The story of two young hustlers, Tatsuro and Shin. They each have a lady friend, and everything seems to work, until the day Shin declares he's in love with Tatsuro.
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Initially I had concerned expectations, having read the synopsis of this story. I feared it could be sleazy, or all wrong, but since I liked a couple of the director's other films, I thought I'd try it.Thankfully, the main characters had more depth than I feared. We see the vulnerability and innocence of young males who've ended up in difficult and messy situations as a result of their potentially short-sighted choices, as they struggle with their genuine emotions.What I didn't like is the way the storyline didn't properly explore the love interest of the two young males - there was real potential for something more beautiful there, but instead all there was, was tense kissing between them in the hotel room in front of a middle aged man who had hired them, shortly before one of them breaks down into tears... So kind of worrying and disappointing overall. Like - it's a shame, how things turned out for them, so I couldn't really like the film because of this. On the flip side, there is at least a little bit of hope at the end, as they walk home together, hopefully for new beginnings.
OK. Will someone who's seen this before explain this to me? I saw this movie twice. I would say the same things that have already been said here. It's a wonderful movie about these two boys, and their female friends, and the boy "falling in love" with the other boy... blah, blah. But I DON'T GET IT.SPOILER******** Why did Shin burn Tatsuro's picture after Tatsuro kissed him and tried to have sex with him? Was Shin somehow falling "out" of love because Tatsuro was "just in it for sex, fun, and money"? Was Shin mad about that? Was Shin's feeling just a sexual attraction and not "love" as his girl best friend said it is? What was the ending all about? Seriously! Did both characters realize that they're NOT gay and they're only hustling for the money? Or have they realized that they ARE gay and are in love with each other? I DO NOT GET THE ENDING! HELP ME OUT HERE PLEASE!!! This movie is SO FULL OF TENSION. It got me shouting HUUUUUUH? all the while. I was wanting more and more of Shin/Tatsuro's sexual tension!!! Their chemistry is freakishly depressing and HOT at the same time!! The end was such a "HUH?" to me that I seriously need a part 2 to make me understand how Tatsuro and Shin really feel for each other! :( PLEASE HELP ME UNDERSTAND THIS MOVIE. I absolutely loved it but I REALLY need more Shin/Tatsuro "looovin'." :D
I saw this movie in DVD release that came out 10 years after its initial theatrical release, so there is a lot of making-of stuff on the DVD that reveals some surprising things about the movie, e.g. almost all the actors were first-timers; it was a huge box office hit in Japan; the director put down his own work as substandard (much too hard on himself, in my opinion).The story itself turns and twists on the fact that characters who seem strong--Tatsuro and Yoriko--are actually weaker than their younger friends--Shin-chan and Asami-- who turn out to be strongest when they are the most vulnerable. The name of the escort service the boys work for is Pinocchio, a sort of puppet palace/donkey island where it takes something special to become a real, live boy. Overcoming self deception is the biggest hurdle. I suppose it is meant to be Tatsuro's movie, but Shin-chan stole it from him, not with any sort of mugging, but largely because of the charm of the character. All of the performances were pitch perfect.I didn't come away feeling quite as gloomy as our other commentator did, maybe because I recognize low-key Japanese upbeat-ness when I see it. I was charmed by all four of these kids, but definitely not in a manipulated Hollywood sort of way. They all seemed like the kids I teach: very real, very embattled, and very resilient.I have a quibble with the subtitles. They were mostly pretty good, but since it's an older movie, we're stuck with them... no way of turning them off. However, there was an occasional omission of some dialog from the translation that I could see no reason for, and--if left in--would have actually enhanced the understanding. I think perhaps this was critical in the last scene, and could be the thing that led the other commentator to find it depressing, because he didn't catch this one little bit of dialog--when Tatsuro tells Shin-chan how much he actually got for posing and Shin-chan's response to it--that was actually quite sardonically funny.
Hashigushi's film about two Japanese students who make some extra money as rent boys has an atmosphere much like his later film 'Like Grains of Sand'. What is impressive about his way of filming is the intensity he creates with his slow way of filming and his long camera shots from a single perspective. This way, the focus is on the actors, and the little things they do, through which we slowly get to know them. There is one beautiful scene where one of the boys, who is in love with the other one, lies on the top of a school building, doing nothing else than looking at a photograph of his friend, which he has secretly taken from their pimp, while a girl friend just hangs around him, getting very bored with the situation. The boredom is typical of all the youths in the film, who really do not seem to have any real direction in life, no ambition, and who certainly do not seem to be able of handling there feelings. The two boys are frustratingly clumsy about showing any feeling towards each other, which doesn't offer much hope for any possibility of some happiness evolving in their dreary lives. The film does leave you slightly depressed, as there does not seem to be much reason for optimism about growing up in Japan. There is however, some relieve, due to the humour Hashigushi occasionally uses in his film, like in the scene where one of the boys visits a girlfriend, to discover that her father is one of the men who pays him for sex.