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Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

Laurence Harvey as  Pvt. 'Bammo' Bamforth
Richard Todd as  Sgt. 'Mitch' Mitchem
Richard Harris as  Cpl. Johnstone
David McCallum as  Pvt. Sammy Whitaker
Ronald Fraser as  L / Cpl. Macleish
John Meillon as  Pte. Smith
Kenji Takaki as  Tojo

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Reviews

gordonl56
1962/03/14

THE LONG, THE SHORT AND THE TALL (aka JUNGLE FIGHTERS) 1961This 1961 UK production takes place during World War two in the Burmese jungle. The film stars, Richard Todd, Richard Harris, David McCallum, Laurence Harvey, Ronald Fraser, John Rees, John Meillon and Kenji Takaki.Richard Todd is in charge of a squad testing some "sonic" warfare gear in the Burmese Jungle. The equipment, loudspeakers etc is to be used to fool Japanese about troop movements etc. The tests are not going well and Todd orders the squad deeper into the jungle to try a diff location.The squad is made up of a group of men who all have a beef with each other, the jungle and the army in general. The biggest arse of the group is played by, Laurence Harvey. Harvey would much rather be home in London than rotting in the jungle. He makes sure everyone knows his views on everything. This in particular rubs the unit corporal, Richard Harris the wrong way.The squad holes up in an abandoned tin mine to get out of the daily rains. The close quarters, of course brings out the worst in the bunch. They are soon at each other over everything. (The stage origins of the film are evident as the scenes are quite heavy with dialogue) There is even a fight between Harvey and Ronald Fraser.David McCallum, the man in charge of the radio gear, picks up a Japanese signal. McCallum figures from the strength of said signal, that the Japanese are very close. Just then, a single Japanese scout wanders into the area of the mine. The man, Kenji Takaki, is captured when he enters the building the men are hiding in.Sgt Todd sends several of the men, Fraser and Meillon out to have a look further up the trail. Todd figures it is time for the squad to hightail it back to headquarters. The news about the Japanese being this close needs to be turned in. The squad radio is having trouble reaching to the British camp.Fraser and Meillon are soon back to report to Todd that there are indeed Japanese troops coming. They had a run in with two of the Japanese, killing one. Todd orders all to grab their stuff for a bug out. Todd had originally wanted to take the prisoner along, but now decides it will just slow them down. Of course there is an argument about who is to kill the Japanese soldier.They drag the man along planning to dump him up the trail a piece. Now they find that the escape route they planned on using is flooded from the afternoon rain. The squad will need to wait a few hours for the water level to drop before continuing. This of course leads to more bickering among the squad.By the time the squad gets a move on, the Japanese advance forces have closed in. Todd fights a rear guard action while he sends Harris and the rest forward. Harris and the others however run right into an ambush and are shot up. Harris, though wounded, staggers back to where Todd is firing on the Japanese. The Japanese though are far too many and the entire patrol is wiped out.

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ianlouisiana
1962/03/15

I saw the original stage play from which only Mr Kenji Takaki survived intact to reprise his role as the captured Japanese soldier whose presence presents a moral dilemma to a retreating British Army patrol in the Burmese jungle. The play was a cause celebre at the time because of its use of "barrack room" language,most of which except for the racial slurs you can now here on CBBC. Also,after a decade of uncritical portrayals of the British military,it presented an uncomfortable view of O.R. soldiers under pressure that retired colonels from Cheltenham were extremely unhappy with. Thus its success was ensured by a theatre audience whose make up was for more egalitarian than that of today. When it came to making the film the producers chose "Box Office" actors like Mr R.Todd and Mr L.Harvey for the showy roles where "acting" equated to shouting at the tops of their voices.A close second in terms of sheer volume came Mr R.Harris,with the tragically largely forgotten Mr R.Fraser in third place,several lengths behind. Mr Harvey,possibly the worst "Romeo" in cinema history was unaccountably popular for a brief while,possibly for his profligate use of Brycleem which was obviously hidden somewhere in his kitbag along with eyebrow tweezers and a nailfile. His one golden moment came in "Expresso Bongo" where he was a fast - talking jerk who was not so clever as he thought,a role he was born to play. And not so far removed from Pte Barmforth,whose cockney accent is as transient as his rationality. When the patrol capture the unfortunate Mr K.Takaki, Barmforth takes it upon himself to "civilise" the prisoner by shouting very loudly at him in English - jamais plus change. Mr R.Todd is the "tough" sergeant in charge of the patrol,another whose accent is of the temporary variety,a bit like Mr J.Mills when demoted to the Lower Deck. In real life Mr Todd had led men in battle so he knew at least something about military action which put him in a position of advantage over his fellow thesps,but he was too nice a man to point out their inadequacies,evidently.It's what being British was all about. Viewed from 50 - odd years distance,"The Long and the Short and the Tall"(a quote from the old Soldiers' song "F*** 'em all") may seem quaint and stagey,and,frankly,laughable in the days of sexed - up dossiers,suicide bombers and waterboarding,but it was a pretty big deal in 1961. To be honest I'd forgotten about it until I watched it on television yesterday afternoon. And I was straightaway transported back to the Theatre Royal,smoking My "Gitanes"(pretentious-moi?) with every chance of holding my girlfriend's hand for an hour if I contrived to miss the last bus home . That's worth a "7" in anybody's book.

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ianandanne
1962/03/16

A great film which I had not watched for twenty years or so.But what really struck me was Lawrence Harvey's terrible accent.What was it supposed to be? I think it was on a par with Dick Van Dyke's in Mary Poppins.Some actors can move effortlessly between upper class and working class and be totally believable but in this case it almost ruined the film for me.It was a little "stagey" I agree and I think it could have been much better if the actors had swapped their parts around in a couple of cases.I would like to see a new version put onto film with a really good cast of contemporary actors and maybe shot on location.

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df48
1962/03/17

An excellent character study of the effects of war on a small British patrol in the Burmese jungle during WWII. Things heat up when they capture a Japanese soldier and then find themselves pinned down by enemy troops. Sets are stagy but it's the acting and writing that carry this story. An all star British cast lead by Lawrence Harvey and Richard Todd are first rate.Todd is the no nonsense leader trying to get his men out of a potentially deadly situation. Harvey plays a hard case enlisted man whose fundamental decency gives the movie it's moral force. A young David McCallum (Man From UNCLE) plays a spineless radio operator in what must be his first role.And to top it off a theme song to rival the Bridge on the River Kwai. All in all a movie that should saved from obscurity because it's so good.

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