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The Arizona wilderness, 1880. Gen. Fletcher Blackwell sends a message telling Capt. Walsh, who is escorting a wagon-train through Apache territory, heading for the fort at Furnace Creek, that he should cancel the escort and rush to another town. Apache leader "Little Dog" is leading the attack on the wagon-train and massacring everyone at the poorly manned fort. As a result the treaty is broken with the Indians and the white settlers take over the territory with the help of the cavalry, as the Apaches are wiped out and only "Little Dog" remains at large. Gen. Fletcher Blackwell is court-martial-led for treason.

Victor Mature as  Cash Blackwell / Tex Cameron
Coleen Gray as  Molly Baxter
Glenn Langan as  Capt. Rufe Blackwell / Sam Gilmore
Reginald Gardiner as  Capt. Grover A. Walsh
Albert Dekker as  Edward Leverett
Fred Clark as  Bird
Charles Kemper as  Peaceful Jones
Robert Warwick as  Gen. Fletcher Blackwell
George Cleveland as  Judge
Roy Roberts as  Al Shanks

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Reviews

JohnHowardReid
1948/04/30

It's always amazed me that this lavishly produced, excitingly scripted and thrillingly staged western has no following. Perhaps it's the cast that has failed to attract the fans. Victor Mature is always acknowledged to have delivered a fine portrayal in Ford's My Darling Clementine, but he's just as effective here, even if the role is less showy. Heroine Coleen Gray is never numbered among the greats, yet she too has given a number of telling portraits. We enjoyed her characterization here. With the support players of course there are fewer cavils. No critic in his right mind would fail to praise the likes of Reginald Gardiner, Albert Dekker, Fred Clark, Charles Kemper, Charles Stevens and company. Gardiner has the most showy role, but all contribute engrossing performances.Lucky Humberstone has directed in an appropriately bravura style, assisted by Harry Jackson's striking studio and Arizona location cinematography. The large sets are equally impressive. So is Newman's score. This is a handsomely mounted and produced western which still comes across with tremendous force and power.In fact, despite its catchpenny title, to my mind, Fury at Furnace Creek rates as director Bruce Humberstone's masterpiece, breathtakingly photographed with a strong plot line and spectacular action sequences. The large cast acquits itself well and production credits are honorable in all departments. Humberstone's forte is action, but he handles the dialogue confrontations with equal ease. The script is peopled with interesting characters and only a somewhat conventional romantic interest dulls an otherwise really outstanding production. The climax is a tour-de-force of edge-of-the-seat excitement, the absence of music and the high contrast photography contributing to the dramatic effect. Both stationary camera angles and running inserts are used in the chase sequences - in Humberstone's expert hands, both are equally effective.

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Martha Wilcox
1948/05/01

I'm not sure if Victor Mature is suited to a Western. I didn't think much of him in 'My Darling Clementine'. He was okay in 'Kiss of Death', but it was Richard Widmark that made that film, not Mature. What this film lacked was someone for Mature to play off and react to rather than just being the lead. In 'Samson and Delilah' he had a good script and a good director. This film doesn't have a good script, although you could argue that the direction was good. If Mature had a good script, or a good actor to play off, then maybe it would have lifted his performance. If a film totally relies on Mature then it's not going to stand the test of time. Such is the case with this film.

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Spikeopath
1948/05/02

Fury at Furnace Creek is directed by H. Bruce Humberstone and collectively written by Charles G. Booth, Winston Miller and David Garth. It stars Victor Mature, Glenn Langan, Coleen Gray, Albert Dekker and Reginald Gardiner. Music is by David Raksin and cinematography by Harry Jackson.When General Blackwell (Robert Warwick) is accused of instigating an Apache massacre, he refutes the allegation so strongly in court he keels over and dies. With the family name tarnished, the estranged Blackwell brothers (Mature and Langan) must put aside their differences to hopefully unearth the truth and clear their father's name.Nice. Without bringing new dimensions to this formula of plotting, Fury at Furnace Creek is stylish and doesn't take the easy narrative options so prevalent in other Westerns of the 40s. Sure, the standard action quotient is adhered to, with Apache attack, pursuits, saloon shoot-out and the good versus bad finale, but screenplay and scripting has an intelligence about it; and the cast performances coupled with Jackson's shadowy infused black and white photography, make this well worthy of a look by the Western faithful. 7/10

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alexandre michel liberman (tmwest)
1948/05/03

I like old westerns and sometimes I think I saw all the good ones, so finding this one was quite a surprise. The story is about a region where they start finding silver. As it was Indian property, they conceive a plot to grab the land from them. General Fletcher Blackwell gets his name dirty because they think he is behind this plot. Victor Mature and Glenn Langan are the General's sons who go to Furnace Creek to try to clean his name. There is a very funny character called Peaceful who likes to drink and gets arrested, but as there is no jail they tie him to a tree trunk. Peaceful still manages to go to the bar carrying the enormous trunk on his shoulder. Coleen Gray is the girl who falls for Victor Mature but is not certain that he is a good guy. An above average western.

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