The IMDb movie rating scale does not go low enough to give Anus Magillicutty a fair rating. I can't remember being this angry at a film, ever. I really wish there was a service that allowed you to punch people in the face over the internet just so I could vent my anger.The worst thing about this film is by far the pacing, what little plot there actually is has been extended by random scenes of naked women with heavy metal background music; so much so that the finished product is 90 percent filler, none of which has anything to do with the plot. If I want to see naked girls I will just get some real porn thank you very much.The plot is inane, the characters are unlikable, the acting and special effects are bad. Some movies are so bad they are funny, Anus Magillicutty has passed even that point. It is truly horrible. The ONLY funny moment in the entire 70 min running time is when the main character accidentally runs over Satan with is car.

These existential machinations of charismatic and robust actors both represent a combination of old-time sensations with the graphic twist of the modern cinema. Leaving you at the edge of your seat both the protagonist and side-kick leave you stunned waiting to hear the next set of syllables fall from their lips.Juicy, heart wrenching, and mystical only touch upon a of few of the adjectives you find while flipping through the thesaurus in an attempt to describe this theatrical wonder.Your eyes and heart will never forgive you if you don't stop to smell the flowers.But what did I like most about the film? Specifically, the milieu

I'm not dead! What's going on? Anyway, in defence of "Anus": It was a film ahead of its time. There was a certain amount of friction on set, which lent a roughness to the whole proceedings, but we all went home smiling.The lighting and camera-work were inspired by the *wonderful* work Michael did on "Troll 2" and "3 Ninjas: High Noon at Mega Mountain" (A movie so damned good it killed my grandfather, and I still love it -Ishtar cubed!) I don't know if all those fans of "Manos: Hands of Fate" would agree, but Anus' dialogue (as expertly ad libbed by the cast and crew) was as effective as Kiefer's final scenes in "Santa With Muscles".But what did I like most about the film? Specifically, the milieu.

So very honestly, I have never had an experience like watching this movie, both as an amateur film-maker...but also as a human being. The sheer poignancy of a script that was 99.9% unscripted is mind-blowing, I'm surprised I've been able to stop crying for long enough to write this review but I feel the world must know. Last night I had to go out on a walk simply to think about the movie and reflect on it. It was a full 3 hours until i returned. And even then it was only because I found myself thinking about Anus' woman and wandered into oncoming traffic. For my own safety I came home but with a serious moral dilemma on my hands. Now don't get me wrong, I'm your normal, run-of-the-mill heterosexual. To quote Betty "I like the ladies y'know, i do like 'em". But very honestly, if i were to swing in THAT way I bet you a big shiny penny it'd be because of Anus Magillicutty. The only thing that did keep me in a non-bisexual frame of mind was that woman of Anus. I mean, damn! that woman is fine! This comment has a maximum of 1,000 words so I won't even BEGIN on the technical superiority or the mastermind of a director that helmed the project. I gave this rave reviews to all my film-making buddies and after going on for an hour I'm always asked the same question. But what did I like most about the film? Specifically, the milieu.