It seems that the film boards made a concerted effort to boost the image of women as tough and capable leading up to and continuing through World War II. "Keep Your Powder Dry" is an effort to display three women who overcome their disparate backgrounds, their petty differences, and their civilian prejudices to achieve a greater good by contributing to the war effort. A character in the film puts it this way, "...subordinate your personal feelings for the good of the corps."This is a consistent theme in movies throughout this era. In John Ford's "Pearl Harbor" a German mocks the notion that the weak and decadent American women could take the place of men in industry to free them for service as soldiers. In "Cry Havoc" we witness the courage, trials, and sacrifices of women on Corregidor. Here in "Keep Your Powder Dry" we learn of the candidates' perseverance through the trials of boot camp, motor pool training, and OCS school (though the examples that they show are weak).It is a little difficult to suspend reality far enough to buy the notion that Lana Turner could become dedicated to life in the WACs, having arrived by way of Park Avenue, but an effort is made by the screenwriter to show her recognition of the shallow and narcissistic lifestyle that she found there. It occurs rather late in the film, however.Still, for WWII movie buffs, and fans for the movies of the forties, this one is a must see.

This is a great little movie with plenty of laughs and tears. Lana Turner is in stunning form as Val, for some reason she really reminds me of Marylin Munroe a lot in this movie. The rest of the cast is great too, especially Laraine Day and Susan Peters. The story is based around the idea of three women from different social circumstances joining the WAC. The combination of Laraine Day with her army family background and Lana Turner as a model, creates for some incredible tension and electric scenes between the two. These two actresses really spark off each other wonderfully and they have some really dynamic exchanges. All the while with Susan Peters trying to play peace maker and remain neutral. A really heartbreaking ending really adds good balance to this movie also. I feel some of the other reviews were a little harsh on this film, treating it rather whimsically, this film has great dialogue and some very whitty exchanges, the likes of which you won't find on celluloid these days. I find it so hard to believe people can pass off a great little gem like this as boring and uninteresting. Anyway at least it has me here to champion it. :)

Wow! Lana Turner, Laraine Day, Susan Peters, Agnes Moorhead, and June Lockhart---all in the same movie. Does it ever get better than this? Unfortunately, how such a collection of talent can be given such a poor material to recite is puzzling. Witness the following lines: "Worked in Vaudeville with a trained duck. It got so bad I ate the act." "Rust proof,shock proof, self-winding, and will darn your socks, too." "Best soldier to ever wear a skirt." Despite lines like these, the acting is good enough to compensate. Yet, the film tends to demean the concept of the civilian army. Turner plays a model seemingly patriotic enough to gain her inheritance. Day is the army brat trying to maintain a family tradition. Peters is the intellectual always mediating the feud between the other two. Their acting saves the film. A major weakness in this film is the explicit sexism of the movie's theme. The powder is not gun powder but facial make-up. Men mechanics in World War Two movies don't get oil on their cute noses, but women mechanics do. Men do not cry if they fail to qualify for Officer's Candidate School, but women can fail and just have a good cry about it! The only thing to cry about is a movie with good talent squeezed into a plot better fitted the weak training films of 1942-42 than those of 1945 when social change played a part in a number of good movies. Perhaps Hollywood was not yet ready for change, or perhaps it was hoping old formula flicks which predated World War Two would prevail. Still, the film has merit and is worth seeing, especially with it's great ending.

It is meant to be a comedy, but is only mildly amusing.It gives a glimpse of Natalie Schafer who later played Mrs Howell on Gilligan's Island - for those who interested.