GANG BULLETS is a low rent mobster story from cheapie studio Monogram Pictures, notorious for making endless B-movies on a shoestring. This film's about the efforts of an entire city's law and justice departments to bring a notorious criminal to book. Morgan Wallace plays said criminal, 'Big Bill' Anderson, with relish and certainly dominates the film with his larger-than-life persona. I loved the sly joke when he tells the cops that his tax records are up to date so they can't bring him to book.With a running time clocking in at just over an hour, GANG BULLETS is never boring for a moment and the plot constantly twists and turns as first the cops and then the criminals get the upper hand. The usual clichés of the gangster genre are played out here, including protection rackets, stings, and shoot-outs, and they're all handled with surprising aplomb given the paucity of the budget. The film lacks any big-name actors for recognition but works anyway despite this.

1938's "Gang Bullets" shows that Monogram could occasionally compete with Warners' crime dramas, though on a noticeably smaller budget and less action. At the same time Boris Karloff began his 'Mr. Wong' series, the studio's modest ambitions show in this gritty expose of crime boss Morgan Wallace, against crusading District Attorney Charles Trowbridge, with top billing awarded former Warners starlet Anne Nagel, best remembered for her work at Universal in "Black Friday" and "Man Made Monster" (one of her last roles came in Monogram's Charlie Chan entry "The Trap," wearing a fetching bathing suit). After playing the surprise killer in "Charlie Chan at Monte Carlo," Robert Kent was back on the right side of the law, soon starring opposite Bela Lugosi in the 1939 serial "The Phantom Creeps." Morgan Wallace usually played villains, as he soon would in "Mr. Moto Takes a Vacation," before his memorable encounter with W. C. Fields in "My Little Chickadee."

Forced out of one city by some extralegal methods of one district attorney, gangster Morgan Wallace simply moves to another to set up shop. Wallace is into all kinds of illegal rackets and has the police and DA really stumped. The press is clamoring for DA Charles Trowbridge's scalp, a prospect not pleasing to Trowbridge's daughter Anne Nagel and her fiancé Robert Kent who is also Trowbridge's number one assistant.Gang Bullets comes from out of Monogram Pictures so you can't expect too much and believe me you won't get it. The film has some interesting ideas that don't seem to follow up. At one point Wallace talks about building his racket by letting a few suckers win some big pots at his gambling establishment and then becoming advertisements. It sounded like an interesting film idea that is never followed up on. There's also an interlude where two of Wallace's henchmen bring a third wounded comrade into some woman's home with her 12 year old boy. It plays like a bit from another film entirely. In fact that whole premise was used later on with much greater effect in The Desperate Hours.In the end Trowbridge goes to some extraordinary lengths to bring down Wallace. But even the end is rather anti-climatic. Stuff like Gang Bullets was done so much better over at Warner Brothers.

I won't say this is one of the worst movies I've ever seen, because it isn't. But boy, it sure is one of the dumbest. Though the story has a fairly good premise and an interesting hook with the 'Junius' letters, it all crumbles under third grade level writing and if it's possible, even worse performances by the lead characters. But no sense in dwelling on the low points as if they were negatives, one of the bright spots of films like this is the ability to make fun of the genuine goofy stuff presented.Like this one - how is it that when three of Big Bill's henchmen escape from the cops with the one named Al critically shot, they make their getaway one whole city block over from where they started? Huh? Besides that, radio reports carry news of the escape in real time while it's happening! Then, henchman Red admires the way Al stays one step ahead of the cops by croaking - this is truly inspired stuff!I have to admit though, the film had me fooled with the identity of 'Junius', I thought it was Assistant D.A. Carter (Robert Kent) trying to further discredit his boss Dexter Wayne (Charles Trowbridge). In the finale though, with Wayne holding the grenade about to blow when he let go, I was fully expecting Superman to bust through a wall to make the save. Instead, Carter directs his boss to throw the grenade out the window. Hey, wouldn't it have been a good idea to OPEN THE WINDOW FIRST??!!!Monogram Pictures was well known for it's shoestring cheap budgets and low production values, but this film makes the Charlie Chan series of the same era look like "L.A. Confidential". Still, as I hope I've explained, you can have a good time with this one if you're in the right frame of mind. Watch especially for henchman Armstrong's (Donald Kerr) scene when he makes his 'confession' to the police, it's a great preview for roles that would be made famous in the Nineties by Joe Pesci.