I saw this alleged B-level movie on a sleepless night. Although these conditions hardly qualify to say that a movie caught your attention because it was so good, I must admit I found it very intriguing, not because of its quality, but because of half its quality. I'll explain.The strange thing about this movie is that it appears to be made in two stages, clearly distinct in cinematography, script and acting. I'm not saying it was, but it would explain why these two parts are so different.In the "background part", the mechanics of the Justice For Victims movement are displayed, with victims and relatives lamenting the abstracted judicial system which is too lenient on perpetrators and does not care about the victims' justice. The movement's chief sets up an alternative circuit, where perpetrators are killed or "sentenced to death" so to speak, paying the killers with money financed by the victims, while some of it sticks to the hands of the movement's chief and the corrupt prison manager. This whole idea of restoring the old "eye for an eye" has been crafted very well, with sublime acting by the victims in an almost documentary fashion, and the intense characterization of the chief, whose motives are revenge, money, power and some true sense of justice altogether. It installs a double bind with the viewer, who sympathizes with the victims but struggles with the morals of revenge outside law.The "foreground part" however, starring Rob Lowe, is your way below average stupid "escape, run and get shot at" B-movie, with only a handful of villain guards and a mole inmate running and shooting about, complete with a romantic happy end, pulling the movie away from reality entirely.I could not help but feel that this movie was initially based on a sublime script, when half way some box office oriented but lame producer entered the scene, replaced the story writers with cheap off-shore scenarists and added a bunch of stars to turn it into an easy going action movie. It must have gone like that. How else to explain the discrepancy between the two parts?

That is the only thing I can positive to say about this movie. Cleveland is the star, I've been there and never saw the city look this good. Beautiful river and cityscapes.This movie moves ahead at such a pace they hope you won't notice the lack of real world relevance. People running around and shooting guns without any consequence. For example, there is a shoot out at Rob Lowe's character's house- two cars are stolen, and yet the cops don't show up there till much later in the movie. Murder for hire never looked so implausible.Whoever wrote this movie should be on the receiving end of one the movies countless stray bullets. Many of the actors in this movie are so much better than this. I check the date of the movie just to make sure it wasn't written during the writers strike but alas this was not the case. This movie is currently in rotation on Universal's HD channel- unless you want to drool of over Lowe there is no reason to watch it.

This movie was unbelievable... not because of the acting so much as the unbelievable circumstances. I guess what bothered me most was the story. It's about time that people formed a vigilante group to kill the bad element. The "Justice System", and I use that term very loosely, makes no attempt to seek justice for the victims. They're only concerned with the law, and all the rules they can bend or break. It was very disappointing to see the system fail again, and make the good guys out as the bad guys. Where can I join up?

I'm sorry but who put this thing together? This is a very sad example of something. Um, could it be nepotism? I dunno. It's difficult to imagine anyone putting money behind a production of such low, stunningly inept calibur. I simply feel shocked that this film was made. "Proximity" is an incredibly empty attempt, in every filmic aspect. Very sad. Give me the money and stop wiping your bums with it, LOL! Was this written solely by the computer program Dramatica?