The films of this director have, for me, been hit or miss. Shepard is a consistently good director, with deep values and a great sense of sarcastic humor. The problem is with the scripts that he chooses or co-creates. But this film is by far his best, especially because of its fine performances. As always, Sam Rockwell is captivating and John Rubinstein delivers a solid performance. But the runaway star of the film is its unusual villain. Amber Kain is a fireball of raw genius. She is brilliantly disturbing in the role of "Ruby." It takes an actor of rare humility to commit to playing such an unlikable role. It takes an even more rare talent to make such an unlikable character sympathetic. Amber Kain scores on both counts, much like Angelina Jolie did as the character of "Lisa" in Girl, Interrupted. Amber Kain is a movie star in the making that audiences will love to hate. The only question now is: can she play nice?

This is a movie about a father who is searching for his kidnapped daughter in New York City. First off, I would like to say that the pacing of this movie is incredible. Nothing is too drawn out, nor does it speed up towards the end and wrap everything up in 15 minutes. There is definitely a lot of tension in this movie, I definitely felt it during a few scenes.This is one of those movies where the story moves between "good guy, bad guy" in terms of John Rubenstein's character. He is introduced as a somewhat snobby lawyer who makes sure he gets what he wants. That quickly changes once he finds out his daughter is missing. From then on, he is depicted as a determined father, who will stop at nothing to get his daughter back. Some scenes even show that his determination somehow ties into his dark past, thinking that he is a powerful person who can have his way if he feels like it, ignoring the risk and danger that may be involved. Yes, there is definitely some great character work in this movie.I would also like to mention that it is almost ironic that Rick Gomez appears in this movie. He is, of course, the angry man who wants to use the payphone (If you've seen the movie, you will know who I am talking about.) I mention Rick because he and Sam Rockwell look unbelievably alike, so just so you don't get confused, if you think you see one of the kidnappers waiting to use the pay phone, that's not actually Sam Rockwell, it's Rick Gomez. Just thought I'd throw that out there.Ruby's character is also brilliantly developed. Ruby was once a sweet, yet somewhat obsessive teenager, now grown into a twisted kidnapper, seeking revenge for reasons unknown until much later on in the movie. Her shining scene, in my opinion, is when she begins to loose her grip on her own sanity as she is slowly engulfed in her own anger and hatred for the Father, and we as the audience are left with more questions than answers. What in the world could make this young woman so angry, so vengeful, that she would risk everything to commit a crime such as this? The very ending (the elevator scene, I won't say any more) is what could make or break the movie. It is a decision the Father makes, and the viewer is left to agree or disagree with his choice. Would it be his turn to seek revenge, or will he just file it away as another dark spot in his past? If you want to find out, you should see the movie, and I recommend it as a great rental for a rainy Saturday evening. Definitely a popcorn movie as well!

i saw this on cctv movie channel,it's really a good film,at first i felt it was just a common criminal film about kidnap,but,i found it was more than crime as i finished seeing it,it showed the bad side of our society and human!..anyway,it's a good film......

MERCY starts off by lulling the viewer into believing he is watching a low-budget exploitative crime thriller, but unexpectedly the film turns into an incisive character study. The cast, especially John Rubinstein, Amber Kain, and Sam Rockwell, does a great job throughout. The only weak point is a very distracting, gratuitous scene in which the Rubinstein character meets a psychotic arms merchant, but this interruption is brief, and the plot soon picks up and builds to a satisfying climax.This is the first Richard Shepard movie I have seen, and I plan to view more of his work as the opportunity presents.