It took me 14 years since the movie's theatrical release in November 2000 to sit through and watch this film written and directed by Alex Winter (best know for starring as Bill in the two film set Bill& Ted's Excellent Adventure and the movie sequel Bill & Ted's Bogus Journey). For the greater percentage of films that make it out to a general release if the director is also the primary writer, the film will not do well at the box office, and for good reason. Writer's who want to direct, and/or director's who want to write a screenplay have a unique perspective that they want full control to present to their audience. Quite frankly, the audience does not want to see a unique "artistic perspective", we want to be entertained.I read the majority of complimentary reviews of this film that were written a dozen years or so ago, and they all said how talented Alex Winter was as both a writer and director, some comparing his style to Alfred Hitchcock. Oh please, were these reviews written by Alex Winters' close friends and family? If not then roll forward to 14 years later in 2014 and look at Alex winters body of work as either a writer or director and you will see that Hollywood has not been banging down his door with financial backing for any subsequent films.I rated the film as high as a 4 out of 10 only because of the strong performance of the lead actor Henry Thomas. Unfortunately although Thomas's performance was very real, his face appeared in 95% of the film and his psychotic and delusional behavior was irritating. I also found the lack of any notable musical score presented the film more as a documentary style (which it was not trying to be) than as a thriller. Alex Winter kept throwing in scenes that attempted to provide a film noir, "Hitchcock" approach, but in my opinion the film suffered even more so as a result.After 14 years since its release and over 500 viewers scoring this films average rating of 6.1, I believe this is a very generous IMDb score. I will not be recommending this film to anyone to waste their time watching, even with the attractive Teri Hatcher playing Henry Thomas's sane sister.Some viewers may enjoy this type of film premise of a disturbed young man who experiences dream sequences (or are they real?) and coming in and out of reality but it certainly is not my cup of tea. I say pass on this attempt at film noir. I give it a 4 out of 10 and this is generous only due to the good performance of Henry Thomas.

Fever is a movie that appears very shallow at first glance, but is actually quite complex.The plot is a little confusing, but after a close look; not all that difficult to get. An artist (Nick Parker) is struggling to keep his job as an art instructor. After a grisly murder at his apartment, he begins to slip slowly into insanity.Henry Thomas was OK as Nick Parker. I think they could have gotten someone else to play him, but Thomas wasn't really bad, so to speak. David O'Hara (The Departed) was really good as Will, Nick's neighbor and new slightly insane, creepy friend. Probably my favorite character. Teri Hatcher was very good as Charlotte Parker, Nick's worried, caring sister. You really sympathize with her throughout the entire movie. Bill Duke (Predator) was also very good as Detective Glass.The lighting was what really set the mood for the film. As Nick's sanity vanishes slowly, scenes tend to be darker. And with a low-tone music score added to it, you have a very dark film.Not a bad film, see it before you judge it. 7/10.

For its mere 90 minutes, this film packs a lot of punch. Intriguing, beguiling story ... excellent cinematography ... first rate sets ... solid, even direction ... all around good acting ... wonderfully ambiguous ending. Total treat!

Winter doesn't seem to have his head around the screenplay for "Fever", a dark and morose drama about a young, disturbed NYC slum dwelling artist (Thomas) who is caught up in a trio of murders . The film paints a portrait so nebulous as to leave many questions unanswered as it plods toward an unsatisfying conclusion with a sort of Hitchcockesque style. Unfortunately we're not given reason to care about the principle and are left to wait for the other shoe to drop all the way to rolling credits. "Fever" is an okay watch technically and artistically which offers solid performances. However, the screenplay misses opportunities to put more meat on the bones of a story with unrealized potential. Okay fodder for couch potatoes into quirky film noir psychodramas.