After his kid brother is killed in a street race, a champion drag-racer quits racing. However, a new kid comes to town determined to force him back into racing so he can take his title--and he's already taken his girlfriend.When his younger brother, Steve, is killed racing a hot-rod, Jeff Northup blames himself for the accident since he had built the car for his brother and had encouraged him to race it, with other boys on a special course provided by police detective Ben Merrill, who is working to reduce the city's hot-rod fatalities by providing supervision for the dangerous hobby. Jeff withdraws from participating in races on Merrill's course and, without his leadership, reverts to racing on the streets. "Bronc" Talbott, a newcomer, makes a play for Jeff's girlfriend, Lisa Vernon. Eventually, the taunting-Talbott forces Jeff into a race which results in the death of a bicycling child, and evidence seems to indicate Jeff was at fault.
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Champion drag racer Jeff Northrup (amiable Jeff Smith) quits racing after his younger brother gets killed in a street race. However, Jeff receives pressure to get back into racing by cocky newcomer "Bronc" Talbott (essayed with spot-on arrogant swagger by Mark Andrews), who also makes a play for Jeff's girlfriend Lisa (an appealing portrayal by the fetching Lori Nelson). Director Leslie H. Martinson, working from a compact script by John McGreevey, relates the simple and straightforward story at a snappy pace while offering a nice slice of the 50's era complete with clean cut kids, shoddy obvious back screen projection, an engaging harmless tone, the inevitable chicken race, and a lively climactic brawl between Jeff and Bronc. The sincere acting by the solid cast helps a lot: Chuck Connors as the earnest Detective Ben Merrill, Frank Gorshin as flaky hipster Flat Top, Roxanne Arlen as the sweetly ditsy L.P., and Fred Essler as friendly diner owner Yo-Yo. Sam Leavitt's crisp black and white cinematography makes neat use of fades and dissolves. Alexander Courage's swinging jazzy score hits the groovy spot. A pleasant drive-in diversion.
It's the mid-1950s in the San Fernando Valley and all the kids are into hot rods of one sort or another. It's generally peaceable. The community has built a drag strip where the kids may race in relative safety after their cars have been inspected to make certain there isn't a loose pfoofnik pin somewhere. (You don't really learn anything about hot rods or their engines; you just see them zoom around.) All of this friendly competition takes place under the avuncular guidance of the gentle policeman, Chuck Connors.John Smith, the young auto mechanic, is the titular hero on parole for an accident that wasn't his fault. He's blandly handsome (I guess) and is, overall, a dull goody-goody. His girl friend is cute and innocent Lori Nelson, also dull, but who once had the decency to parade around in her underwear for a few seconds in "Revenge of the Creature," the second Gill Man movie. Frank Gorshin is "Flat Top," who is there mainly to provide laughs, though his wisecracks are no longer funny, if they ever were.The bad guy, Mark Andrews, rolls into town in his modified Olds and exudes contempt for everyone he meets, as a brightly colored tree frog in the Amazon rain forest exudes poison. I suppose he's darkly handsome too, and he has the smoothest line for the girls. "Hey, Baby, you're some high-powered chick. Whaddaya say we step on the gas tonight." I don't think I'll bother with the plot. It's not worth it. A couple of other reviewers seemed to truly enjoy this, which makes me feel more marginalized than Big Top Pee Wee. I thought it was immeasurably bad. It plumbed depths of imagination and skill that I never knew existed. I needed a bathyscaphe while searching for the least evidence of any redeeming quality but the benthic deep was sterile.It's hard to imagine that even someone who grew up in that milieu could enjoy this. However, these days, there is simply no telling.
HOT ROD GIRL is one of the many American-International teen oriented films that flickered at the drive-in and equally was part of those Saturday triple features in the ice cold theaters during the duck-tail days. A decent flick that has Chuck Connors playing a concerned cop that helps organize a drag strip to keep illegal drag racing to a minimum making the city streets safer. John Smith is a former champ who has quit racing and is happy to keep his friend's rods tuned. But he is forced to race again in order to avenge his little brother's death and win his sweetheart(Lori Nelson)back. The cast also includes: Frank Gorshin, Mark Andrews, Roxanne Arlen and Dabbs Greer.
Now here is a little 1950's JD film that I had a lot of fun watching! Kind of an off the wall affair that sends a mixed message but is certainly a hoot to check out. A young Chuck Connors plays a local cop who is trying to end illegal drag racing by getting the kids to participate in a sort of legalized form of racing at a drag strip he put together and supervises with some of the local youth. Things seem to be working fine, though Connors is constantly getting heat from his Captain who wants hot rodding banned altogether, until the local "hero" Jeff loses his brother in an illegal street race. Jeff goes brooding and decides he wants no part of Connors program anymore just as a typical 1950's hood comes driving into town for the first time trying to shake things up. I found the film to be oddly entertaining but I wasn't sure if the message was that kids shouldn't be drag racing or that it's ok, as long as it's done in a certain place. Anyway, a fun movie featuring pretty good performances by Connors, John Smith and a very young Frank Gorshin as "Flat Top". Also in the cast is the extremely attractive Lori Nelson who has the title role. It seems a little odd that the film carries the title HOT ROD GIRL as Nelson is clearly a supporting player and the only time she "hot rods" is very briefly in the beginning during the opening credits. Still, her 1955 T-Bird is a blast to look at as are some of the other cars featured in the film. Catchy 1950's music score also helps capture a nice feel. If you like these kinds of films, as I do, I think you'll find this one rather enjoyable.