Exploitation legend Cirio H. Santiago strikes again with yet another Filipino-made post-apocalypse actioner after the previous year's STRYKER. This is a straightforward action packed B-movie, nothing more nothing less, that is happy to rip-off MAD MAX 2 and about half a dozen other such movies. And you know what? This is really fun stuff! The reason being that there's no plot as such, just one action scene after another. We've got shoot-outs, burning stuntmen, car chases, lots of crashes, explosions, and to top it all off a large scale battle between two armies which employs a surprising amount of extras and proves to be a worthwhile finale. The action is straight-forward stuff, mildly convincing but lacking in any impressive stunts or camera-work. Don't expect any style; Santiago is no George Miller or Enzo G. Castellari, he shoots his film workmanlike and just gets on with it, making up in quantity if not in quality for the action bits.Other elements of interest include the opening stick-fight with metal bars (coming from the man who made THE PACIFIC CONNECTION, this is not a surprise); a few slow-motion car stunts as they roll over the edges of cliffs; hero Trace burning lots of bad guys with his flame-thrower, which is pretty cool in itself; a topless woman tied to the bonnet of a car (!); a tribe of troglodyte albino cannibals known only as the "Sandmen", whose inspiration stems from the Morlocks in THE TIME MACHINE, it seems; and the aforementioned large scale destruction/battle of the climax, fittingly topped by a mildly entertaining death for the chief villain. The arid locations in the Philippines make for an authentic backdrop for the production and the costumes, weaponry, and armoured vehicles fit the bill, even if they're not particularly outstanding or memorable.Hero Gary Watkins is definitely a Mel Gibson-wannabe and actually looks a lot like Gibson, so much that you'd think the two were brothers. Thankfully in his imitative performance some of Gibson's world-weary character comes through making Watkins an adequate lead. The three female supporting characters - one a female warrioress in the Sandahl Bergman mould, the other a psychic like Laura Gemser in ENDGAME, the other the sister of the lead character - are rather indistinguishable from each other and their characters don't hold the interest (good thing that there's lots of action to take your mind off the people involved then). Lynda Wiesmeier turns out to be a Playboy Playmate and unsurprisingly spends about 90% of her screen time topless. The only other characters that stand out are an annoying comic relief dwarf and the sneering villain, as played by the Filipino-born Joseph Anderson with some relish. The rest of the cast are mostly just undistinguished Filipino actors and don't make much of an impact. In the end, WHEELS OF FIRE is pretty much a forgettable flick that entertains you throughout with the wealth of action that it offers, rather like a Dolph Lundgren movie or a Stallone/Norris Vietnam movie. Enjoyable once but not one you'll go back to, this is B-movie making at its most solid.

In Wheel of Fire, Lynda is in a Road Warrior knock-off in which she is captured and gang-raped by a group of scummy, bearded, tattooed bikers. When first captured, she can be seen on the ground screaming as her top is ripped off, revealing her awesome rack. The leader has his way with her, ties her to the hood of a beat up car and tears around the desert with a still topless Lynda screaming her head off. He then rewards his fat biker worshippers by letting them pin her down and take turns screwing her.Apparently, the original cut has a much longer rape scene that goes on forever. She is beautiful, but this feature is borderline porn. Obviously working on this film was better than having to sit through it. Don't watch it with a date. it is quite misogynistic.The film is apparently a bit of an embarrassment to Playboy.

Max had the V-8, Trace (Wheels of Fires last and only hero) has a jet engine on the back of his car allowing him to make unintentionally humorous faces as he rockets around the halfway desolate wasteland. Be amazed as Mad Max 2 (aka The Road Warrior) is dissected and spliced back together as a new movie albeit filmed in a lackluster manner with bad actors and lousy stunt work.Why is WoF set in a post-apocalyptic wasteland? Simple, The Road Warrior was! Actually any questions can be answered by: it was that way in the Road Warrior! Except for the out of work mutant actors from the original 60's The Time Machine film that make a cameo appearance for sake of giving the audience some non-vehicular action to chew on for a few minutes.In typical 80's fashion, all cars driven by bad guys that are bumped or slightly jostled explode in a huge billowing explosion. Inevitably all car chases will happen near convenient cliff sides and cars will unavoidably fall off of them. Along with this 80's cinematic wild ride is the general rampant misogyny in this style of cheapie film. Generally I waited for Trace's rocket powered car to accelerate and shoot flames so there would be another shot of him scrunching up his face like he is supposed to be tough, which comes off more as him looking constipated. Badly choreographed action coupled with bad acting makes this film a true sinker. The unintentional humor value even manages to wear thin.Rats: Nights of Terror by Bruno Mattei is superior. And that in and of itself is saying a lot! By this count 2020 Texas Gladiators is a cinematic masterpiece compared to Wheels of Fire. A poor Road Warrior knock off that doesn't have near enough cheese factor to make the film watchable.

I was watching the great movie Barbarian Queen, when it was over we decided to FFWD to see if there was anything extra on the video. To our surprise we saw the best preview ever, the title.....Wheel of Fire. It was the funniest thing I had ever seen, one of the best parts was when they strapped the main character's sister to the hood of a car, topless. If you're ever bored out of your mind rent Barbarian Queen just the see the end preview