RELEASED IN 2005, "The Ridge" chronicles events when five college youths take a getaway to a luxurious vacation home on a scenic ridge and somehow incur the wrath of the legendary Ridge Runner, a murderous woodsman.This is a micro-budge film written and directed by Brett Haley, who also stars as the semi-pathetic Blake who's rejected by the woman he craves and disrespected by his brother (Neal Bledsoe) and another dude before going off to brood. Will his suppressed rage conjure up a beast from his Id that will give birth to the rash, murderous actions he could only daydream about with his conscious mind à la "Forbidden Planet"?I was wondering if that was how the film would pan out, but I'm not going to say.Anyway, "The Ridge" begins with all the hallmarks of spare change budget fare, like poor sound, hand-held cams, less-than-stellar acting and dull dialogue/drama. The entire first half of the movie (43 minutes) is like this, which will tempt some viewers to tune out, but that would be a mistake because everything kicks into gear at the halfway point and Hayley's talent is showcased from there out. Seriously, the change in quality is so great that "The Ridge" is almost like two movies. Drama obviously isn't Haley's forte, but suspense/horror definitely is. The quality score by Austin Donohue accentuates the suspense.Lydia Hyslop as Cara is a highlight; she's sweet & beautiful and (almost) worth the price of admission. Neal Bledsoe plays the main dude; I hear he went on to greater things.Someone compared "The Ridge" to the Friday the 13th movies and said that it was better than some of the sequels. While it's true that it's a taken from the Friday the 13th mold, it lacks the budget of any of those films and is therefore one-dimensional and amateurish by comparison (the first half, at least). It also lacks the humor of some of the sequels of that franchise. It's totally serious, particular once the killer is revealed. Speaking of which, I like the fact that the Ridge Runner is presented as a mysterious killing machine with zero attempt to explain his (or her) insane actions, except for the legends spoken about him, but only in hushed tones late at night when the fires burn low.THE FILM RUNS 87 minutes and was shot on a ridge somewhere in the East, likely Pennsylvania or New York (I don't know; I'm just guessing; there's no info about the shooting locations in the end credits or elsewhere, probably because they didn't pay for permits).GRADE: First half C- and second half A for a balanced grade of B-

Five college students gather to spend the weekend at an isolated mountain retreat. Two are brothers; most are friends. Yet when they couple up, one will inevitably be left out, scorned not merely by the woman he loves but by his own brother. As he broods alone at midnight, will his suppressed rage engender a monster from the Id who will enact the fantasies of vengeance he wouldn't dare entertain in his conscious mind? Alas, no. But when he recounts an urban legend about a hunter who terrorizes the unsuspecting denizens of the local forest, we know that another sort of rampage can't be far behind.'The Ridge' provides a measure of entertainment value, though perhaps not in the way its creators intended. Its premise, performances, and production values inspire laughter more than terror. But it does feature solid pacing, and it effectively suggests what it can't graphically depict. In the end, only its technical limitations truly set it apart from its big-budget brethren. Hackneyed plots and amateurish acting are, after all, the lifeblood of horror cinema. So if viewers find too much fault with this hopefully-witting B movie, they ultimately have a problem with the genre, not 'The Ridge.'I admit that I watched this only because I am related to its leading man, Neal Bledsoe. He has since moved on to projects far more likely to burnish his reputation. But 'The Ridge' could rise again, as a re-released DVD prominently featuring his image in order to capitalize on his subsequent stardom. It happened with Naomi Watts's pre-fame thriller about a homicidal elevator, 'The Shaft.' When that happens, Neal will know he's truly made it.

Worse movie I've ever seen. The sound quality was poor, the script was even worse, and the acting was pathetic! Even the ending sucked pimentos! Obviously Neal Bledsoe has gotten much better, he couldn't have gotten any worse, that is for sure. Acting was way over the top when it came to fear ... totally over-exaggerated to the point that I couldn't watch the entire movie. I have far too much respect for my to put it through the torture of watching a film of this caliber! The sound reminded me of early soap operas ... empty. The scripting wasn't even worth calling this a B movie. All in all, walk away ... you'd get more entertainment by watching a dripping faucet.

I wish I could say nice things about this movie but alas, the bad out weigh the good. The actors did a good job, They were convincing and worked well together on screen. My problem was with the story and editing. There were several bad cuts throughout the movie that distracted from the story and made me kind of angry considering the time they took to get decent angles and have a decent cast. The story was solid however, I would have liked the "Ridge Runner" to be built up a bit more, his hood was way too big and made him look comical rather than intimidating. There were a couple of decent scares and the dialogue wasn't so bad that I felt myself wanting to fast forward. I really wish the filmmakers took the time to get an editor who actually knew what they were doing.Note to Producers: Next time show some skin. Especially when you have a character take her bottoms off in a pool only to have her bottoms back on in bad editing. It is annoying and distracting from the story. I would have given you at least one more star if she was actually naked.