The supposedly dead and buried Mabuse returns to his criminal activities, as his longtime foe Police Inspector Lohmann, a dauntless girl reporter, and an American - who may be an FBI agent, or maybe a Chicago mobster - investigate a series of gruesome murders connected to a maximum security prison and involving a minister who has written a book called "The Anatomy Of The Devil".
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I had heard that Gert Frobe was a pretty good actor. Most of us remember him in "Goldfinger," of course. He plays a multi-dimensional police detective who must pursue the wily Dr. Mabuse (whoever he might be). Working with a man imprisoned for his experimentation, a series of alleyways and twists and turns, leading to prisons, narrow escapes, and death, Frobe stays on the path, even though he doesn't seem to be respected by his adversary. The scientists daughter becomes a pawn in the game and complicates things. The pacing is pretty good and there are some surprises. And, as we know, super villains aren't all that easy to kill. Still, I liked the low key performance of Frobe and the way he is never intimidated by his discoveries.
This film has had more titles than some folks have shorts.No matter what the title we do have a nifty follow up to the classic 1000 Eyes Of Dr Mabuse. A man is murdered on a train which brings in Inspector Lohmann.In a rather gruesome scene a woman representing the Chicago Mafia is roasted alive by a flame thrower in a truck.This brings in Joe Como,FBI agent.Or is he really Nick Scapio from the Chicago mob? Dr Mabuse wants to make a deal with the Chicago gangsters for some undisclosed reason.He has a chemical which makes a person a slave to the will of Dr Mabuse.Mabuse intends to take over and destroy a nuclear power plant in the city as a show of good faith.Cleverly using prisoners from the local prison Mabuse intends to create mass havoc & terror. This film is never dull and will keep you guessing right until the end.It also has one of the more paranoid endings in the Dr Mabuse series.If you can find it enjoy it!
One of the better Mabuse-films of post-war West-Germany. Of course, none of these films came even close to the famous Mabuse original from the 20-ies. Dr. Mabuse is a mad scientist who uses his power to control and manipulate other minds. He is difficult to track and has the unpleasant feature of killing someone or lancing a coup in the most unexpected places and times. Usually, he uses devices as electronic mind-manipulators or hypnosis and has a gang of criminals at his disposal who carry out his orders and usually don't even know that their leader is the feared Mabuse. In the Dr.-Mabuse-sequels he was killed or hunted down several times but only to escape with mad genius and to appear another time. What makes this film interesting is the style and the scenic decoration with which the dark emotion and the mysteriousness are displayed that Dr. Mabuse implies. Supporting the mysterious atmosphere is that the film is made in black-and-white and the use of light has more effect on the atmosphere, although it is sometimes to theatralic. Some creepy details are remarkable for example masks or busts standing in a psychiatrist's office that contribute to the morbide background. Mabuse should be perceived like an unstoppable ghost - a task that has been very well accomplished. It has some kind of psycho-atmosphere - you can trust no one (maybe Mabuse has just manipulated your girlfriend's mind or a bling beggar is killing you on the street). The actors of this film are fairly unimpressive especially the unbearable Lex Barker who doesn't fit in this movie at all. The sole exception is the grummy Gert Froebe who plays the commissar once again and (for native-germans) can work with his saxonian dialect as well as putting his large body in police-like behaviour that is fun for anyone to watch as he is the only serious actor in this movie. Measured with international standards this film is a mediocre and unimpressive work and certainly not remarkable. But for german cinema it has a traditional connection with the Edgar-Wallace-movies that appeared at the same time. The Doktor-Mabuse-films use the same methods to create mystery, crime and psychological fear. Almost all of them are made in black-and-white and share the same pool of german actors that emerged in the 50-ies and 60-ies. This film is more interesting for someone who likes these pseudo-thrillers (as me) as for someone who wants to watch a serious movie. This film distinguishes itself as it is one of the more serious of the Mabuse-series with the plot being more conclusive and the solution of the case being more believable. And Gert Froebe's acting is noteworthy as it enriches this more or less pale movie.
Own laws are valid for criminal-genious Dr. Mabuse ( Wolfgang Preiss ). Inspector Gert Fröbe is being helped or disturbed by Lex Barker. The team, director H. Reinl and Lex Barker continued their work at Winnetou. The Westgerman-criminal-era started in the late 1950ies up to 1970. Famous were the many Wallace-criminals, but Dr. Mabuse is more unique with great Preiss and contains action and disport.