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A small group of cosmic explorers, including a woman, leaves Earth to start a new civilization. They do not realize that within themselves they carry the end of their own dream. They die one by one, while their children revert to a primitive native culture, creating new myths and a new god.

Andrzej Seweryn as  Marek
Jerzy Trela as  Jerzy
Grażyna Dyląg as  Ihezal
Waldemar Kownacki as  Jacek
Iwona Bielska as  Marta
Jerzy Grałek as  Piotr
Krystyna Janda as  Aza
Jan Frycz as  Tomasz II
Henryk Bista as  Malahuda

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Reviews

EnoVarma
1989/02/10

In the narration, the director declares that his movie was "murdered" back in '77. In this rare occasion, I find myself on the side of the producing party. "On the Silver Globe" is as ambitious as it is insufferable. Majority of the first act is shown as a collection of recordings by a group of astronauts getting to know their new habitation. This is all done in hand-held close-up, and it takes over an hour. Most of what is shown to us, is manic and deranged behaviour as the characters stumble into madness. (It has to be said, that these astronauts are a shame to their community. They should be men of science capable of analytical thinking, but instead they become mystics within five minutes from landing.) Very little of the dialogue is sensible in any way. That's a bit too much to ask of the audience. In my case, I could take about 80 minutes of it, then decided to try and spend my time better elsewhere. Zulawski is not without talent, by all means, but this project was misguided. I hope "On the Silver Globe" doesn't become a cult film - a classic it most definitively is not.

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ShoeBuckle
1989/02/11

I have seen many bad films but it is hard to remember any which equaled this one. The film has very little if anything going for it. Like other parts of the film the beginning of the film wasn't needed. There is little continuity to the scenes. It will be a real struggle for even the most die-hard film lover to get through this monstrosity. It lasts two and a half hours long and is horribly written. The film tries to be poetic but the script is stilted and the story line becomes constantly disjointed. (The fact there is one-fourth of the film which was never shot doesn't help matters.) In place of lost scenes viewers will see modern shots of life on Earth as the director narrates what the missing scenes would have looked like. The acting is overdone and is laughable if it weren't for the fact they are trying to be serious. I get the idea that the actors were allowed to ad-lib their lines which go on for an inordinate amount of time. I'll do my own ad-libbing right now which will give you an idea of what is in store:A rainbow is like a light never reaching its essence. It is the light of life that glows that way. Life is that way everyday in the morning. I like the morning it gives me a feeling of freshness. Feeling fresh I can see the light.Yes it is that bad. As previously stated the film has several scenes which should have been cut or not used as they add nothing to the storyline. The lighting is very dark and shot with a blue filter to the point that fire looks green. The soundtrack (or lack thereof) will also make you question the director's ability to bring a coherent story to the screen. The only joy I experienced while watching came after the two hour mark when I knew it was almost over.

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mike_wreck
1989/02/12

first off, the copy of the film that i was able to track down, was in polish with a very difficult to follow English voice-over narration/dubbing that spoke everyone's lines. Yet, despite the tedious dubbing issue and the frustrating image quality on the bootleg i tracked down, the wonderfully unsettling lunacy of the whole affair was able to shine through and really hit home for me.One earlier reviewer, in an attempt to discredit the film, described the actors' performances as similar to the ramblings of mental patients. I thought about it a bit, and concluded that, yes, all of the performances did have an element of hysteria and frenzy that someone might attribute to psychotics, but for me, thats part of what made the picture so extraordinarily unsettling (in the best way). The point-of-view style of camera-work and delivery that carried the first half of the film was really unnerving. The entire thing had a dizzying sense of madness that threatened to crumble at almost any moment, but managed to hold together long enough (around 3 hours) to hit you with the savage power of its staggering ending.It had more going for it than simply being "crazy" though, as i felt it also offered a fascinating look at the cyclical nature of human civilization, and perhaps more so, the ultimate hopelessness of it. It is a terrifyingly bleak film.if you can track down a copy of it, and feel as though you can handle the often tedious viewing experience, its definitely worth it. There's nothing else out there quite like it.

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berger-11
1989/02/13

This is one of the most impressing films I ever saw. Not only the fantastic sound of the polish language (i saw the film with german subtitles)but the great scenery of the mongolian landscape lead me to this opinion. This film is one example of films which are not just the "american standard cinema movie".

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