workers of the world." Ignore it. Focus instead on the characters, most of whom are people much like people you have met in your life, with French sensibilities. The love story between the main characters is basically an excuse to get to know this small community of neighbors and show how they interact.This is not one of the great films of all time, but I enjoyed it. It was a pleasant way to spend a little under two hours.

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