When I was an editor I was hired to create a promo for a film distributing convention for "A Woman Undone". What was most enjoyable about the job was that I could use any background music I wanted because the finished product would not be seen by any paying customers. I chose music by Bernard Herrmann written for a 1971 British film, The Night Digger. I was very proud of my final product. I feel that I made the Showtime film intriguing and suspenseful when it may have not been. A bit of trivia is that One of the actresses, Georgann Johnson went to school with my mother, Marjorie Talle.Dean Peter Merriman.

I actually thought it was a parody at first... the people in it are pretty good actors. I could not stop watching because it was hard to believe it was continuing to be so bad... dialog stiff, strange, odd... story line pretty close to a laugh...but never quite made it...oh, I'm lying, maybe when we found out she shot her husband to keep him from suffering when he got stuck in a burning car... that was so far-fetched, esp. since she was cheating on him with a young hottie and planned on getting a divorce... wish the writer had dared to take this one over the edge. With more work, it might have been a great parody. Unless you're desperate or a movie masochist, skip this one.

Interesting lead actors and their characters were involving enough to make me stick it out to the end of this so-so film. Sam Elliott played the only likable character. He's solid as the lawyer in here.Mary McDonnell, famous for playing "Stands With A Fist" in "Dances With Wolves," plays a cheating wife and Randy Quaid, usually a comedian, is anything but here, playing an abusive husband.Most of the story is told in flashback after Quaid is killed fairly early on. It's kind of a soap opera at times but kept my interest going just to see what would happen to McDonell's character, "Teri Hansen."

A good cast is wasted on what might have been an intriguing story. Unfortunately, it is hurt by the execution. This slow-moving film looks like it was made on the cheap - in fact, parts of it appear to have been filmed at a motel. Mary McDonnell, a wonderful actress and a beautiful woman, is miscast as a femme fatale. Her hair is unnaturally dark and apparently the cameraman despised her. How she tells Benjamin Bratt (wasted in a poorly-defined role) that she's 36 with a straight face is a tribute to her acting. It's a shame because the story was an interesting one, not going exactly the way one expects. But I wonder how many people stuck with it long enough for the plot to unfold. However, miscast or not, it's always a pleasure to see McDonnell, and great to see Sam Elliott.