A stray World War Two bomb releases the ghost of the 3rd Earl of Chaunduyt after 400 years. A visiting professor, while wooing the beautiful Lady Mary, daughter of the present Earl, finds him an ally in his fight on behalf of the villagers to protect their ancient rights against a meddling newcomer.
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For someone who knows so little about British films, I was delighted to learn more by watching it in the only place one might find it these days: You Tube. It's British humour and therefore one has to be awake to get the full benefit. The British routinely poke fun at themselves, especially their Xenophobia. When a passenger on a bus learns that the driver who drove so badly was a 'foreginer' and 'French' to boot, she simply replied "so there you are". I found the whole thing a delicious and at times an hysterically funny film. Add to that the inimitable British skill at character depiction and a cast of terrific actors to act them out and the result is quite impressive. It's also interesting to note the date of production (1944), Like the Americans, the Brits didn't make film about the War during it; they both preferred to laugh their way to Victory as much as possible. These great film greatly helped relieve the enormous personal stress of those enduring that horror. As Eleanor Roosevelt (if I remember correctly the author) said about the war on the home front: "keep 'em laffing "
Peter Hayward (Richard Greene) leads the villagers in the town of Chaunduyt (pronounced "Condwit") against a landowner, Mr Pike (Alfred Drayton), who refuses to allow animals onto his land and wants to plough up the cricket pitch. Peter is helped by a ghost (Richard Bird) who has been released from the walls of a stately home after it has been hit by a German bomb. Hey, it might be a British bomb, after all, we now know that in every war it seems traditional to kill your own troops in some way. The film climaxes with a court scene and a surprise revelation.I was hoping for a good ghost story but it is far from that. Unfortunately, this is another example of British silliness. The ghost as played by Richard Bird is hardly in the film and when he does appear, he is portrayed as a friendly buffoon. Another buffoon who I suspect was meant to court sympathy was the "Butler" as portrayed by Edward Rigby. We have tedious sections at the beginning of the film where every time he moves around the stately home, he is accompanied by comedy music. I found him irritating. There are some funny touches, eg, the fact that everyone in the village has the same name due to inbreeding throughout the years (a hot topic especially with the royal family) and this film gives us the original dilemma over the pronunciation of the surname "Bucket"...... or is that "Bouquet"? If you like silly British nonsense, then you will enjoy this film. It's not a catastrophe but it is a disappointment.
This picture deserves more publicity. It is a charming British comedy with a great sense of goofiness that the Brits used to do so well.In it, our hero Richard Greene displays the wonderful charm we remember so well from his subsequent "Robin Hood" TV series. As the reluctant Lord (who secretly yearns for commoner vices), Brefni O'Rorke is delightfully wise, subtle, and droll. Even Ivor Barnard, in his brief cameo, is memorable as a French refugee bus driver. (Apparently, he apprenticed in a Parisian taxi.) And scattered throughout the film are many funny bits (such as rival lawyers continually attempting to one-up each other with earlier and more obscure citations.) Indeed, my only disappointment was over the ghost's role. More could have been done with him. Since sheep have a crucial role in the picture, for example, perhaps, as a sight gag, a ghostly encounter might have turned some black ones white. Also, the ghost's fate should somehow have been intertwined with that of the obnoxious plaintiff, who, after the trial, just seems to abruptly disappear, as if forgotten.
Chaunduyt is rather like Brigadoon, locked in time centuries before. A bomb hits the castle and manages to awake a ghost, who is rather a jolly old soul. Word gets out about the ghost, and other findings, and suddenly the manor is open to tourists, and newcomers flood Chaunduyt, not all with good intentions. A young professor is most interested in some ancient manuscripts - and the current Earl's daughter - but he ends up getting much more involved, in a fight with the villagers, aided by the ghost, over some developers who want to bring Chaunduyt a little more up to date.Fairly amusing. 6/10