I watched this pilot movie for a television show that never came to be on the riff show, Mystery Science Theater 3000. Apparently, it too received the same treatment as such other MST3K classic episodes Pod People and Cave Dwellers where we get a title sequence that comes from an entirely different film all together before being treated to the actual film. It is a rather misleading tactic and one has to wonder why they do it. In Pod People, the film they show actually looks like it might be better and more horrific than the one we get. In Cave Dwellers, the film they show looks more serious and older than the one we get. Here, we get a super science fiction looking show and what we get starts out somewhat promising and then kind of falters by really going nowhere all that special. From this film, it looks like the show was going to be a take on an earlier show, The Fugitive with a few science fiction elements, but not all that many considering it takes place on another planet. Basically, nearly everything thing is the same on this planet our hero finds himself on right down to the cars! The story has three astronauts experiencing some trouble in space. One of them ends up in a hospital where there is something not quite right. Turns out, that he is not on Earth, but another planet where some sort of oppressive government which at first is trying to get information from the astronaut, but then switches to wanting to kill him because he may pose a threat to their 'perfect' society. He goes on the run and gets the aid of a nurse and a man who happens to help with the space program, but has disdain for the order so he and the astronaut devise a plan that may get him off the planet.This made for an interesting episode of MST3K. Honestly, during the first section of film I was actually more interested in what was happening in the movie than their riffs as it played out rather good...at first. Then it never goes anywhere and just becomes "The Fugitive" only with the very light science fiction elements. Thankfully, their riffs were good when the story was going stale so it made for an entertaining episode of the show. I liked how they kept trying to get up and leave when the movie looked as if it were going off due to commercial.So, it was not a totally bad film, but it just needed more. It was interesting up to a point and then it just became kind of a mess. It becomes guy on run and bad guys closing in and then guy finds a way to slip passed them. Pretty sure this one would not have lasted for too many seasons because there is only so much you can do with the premise. The government pretty much had a lot of people under its influence so it would have started becoming unbelievable say he had kept running into people who just happen to hate the order. So, probably for the best it was just a one episode wonder, the main bad thing about it though is no closure.

Stranded in Space (1972) MST3K version - a very not good TV movie pilot, for a never to be made series, in which an astronaut finds himself trapped on Earth's evil twin. Having a planet of identical size and mass orbiting in the same plane as the earth, but on the opposite side of the sun, is a well worn SF chestnut - the idea is over 2,000 years old, having been invented by the Ancient Greeks. In this version the Counter World is run as an Orwellian 'perfect' society. Where, for totally inexplicable reasons, everyone speaks English and drives late model American cars. After escaping from his prisonlike hospital, the disruptive Earthian is chased around Not Southern California by TV and bad movie stalwart Cameron Mitchell who, like his minions, wears double breasted suits and black polo neck jumpers - a stylishly evil combination which I fully intend to adopt if ever I become a totalitarian overlord. Our hero escapes several times before ending up gazing at the alien world's three moons and wondering aloud if he will ever get home - thus setting up one of those Man Alone in a Hostile World Making a new Friend Each Week but Moving on at the End of Every Episode shows so beloved of the industry in the 70s and 80s ('The Fugitive', 'The Incredible Hulk', 'The Littlest Hobo' etc.) The curiously weirdest bit though was the title sequence. Somewhere between 'Stranded in Space' first airing (under the title 'The Stranger') in 1972 and the MST3K version in 1991 it somehow acquired some footage from the 1983 movie 'Prisoners of the Lost Universe'. So in 1991 the opening credits for 'Stranded in Space' run under a few shots of three people falling into a matter transmitter and vanishing. It's a sequence that has nothing to do - even thematically - with anything that is going to follow.Just to add to the nerdy B movie confusion, one of the actors in this nailed on footage, Kay Lenz, later appeared in a 1994 movie called 'Trapped in Space'. Knowing this fact could never save your life but it might score you very big points and admiring looks from fellow trash movie enthusiasts - if you could ever work out a way of manoeuvring the conversation round to the point where you could casually slip it in without looking like a total idiot...

Cameron, Cameron, Cameron. Here is yet another example of the spiral downward of your career, which ended with the fantastic horror that is Space Mutiny. Here you play an overacting chief of a quasi-Nazi state on a parallel Earth. This made for t.v. movie(which is simply the pilot shows of a never got made t.v. show-gee, I wonder why this one never went into production?)highlights your mediocre acting skills perfectly.The plot, such as it is, is that some astronauts from Earth crash land on an identical world that circles the sun parallel to ours. The other two astronauts are killed, and the 'perfect order' that runs the world in a 1984-esque fashion tries to find out all the info they can from the remaining astronaut, Neal Stryker. He escapes from the special hospital where he's being kept so easily that it made you wonder if all the hospital staff had been lobotomized or something. Then he wanders around trying to find out where he is and what happened, nearly giving himself away over and over again. One of the things that almost gets him is that everyone on the planet is left-handed(the opposite of Earth, nudge nudge, wink, wink). He meets up with a female doctor who already betrayed him in the hospital, and forces her to take him to a weird old guy who thinks his pigs are spies for the Perfect Order. Now that's a quality guerrilla fighter, to be sure. This old guy tries to help him steal a spaceship so that he can get back to Earth, but for some strange reason the plan doesn't work. Can't imagine why not, really, especially since their most dangerous enemy is Cameron Mitchell. It should have been a cake walk. At the end of the pilot...errr...movie, Stryker is stranded on the planet with nowhere to go. Much like the t.v. series itself, in my opinion.

This movie takes the plot behind the sci-fi flick "Doppelganger" (an astronaut from our Earth crashing on a 'counter-Earth' on the opposite side of the Sun, and the Cold War totalitarian vibes on that world) and tries to turn it into a pilot for a TV series. However, the whole thing sank without a trace, and TV is probably better off for it.Everyone here is perfectly adequate in a 'made for TV' way. Cameron Mitchell turns in his usual solid performance. So does Glenn Corbett (who seems to be a kind of poor man's John Saxon) who plays the rugged individualist whose very existence poses a threat to the foundation of the 'World Order' on counter Earth.But the low budget and low energy and inconsistent script and the lack of any real imagination in the set designs and cinematography keep this Sci-Fi adventure firmly tethered on the launch pad.I'll give one example: in the original template for this pilot, ("Doppleganger"), the astronauts lose control of their landing vehicle in a thunderstorm, and crash their ship in a truly appalling sequence (it was obvious that their ship was never going to fly again). Then the two astronauts stagger helplessly from the smoking remains of their vehicle in the middle of howling rains and winds, only to be smacked down and overcome by faceless men yelling through loudspeakers.In "Stranded in Space", the astronauts are sitting in their seats when buzzers sound, things start shaking, and the camera blurs into a blackout (and as a friend pointed out, it was pretty obvious that the actors were simply shaking themselves on their seats, the director wasn't even shaking the camera or the set). I've seen episodes of "The Twilight Zone" and "The Outer Limits" that took more effort to establish mood and setting than this made-for-TV mediocrity.And that, in essence, is what's wrong with "Stranded In Space". No budget, no time, no imagination...just making the token gestures and hoping the sci-fi Fan Boys' imagination and enthusiasm will fill in the rest. Sorry, guys, it didn't work. I'm sure that everyone here just finished their work on this one and walked away, and never thought of it again, except as a listing on their C.V. And that's what you, the viewer will do. You'll remember, if pressed, that you once watched a TV movie called "Stranded In Space", but it made no lasting impression on you, and you can't recall too much about it.